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 Andrew Masullo  (1957 - )

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Lived/Active: New York/California/New Jersey      Known for: sculptur-non objective

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Ad Code: 4
Andrew Masullo
2005-2006 oil on canvas 10” x 8”
Artwork images are copyright of the artist or assignee
Biography from Gallery Paule Anglim:
Andrew Masullo (b.1957)

For many years Andrew Masullo has filled his studio with small abstract oil paintings in a numbered series. On stretched canvas, these brightly-colored simple compositions trigger responses both serious and playful.  Using a palette of nearly primary yet not quite pastel hues, he explores permutations of shape and color that provoke thoughtful comparison to great authors of abstract art while retaining an immediacy with the viewer.

Born in Elizabeth, New Jersey in 1957, he lived in Manhattan 1980–2000 and subsequently makes his home in San Francisco, California

Education:
1979 Rutgers University, New Brunswick, NJ; BA, Studio Art

Selected Solo Exhibitions:
2010  Feature Inc., New York
2009  Texas Gallery, Houston
Daniel Weinberg Gallery, Los Angeles
2008  Gallery Paule Anglim, San Francisco
2007  Daniel Weinberg Gallery, Los Angeles
2006  Gallery Paule Anglim, San Francisco
2004  Joan T. Washburn Gallery, New York (catalogue)
2002  Joan T. Washburn Gallery, New York (catalogue)
2001  Zolla/Lieberman Gallery, Chicago
2000  Gallery Paule Anglim, San Francisco
Joan T. Washburn Gallery, New York (catalogue)
1999  Thomas Ammann Fine Art, Zürich (catalogue)
1998  Derek Eller Gallery, New York
1996  André Emmerich Gallery, New York
1994  André Emmerich Gallery, New York
Craig Cornelius, New York
1993  Bockley Gallery, Minneapolis
1991  fiction/nonfiction, New York
Bockley Gallery, Minneapolis
1990  fiction/nonfiction, New York
Asher-Faure Gallery, Los Angeles
1989  Bockley Gallery, Minneapolis
fiction/nonfiction, New York (catalogue)
1988  fiction/nonfiction, New York
1987  Bockley Gallery, Minneapolis
1986  Paulo Salvador Gallery, New York

