Video artist, Stan Douglas uses lighting, colors and sound effects to create narrative works.
Douglas combines cliched sequences from the TV world into 30-to-60 second pieces in which everything and yet nothing happens. In "Hors-champs", 1992, two black-and-white films of a free-jazz concert, taken with two cameras, are projected on both sides of a screen suspended loosely in the room. On the front of the screen is the final cut, while on the back is the material that was edited out.
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