|This biography from the Archives of AskART:|
|An environmental installation artist and painter of architectural
landscape drawings, Christo has become known for "wrapping" famous
buildings and geographical landmarks with plastic and woven-fabric
sheets. His projects, usually with the assistance of his wife and
dealer Jeanne-Claude, include wrappings of the "Berne Kunsthalee" in
1968, a coastline area in Australia; the Reichstag, in Berlin; and the
Pont Neuf in Paris. In California, he built a running fence 18
feet high and 24.5 miles long and in Japan and California, created a
running series of 3,100 umbrellas.|
In February 2005, the Christos oversaw the installation of one of their most attention-getting endeavors, The Gates, Central Park, New York, 1979-2005.
Opening February 11 and lasting sixteen days, it was the biggest art
project in the history of New York City. Seventy-five hundred
frames, sixteen feet high, were placed at intervals along 23 miles of
footpaths in the park. Suspended from the frames were orange
tinted fabric banners, intended to convey a "splash of sunrise" and
what Javacheff Christo described as "a visual golden river". But
declining to say much about the project, the artist said: "This project
is not involving talk. It's a real, physical space. It's not necessary
to talk. You spend time, you experience the project". (Tribune)
Christo was born in Gabrovo, Bulgaria, on June 13, 1935, the same day
as his wife, Jeanne-Claude. He studied at the Fine Arts Academy in
Sofia from 1952 to 1956, and then worked at the Burian Theatre in
Prague in 1956. He did further study in Vienna in 1957, and the
following year went to Paris where he began creating wrapped, packaged
objects. He and his wife have lived primarily in New York City,
although they travel frequently.
They do not use their last
name, Javacheff, although their son Cyril took the last name of
Christo. According to Bedford McIntosh, "In the past few years
they have come to refer to themselves as the 'artists Christo and
Jeanne-Claude,' recognizing her critical role in the projects. The
titles on their more recent projects reflect this."
Funding for the site-specific works come from the sale of preparatory drawings, documents, and sculptures.
Matthew Baigell, Dictionary of American Art
Bedford McIntosh, Scottsdale Tribune, February 13, 2005, A17
|Biography from RoGallery.com:|
|Christo (born Javashev Christo) is best known for producing enormous packaging projects: he wraps parks, buildings, and entire outdoor landscapes. Christo has collaborated with his wife Jeanne-Claude for over 40 years on these projects. The two earn the huge amounts of money required to execute their monumental works by executing and then selling preparatory drawings to collectors and dealers.|
Believing that people should have intense and memorable experiences of art outside the institution of the museum, Christo typically creates temporary wrappings -- generally lasting several weeks -- on a vast scale. Borrowing land, structures, and spaces used and built by the public (and, therefore, already laden with a history of associations and connotations), he momentarily intervenes in the local population’s daily rhythm in order to create "gentle disturbances" intended to refocus citizens' impressions. Such disturbances force each local participant/viewer to examine the way that social interaction becomes entrenched in routine and is consequently deadened.
In Christo’s printed and three-dimensional work, Christo wraps an object, challenging the viewer to accurately remember the concealed object and giving it the notion of rarity because it is inaccessible. Nine documentary films were made about the projects of Christo and Jeanne-Claude. One of their most famous projects is Running Fence, which they constructed in Sonoma and Marin Counties, California.
Christo and Jeanne-Claude accept no sponsors; they pay for all their expenses for their projects with their own funds. Their work has been included in museum exhibitions in the United States, Australia, Europe and Israel, and are in the permanent collections of the Museum of Modern Art , the Whitney Museum of American Art in New York, the Tate Gallery in London, the Stedelijk Museum in Amsterdam, and the Albright-Knox Art Gallery in Buffalo.
In such installations as Wrapped Coast -- One Million Sq. Ft. (a 1969 fabric covering of Little Bay in Sydney, Australia), and Wrapped Floors, Wrapped Walk Ways (a 1971 intervention onto and into a house designed by Mies van der Rohe), traditional aesthetic criteria such as line, shape, form, and color are coupled with the immediacy of nature. Some wraps such as Valley Curtain (Rifle, Colorado, 1972), and Running Fence (California, 1976) are titans of dramatic effect, while others such as Wrapped Walk Ways (St. Louis, 1978) exude a romantic, bucolic, and elegant feeling. Regardless of effect or locale, the extensive lines of fabric running along sidewalks, across lawns, and over walls give the environments a renewed sense of intimacy. Although the sense of enclosure and specificity is temporary, it permanently alters the way people experience a given locale.
* Christo and Jeanne-Claude's The Gates wound their way through Central Park in 2005 in New York. The Central Park Conservancy estimated more than one million people entered the park in the event's first five days. February 2005 marked the ephemeral installation of this monumental work. First conceived in 1979 and rejected by New York City government in 1981, the project was approved by Mayor Michael Bloomberg’s administration in 2003. The work of art consisted of 7503 16-foot-high vinyl gates with saffron-colored fabric panels on twenty-three miles of the Park’s walkways. Seen from the buildings surrounding the Park, The Gates looked like a saffron flowing river, while those walking through them experienced the ambience of a fluid golden ceiling. Financed entirely by Christo and Jeanne-Claude through their C.V.J. Corporation, The Gates were assembled and installed by thousands of paid workers. Completed on February 12, 2005, The Gates remained in place for sixteen days, after which they were removed and the materials recycled. The work of art was free for all visitors, who continued to use Central Park during the whole process. This historic event provided a memorable and joyous experience for New Yorkers and visitors.