Selected Group Exhibitions:
2010  "Invitational Exhibition," American Academy of Arts and Letters, New York
2009  "Abstract Alchemists," Heather James Gallery, Palm Desert, CA
"Paintings," Daniel Weinberg Gallery, Los Angeles
"Put Together," Steven Zevitas Gallery, Boston
"Populate This Form," Feature Inc., New York
2008  "Another Damned Drawing Show" Daniel Weinberg Gallery, Los Angeles
"The Idea of Nature," 33 Bond Gallery, New York; curated by Bill Weiss
2007  "Block Party II: An Exhibition of Drawings," Daniel Weinberg Gallery, Los Angeles
"Thoughts," Feature Inc., New York
“Open End,” Kinkead Contemporary, Culver City, CA; curated by David McDonald
2006  “Andrew Masullo, Naoto Nakagawa, Alexander Ross,” Feature Inc., New York
“Peter Acheson, Chris Martin, Andrew Masullo,” Baumgartner Gallery, New York; curated by Chris Martin
“Summer Group Show,” Baumgartner Gallery, New York
"Strange," The Cartin Collection, Hartford, CT
2005–06  “The O Show,” Shore Institute of the Contemporary Arts, Long Branch, NJ; Kresge Foundation
Gallery, Ramapo College, Mahway, NJ; curated by MatCH-Art
2005  “Around About Abstraction,” Weatherspoon Museum, Greensboro, NC; curated by Ron Platt
"Surface," Lucas Schoormans Gallery, New York, curated by Tate Dougherty
2004  “Colored Pencil,” K.S. Art, New York
2003  “Best in Show,” Marcel Sitcoske Gallery, San Francisco
2002  “Gallery Artists Group Exhibition,” Zolla/Lieberman Gallery, Chicago
“Nina Bovasso, David Dupuis, Andrew Masullo,” Derek Eller Gallery, New York
2001  “Gallery Artists Group Exhibition,” Zolla/Lieberman Gallery, Chicago
2000  Thomas Ammann Fine Art, Basel Art Fair, Switzerland
1999  “The Stroke,” Exit Art, New York; curated by Ross Bleckner
1998  “Little,” Jeffrey Coploff Gallery, New York
Summer Group Show, Derek Eller Gallery, New York
“From Here to Eternity: Painting in 1998,” Max Protech Gallery, New York; curated by Ruth Kaufmann
1997  “Alive and Well,” Elizabeth Harris Gallery, New York
“Purely Painting,” Elizabeth Harris Gallery, New York
1996 “Box,” Fotohui Cramer Gallery, New York
1995  “Love Flight of a Pink Candy Heart: A Compliment to Florine Stettheimer,” Holly Solomon Gallery, New York; curated by Michael Duncan (catalogue)
Benefit Exhibition, White Columns, New York
“Geometric Abstraction,” Grimaldis Gallery, Baltimore
“Geometry,” Allene Lapides Gallery, Santa Fe
1994  “Whateva,” Dru Arstark Gallery, New York
“Al dente,” Caren Golden Fine Art, New York; curated by Randy Wray
“Abstraction,” Rhona Hoffman Gallery, Chicago
André Emmerich Gallery, Basel Art Fair, Switzerland
“Retouching the Family Album,” Patricia Shea Gallery, Los Angeles
1993 “Here’s Looking at Me: Contemporary Self-Portrait,” Espace Lyonnais d’Art Contemporain, Lyon, France; curated by Bernard Brunon (catalogue)
1992 “Hollywood, Hollywood: Identity under the Guise of Celebrity,” Art Center College of Design, Pasadena, CA; curated by Fred Fehlau (catalogue)
“Paper,” Diane Brown Gallery, New York
“Forty Years of Paint-by-Number, 1952–1992,” Bridgewater/Lustberg Gallery, New York
“The Object is Bound,” Stephen Wirtz Gallery, San Francisco
“Mssr. B’s Curio Shop,” Threadwaxing Space, New York, curated by Saul Ostrow (catalogue)
“Are You a Boy or Are You a Girl?,” Real Art Ways, Hartford, CT; curated by Cary Leibowitz
“Dysfunction in the Family Album,” Diane Brown Gallery, New York, curated by David Humphrey
1991–93 “Departures: Photography 1923–1990,” Cantor Gallery, Worcester, MA; traveled to Denver Art Museum, Denver, CO; Joslyn Art Museum, Omaha, NE; Pittsburgh Center for the Arts, Pittsburgh, PA: The Goldie Paley Gallery at Moore College of Art and Design, Philadelphia; Telfair Academy of Arts and Sciences, Inc., Savannah, GA; curated by Edmund Yankov (catalogue)
1991 “Just what is it that makes today’s homes so different, so appealing?,” The Hyde Collection, Glen Falls, NY; curated by Dan Cameron (catalogue)
“The Library of Babel,” Hallwalls Contemporary Art Center, Buffalo, NY; White Columns, New York; curated by Todd Alden (catalogue)
“Not on Canvas,” Asher-Faure Gallery, Los Angeles
1990 “All Quiet on the Western Front? Part Two,” Espace Dieu, Paris
“Word as Image,” Bard College, Annandale-on-Hudson, New York
“Word as Image: American Art 1960–1990,” Milwaukee Art Museum, Milwaukee, WI; Oklahoma Art Museum, Oklahoma City, OK; Contemporary Arts Museum, Houston; curated by Russell Bowman (catalogue)
“Regarding Art: Artworks About Art,” John Michael Kohler Arts Center, Sheboygan, WI (catalogue)
“Hollywoodland,” fiction/nonfiction, New York
“Stripes,” Barbara Krakow Gallery, Boston
“All Quiet on the Western Front?,” Galerie Antoine Candau, Paris (catalogue)
“Critic’s Choice,” Washburn Gallery, New York; curated by John Yau (catalogue)
1989  “Departures: Photography 1924–1989,” Hirschl & Adler Modern, New York (catalogue)
“Boîte Alerte,” Renée Fotouhi Fine Art, New York
“Anne, ma soeur Anne...,” Galerie Antoine Candau, Paris
“The Milky Way,” Shoshona Wayne Gallery, Santa Monica, CA; curated by Stephen Westfall (catalogue)
“Repetition: 1969–1989,” Hirschl & Adler Modern, Basel Art Fair, Switzerland
“Invitational with Gallery Artists,” fiction/nonfiction, New York
1988  “Benefit ‘86,” White Columns, New York
“Andrew Masullo and Marilyn Minter,” fiction/nonfiction, New York
“The Altered Page: Selections from the Ruth and Marvin Sackner Archive of Concrete and Visual Poetry, Book Arts Gallery,” New York (catalogue)
“Doug Argue and Andrew Masullo,” Bockley Gallery, Minneapolis, MN
1987  “Preview,” fiction/nonfiction, New York
1986  “Small Works,” Sculpture Center, New York
“The Book Made Art,” Joseph Regenstein Library, University of Chicago; curated by Jeffrey Abt (catalogue)
1985  “Book Arts II,” Hand in Hand Gallery, New York
“Mighty,” Small Works, Hand in Hand Gallery, New York
“Funeral Rites: Andrew Masullo, Andrés Serrano, Robin Parker,” White Columns, New York; curated by Tom Solomon
“Artworks/Bookworks,” Dallas Public Library, Dallas, TX
“Artists’ Book Exhibition,” Hand in Hand Gallery, New York
1984  “Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces,” International With Monument, New York; curated by Collins and Milazzo
1983  “Third Annual Artists’ Book Show,” Kathryn Markel Gallery, New York
“R. Garratt, A. Masullo,” International With Monument, New York

