| First gaining notice in the late 1950s, Kenneth Noland was a member of the group of Color Field abstract painters promoted by New York Times critic, Clement Greenberg. Noland began with a series of luminous, stained canvases of concentric circles, and focused on the center of the picture, which he regarded as symbolizing all possibilities and the specific genius of the work. With his concentric circles surrounding the "bulls eye," he combined a staining method that softened the acrylic pa (showing 500 of 6186 characters). |
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Kenneth Noland is also mentioned in these AskART essays:
Abstract Expressionism
Modernism
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