* Christo attended the Fine Arts Academy of Sofia and Vienna.
* Christo and Jeanne-Claude's work is in the permanent collections of the Museum of Modern Art , the Whitney Museum of American Art in New York, the Tate Gallery in London, the Stedelijk Museum in Amsterdam, and the Albright-Knox Art Gallery in Buffalo.
* Christo and Jeanne-Claude's Umbrella Project in 1991 was the most ambitious and expensive project they have ever undertaken.1340 blue six metre umbrellas were assembled and erected throughout a narrow valley in rural Japan. 7000 yellow umbrellas were similarly prepared across the Pacific in a dry expanse of Californian land. After months of gruelling process, the two countries united as the forest of umbrellas were opened simultaneously on both continents. The blue symbolised the plentitude of water in the Japanese terrain, and the yellow represented the heat of the American valley. For Christo the umbrellas were "freestanding, dynamic modules... which reflected the availability of the land in each valley, creating an invitational, inner space". The umbrellas were removed after two weeks.
*In the summer of 1995, the Reichstag building in Berlin was transformed into an immense sculptural experience by Christo and his wife Jeanne-Claude along with a team of hundreds.
*Wrapping historic structures in silvery fabric and blue cable has become a famous tradition for Christo and Jeanne-Claude: landscape projects in the USA, Japan, and Australia and urban projects such as the Pont Neuf in Paris have established them as the most extraordinary artist couple of the age.
* Their son, the poet and writer Cyril, was born in 1960.
* To keep their art pure, the couple bear all of the costs for their installations themselves. This includes paying all the workers who work on the installations. Most of the money raised is through the sales of Christo's extraordinary preparatory studies.
* As of 2006 they have completed 18 projects.
* 1985 The Pont Neuf Wrapped, Paris, 1975-1985, 40, 876 square meters of woven polyamide fabric, 13 kilometers of rope. Source: Christo And Jeanne-Claude (Taschen Basic Art)a
* 1995 Wrapped Reichstag Berlin, 1971-1995. 100,000 square meters of polypropylene fabric, 15.600 meters of rope and 200 tons of steel. It ran for two weeks and attracted five million viewers. Source: Christo And Jeanne-Claude (Taschen Basic Art)a
* Wolfgang Volz (born 1948) has been working with Christo and Jeanne-Claude since 1972. He is responsible for, among other things, the photography of the works of art. During the projects Wrapped Reichstag, Wrapped Trees and the installation The Wall, he was technical director for the realization of the works of art. This close collaboration has resulted in many books and more than 300 exhibitions in museums and galleries around the world. Wolfgang Volz and his wife and partner Sylvia Volz live and work in Dusseldorf. Source: Christo And Jeanne-Claude (Taschen Basic Art)
* Christo and Jeanne-Claude moved with their four-year-old son Cyril to New York in 1964. Source: Christo And Jeanne-Claude (Taschen Basic Art)a
Wrapping historic structures in silvery fabric and blue cable has become a famous tradition for Christo and Jeanne-Claude: landscape projects in the USA, Japan, and Australia and urban projects such as the Pont Neuf in Paris have established them as the most extraordinary artist couple of the age.
Source: Christo And Jeanne-Claude (Taschen Basic Art)a
|Biography from Denis Bloch Fine Art:|
|Environmental installation artist and painter of architectural landscape drawings, Christo has become known for "wrapping" famous buildings and geographical landmarks with plastic and woven-fabric sheets. His temporary art projects, with the assistance of his wife and dealer Jeanne-Claude, typically span great distances in populated landscapes, both rural and urban. They are mostly made of colorful fabrics, created in the form of large curtains, wrapped buildings or bridges, running fences, surrounded islands or coastlines, massive umbrellas, and other assemblages. |
The artists pay all expenses associated with the artworks, including planning, construction, and tear down, partly from the sale of Christo's preliminary drawings, early works from the 1950's and 1960's, and lithographs. They accept no contributions, grants or other financial assistance, preferring to make their aesthetic decisions apart from any influence financial backing might involve. A large group of paid workers is necessary to construct, dismantle and eventually recycle the artworks. Usually, there are years of planning, meetings and hearings held by governments and communities, to gain approval for their projects.
Christo (Javacheff) was born in Gabrovo, Bulgaria, on June 13, 1935, the same day and year as his Moroccan-born wife, Jeanne-Claude. He studied at the Fine Arts Academy in Sofia from 1952 to 1956, and then worked at the Burian Theatre in Prague in 1956. He did further study in Vienna in 1957 and the following year went to Paris where he began creating small wrapped, objects such as bottles, packages and barrels.
It was in Paris that he met Jeanne-Claude when her mother saw the artist’s commissioned portraits at a beauty salon and invited him home to lunch. The couple has one son, Cyril, a published poet, born in 1960. In 1964 they settled in New York City and Christo gained his US citizenship.
“People think our work is monumental because it's art, but human beings do much bigger things: they build giant airports, highways for thousands of miles, much, much bigger than what we create.”
Select Museum Collections:
Art Gallery of Ontario, Canada
Detroit Institute of Arts, Michigan
The Getty Center, Los Angeles
Museum of Modern Art, New York
Tate Gallery, London
Walker Art Center, Minneapolis
Art Institute of Chicago, Illinois
Cooper-Hewitt Design Museum, NYC
National Gallery of Art, Australia
Centre Pompidou, Paris, France
Museum of Contemporary Art, Tokyo, Japan
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