|This biography from the Archives of AskART:|
|Born in Brooklyn, New York, Alexander Brook was a realist painter,
whose works consisted mostly of still-life subjects, landscapes, and
figures, often of women. He was very successful in his day,
winning second prize to Picasso's first prize at the Carnegie Institute
International Exhibition of Modern Painting in 1930.|
York, he studied at the Art Students League between the years of
1914-1918. It was at the Art Students League that Brook developed
significant relationships with Niles Spencer, Reginald Marsh, Kenneth
Hays Miller, Yasuo Kuniyoshi and, perhaps most significantly, Peggy
Bacon, whom he married in 1920. Along with Kenneth Hayes Miller, Brook
studied with John C. Johansen, Frank V. DuMond, George Bridgeman and
Dimitri Romanofski. Within this group lay the foundations of
American Realism. Brook was a member of the Society of Independent
Artists, who rebelled against the strictures of the National Academy of
In 1938 Brook traveled to Savannah, Georgia, there he
did some of his most provocative work. After two years in the
South, Bacon and Brook were divorced. Brook later married the painter
During the years 1928 through 1939, Alexander Brook had works in over
one-hundred exhibitions, fifteen of which were one man shows. By
1942, Brook had resumed teaching at the Art Students League.
Demand for the artist's work kept him in significant collections,
galleries, and museums, including the Downtown Gallery (New York), the
National Academy of Design, the Rehn Gallery, the Larcada and the
Some feel Brook may have retreated from the
art world with the rise of Abstract Expressionism, although a
sketchbook that he kept from 1949 to 1951 reveals an active engagement
in painting and served multi purposes--a repository for his ideas, an
address book, notebook, and travel diary. Of special interest are
his notes on watercolor technique. It also includes tips for
using new painting tools such as knives, sponges, and razor
blades. Most of the sketches in it are of Florida landscapes,
which augmented written accounts of his travels. Many later
drawings were inspired by the trip Brook made with his third wife to
Europe, where he studied the works of Picasso, Goya and Zurbaran.
received awards at the Art Institute of Chicago (1929), the
Pennsylvania Academy (1931), the Guggenheim Fellowship (1931), and the
San Francisco Art Association (1938).
|This biography from the Archives of AskART:|
The following was written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California.
Alexander Brook was born in Brooklyn, New York on July 14, 1898. At the age of sixteen Brook was painting ancient statuary at Pratt Institute, after a bout of polio that fortunately left no traces. At the age of seventeen he enrolled at the Art Students League where in time he became a member of the faculty. Life became a series of successes. He won second prize to Picasso's first prize at the Carnegie Institute International Exhibitioon of Modern Painting in 1930.
Brook had close and congenial friends in painters Niles Spencer, Louis Bouche and Peggy Bacon, whom he married in 1920. Until the tidal wave of abstract art inundated the galleries, no show of contemporary American art seemed complete without an Alexander Brook. But abstract art took over and Brook was out of the public eye. He was a lusty personality who used a lyric brush to paint the tender, not the dramatic, side of life. His colors were subdued and subtly graded.
Brook was a brawny, barrel-shaped man who was up at dawn each morning for a full day of puttering and painting. He and Peggy Bacon were divorced in 1940. He was remarried later to the painter Gina Knee and his wife accompanied him wherever he painted. He died in 1980.
Time Magazine, August 2, 1962
Life Magazine (date unknown)
|Biography from Charleston Renaissance Gallery:|
|Born in Brooklyn, New York, Alexander Brook studied at the Art Students
League with Kenneth Hayes Miller from 1914 to 1918. He was a
member of the Woodstock artists’ colony with his first wife, Peggy
Bacon, from 1920 to 1940. Brook traveled to Savannah in 1938, and
spent time between there and New York until 1947. |
A prominent artist in Savannah during these years, he was hailed by Life magazine in 1940 as “one of America’s best painters.”
Brook maintained a studio in an old warehouse on the riverfront, where
he worked as an American scene realist, creating evocative landscapes,
portraits, and genre paintings rendered in soft brushwork and muted,
somber colors, like this vernacular view of rural Georgia.
Brook married the artist, Gina Knee, in 1945 and the couple settled in Sag Harbor, New York.
|Biography from The Johnson Collection:|
|Alexander Brook was a major proponent of American Realism during the 1920s, '30s, and '40s. He was born to Russian émigré parents in Brooklyn, New York and developed an interest in art while recuperating from polio at the age of twelve. At seventeen, he signed up for classes at the Art Students League in Manhattan and studied there for the next four years; later, Brook would serve on the school's faculty, where his students included Joseph Delaney among others.|
Early in his career, while developing his personal style, Brook wrote articles for art journals to supplement his income. He eventually became the assistant director of the Whitney Studio Club, later known as the Whitney Museum of Art, where he worked to promote contemporary, representational art. Brook built a solid reputation for himself during the twenties and thirties with his genre scenes and portraits painted in a realistic manner, winning several important awards.
In 1938, Brook traveled south to Savannah, Georgia and found the city to be a great source of inspiration. He returned in 1940 and moved into a studio housed in a former cotton warehouse on the Riverfront. He lived in the town, off and on, over the next decade, executing some of his best work there. One of his paintings showing an impoverished, African American shantytown on the outskirts of Savannah won first place at the Carnegie Exposition in 1939. Throughout his career, Brook tended to favor melancholy subjects saying, “I find . . . that I am more concerned, both sympathetically and aesthetically with the simpler and sadder things about me.” This interest is reflected in the dark palette of grays and browns that Brook often used to convey emotion in his paintings.
Following his military service in World War II, Brook returned to Savannah with his wife, Gina Knee, who was also an artist. Though his palette and subjects were often somber, Brook was known to be a friendly and outgoing individual. Brook and Knee divided their time between New York and Savannah, and their home became a gathering place for local artists and their friends, including Hattie Saussy. Brook painted many portraits and genre scenes for his own pleasure as well as commissioned paintings during his time in Georgia. The couple also actively supported the area's local causes, including the theater and library. While living in Savannah, Brook exhibited his work, wrote articles for art publications and produced two covers for the Saturday Evening Post. In 1948, Brook left Savannah and purchased a home on Long Island, New York, where he retired from painting in 1966 and died in 1980.
The Johnson Collection, Spartanburg, South Carolina
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