Selected Bibliography:
2009  Britt, Douglas. "Small Paintings Have Big Impact," Houston Chronicle (Zest Magazine),
18 October, 4–5 (reproduction)
Davenport, Bill. "2009 Fall Preview," Glasstire.com, September (reproduction)
2008  Baker, Kenneth. Review, San Francisco Chronicle, 20 September, E10 (reproduction)
2007  Hainley, Bruce. Review, Artforum, December, 361 (reproduction)
McQuaid, Cate. "Gallery," The Boston Globe, Calendar Section, 1 November, 5
(reproduction)
Pagel, David. “Centripetal Forces of Color, Texture," Los Angeles Times, 28 September, E18–19 (reproduction)
Frank, Peter. “The Big Picture and the Small,” LA Weekly, 14 February
Kahlenberg, Sara. “Make Mine Abstract,” artslant.com, posted 13 February
2006  Genocchio, Benjamin. “Exploring the Circle from Every Angle,” New York Times, 1 January, Arts & Entertainment section, 8
2005  “SICA Presents: A Roundtable Discussion and Gallery Tour with the O Show,” UpstageMagazine.com, 15 December
“Homage to ‘O,’” Atlanticville, 1 December, 30 (reproduction)
“Exhibition Comes to SICA,” UpstageMagazine.com, 11 November
Buckner, Keith. “Abstract: Door to Subconscious,” gotriad.com, 14 July
McIrvine, Ted. “Museum is Worth a Visit,” Hendersonville Times-News, 10 July
Patterson, Tom. “Angles on Abstraction,” Winston-Salem Journal, 26 June
2004  Naves, Mario. “In a Dark Hour for Abstraction, a Welcoming Impurity Beckons,” New York Observer, February, 9 18
Naves, Mario. “Candy-Store Canvases: Masullo’s Sweet-Tooth,” New York Observer, 12  July, 18
Smith, Roberta. “Looking Back at the Flurry on the Far Side,” New York Times, 10 December
Andrew Masullo, exhibition catalogue, Joan T. Washburn Gallery, New York
2003  Duncan, Michael. Review, Art in America, May, 140 (reproduction)
Martin, Chris. “On Abstract Painting,” Brooklyn Rail, April/May, 24–25
2002  Andrew Masullo, exhibition catalogue, Joan T. Washburn Gallery, New York
Kalm, James. “Gigantus Abstractosaurus: Twilight of the Dogmas,” NY Arts, October
Moylan, Chris. “Nina Bovasso, David Dupuis, Andrew Masullo,” artcritical.com, February
Naves, Mario. Review, New York Observer, 7 October, 20
2000  “Preziosen und Candy: Andrew Masullo bei Ammann Fine Art,” Zürcher Kultur, Neue Zürcher Zeitung, 10 February, 34
Andrew Masullo, exhibition catalogue with text by John Yau, Joan T. Washburn Gallery, New York
Helfand, Glen. Review, San Francisco Bay Guardian, 22 November, 93
Kalm, James. Review, NY Arts, December, 67 (reproduction)
Mason, Brook S. “Hanging Around New York: A Monthly Guide,” The Art Newspaper, September, 80
Naves, Mario. “Andrew Masullo’s Lap Paintings Have a Goofy Significance,” New York Observer, 2 October, 17 (reproduction)
Naves, Mario. “Punchy Canvases Searching for Beauty,” New York Observer, 17 April, 17
Newhall, Edith. “Fall Art Preview,” New York Magazine, 11 September, 122 (reproduction)
1999  Andrew Masullo, exhibition catalogue with text by George Frei, Thomas Ammann Fine Art, Zurich
Dailey, Meghan. Review, Artforum, March, 126 (reproduction)
1998  Johnson, Ken. Review, New York Times, 6 November, E40
Mason, Christopher. “Uptown, Downtown: Mixing Like Paint,” New York Times, 10 December, E4 (reproduction)
1997  Murdock, Robert M. Review of “Alive and Well,” Review, 1 October, 22
1996  Cotter, Holland. Review, New York Times, 15 March, C27
Edelman, Robert. “Laying It on Thick: Andrew Masullo,” Cover, April, 14–15 (reproduction)
Michaels, Bernd. Kunst in der Provinzial, Provinzial Versicherungsanstalten, Düsseldorf
1995  Hutchings, David. “Art and Soul,” In Style, December, 109 (reproduction)
1994  Review, ARTnews, Summer, 178 (reproduction)
“From Bad to Good,” New Yorker, 19 September, 24
1993  Here's Looking at Me: Contemporary Self-Portrait, exhibition catalogue with text by Bernard Brunon, Espace Lyonnais d’Art Contemporain, Lyon, France
1992  Cyphers, Peggy. Review, Arts, February, 81
Hollywood, Hollywood: Identity under the Guise of Celebrity, exhibition catalogue with texts by Fred Fehlau, Anne Friedberg, Michael Lassell, and David Robbins, Art Center College of Design, Pasedena, CA
Hagen, Charles. Review of “Paper,” New York Times, 31 January, C19
Ostrow, Saul. Messr. B's Curio Shop, exhibition catalogue, Threadwaxing Space, New York
1991  The Library of Babel, exhibition catalogue with text by Todd Alden Hallwalls Contemporary Arts Center, Buffalo, NY
Just what is it that makes today's homes so different, so appealing?, exhibition catalogue with text by Dan Cameron, The Hyde Collection, Glen Falls, NY
Departures: Photography 1923–1990, exhibition catalogue with introduction by Edmund Yankov and text by Andy Grundberg, Cantor Gallery, Worcester, MA
Levin, Kim. Village Voice, Art in Brief, 3 December, 77
1990  Schwendenwien, Jude. Review, Artscribe International, January, 84–85 (reproduction)
Andreoli-Woods, Lynn. “Stupid Nothings and Celebrations: Two Approaches to Nostalgia,” L.A. Reader, 23 February, 17 (reproduction)
Word as Image: American Art 1960–1990, exhibition catalogue with texts by Gerry Biller, Russell Bowman, and Dean Sobel, Milwaukee Art Museum, Milwaukee, WI
All Quiet on the Western Front?, exhibition catalogue with texts by Alan Jones, Joseph Masheck, and Tricia Collins/Richard Milazzo, Galerie Antoine Candau, Paris
Coleman, A. D. Review, New York Observer, 24 September, 24
Decter, Joshua. Review, Arts, December, 98
Regarding Art: Artworks About Art, exhibition catalogue, John Michael Kohler Arts Center, Sheboygan, WI
Geer, Suvan. “Detritus of Culture,” Los Angeles Times, 16 February, F27–28 (reproduction)
Kastner, Jeffrey. Review, New Art Examiner, March, 52
Mahoney, Robert. Review of “Critic’s Choice,” Flash Art, March/April, 180
Nesbitt, Lois E. Review, Artforum, December, 138–139 (reproduction)
Critic's Choice, exhibition catalogue with text by John Yau, Washburn Gallery, New York
1989  Andrew Masullo, exhibition catalogue with text by Dan Cameron, fiction/nonfiction, New York
Donahue, Marlena. Review of “The Milky Way,” Los Angeles Times, 28 July, 18
Frank, Peter. Review of “The Milky Way,” L.A. Weekly, 15–21 September, 115
Handy, Ellen. Review, Arts, September, 95–96 (reproduction)
Hapgood, Susan. Review, Flash Art, October, 131 (reproduction)
Hirsch, David. “Summer Thrills for Humid Heat,” New York Native, 24 June, 30
Kaplan, Steven, Review, Autumn, 80–81 (reproduction)
Levin, Kim. Choices, Village Voice, 2 May, 50
Mahoney, Robert. “Quiet Desperation: Installations Revisited,” Arts, November, 58–63 (reproduction)
Montgomery, Lee. “Milky Way Show: Diverse Look at Universal Concepts,” Santa Monica Outlook, 28 July, D6 (reproduction)
Smith, Roberta. Review, New York Times, 21 April, C24 (reproduction)
Stephens, Richard. “Freefalling Through the Galaxy,” L.A. Artweek, 9 September, 29
Wallach, Amei. “SoHo Gets Another Boom,” New York Newsday, 7 April, Weekend section, 15
Departures: Photography, 1924–1989, exhibition catalogue with text by Simon Watney, Hirschl & Adler Modern, New York
The Milky Way, exhibition catalogue with text by Stephen Westfall, Shoshona Wayne Gallery, Santa Monica, CA
Yau, John. Review, Contemporanea, July/August, 31
1988  The Altered Page: Selections from the Ruth and Marvin Sackner Archive of Concrete and Visual Poetry, exhibition catalogue with text by Marvin Sackner, Book Arts Gallery, New York
1986  The Book Made Art, exhibition catalogue with text by Jeffrey Abt, University of Chicago

Projects, Publications, and Reproductions of Artwork:
2009  Humphrey, David and Geoff Kaplan. Blind Handshake, Periscope Publishing, Fall 2009 (reproductions)
2007  Untitled publication, no.1, (Spring), Feature Inc., New York (reproduction)
1994  Paris Review, Fall (cover art)

Awards and Grants:
1989  New York State Council on the Arts, CAPS grant
1988  Pollock-Krasner Foundation grant

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