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A painter and printmaker who revolutionized western art, Pablo Picasso
was born in Spain and lived most of his life either there or in
France. His father was an art teacher, and the young Pablo grew
up in an artistic environment. By the age of fourteen, he was an
accomplished draftsman, and in 1900 at age nineteen, he made his first
trip to Paris. There he studied the Old Masters and Classical
sculpture and also was exposed to the paintings of Impressionists and
Post Impressionists.
Between 1901 and 1904, his work was dominated by a blue palette, which
has led to this time being called his "Blue Period". Blue, for
him, was to symbolize the ". . . suffering-frequently hunger and cold,
the hardships he experienced while attempting to establish
himself." (Arnason, 125) By 1905, his 'Rose or Circus
Period' was beginning, and also later that year, he became doing
painting reflective of a growing interest in African masks. By
1907, he painted what is regarded as his first masterpiece and as the
first Cubist painting, Les Demoiselles d'Avignon.
Although he said: "I think about Death all the time.
She is the only woman who never leaves me." (Walther) His relationships
with 'live' women influenced much of his artwork. It is thought
that his switch from 'blue' to 'rose', that is from depression to
happiness, was determined by his meeting Fernande Olivier, allegedly
his first serious female relationship. He lived with her for
seven years. From that time, he did numerous portraits of wives,
children and mistresses.
In 1908, Picasso began working in Paris with Georges Braque
(1882-1963), and together until 1914 and the beginning of World War I,
they created collages and the first phase of Cubism that included still
life and portraits. They worked so closely together that many
scholars are unable to tell some of their work apart or to determine
which of them contributed certain concepts.
Picasso went to Rome from 1914 to 1918 to do set designs and costumes
for the Russian Ballet and during this time also did some realistic
painting and drawing, and printmaking emerged as a major part of his
art as a result of the time he spent drawing. His graphic art,
which actually dated to 1905, was diverse as he was ever looking for
new modes of expression, and he did etchings, drypoint, linocuts,
woodcuts, aquatints and sometimes combinations. In Rome, he met
his first wife, Olga Koklova, a Russian ballet dancer.
In the early part of the 1920s, he did abstract figurative work that
was so grotesque in distortion that it set the stage for his
participation in Surrealist exhibitions in Europe. Also the
experimentation with figurative shapes led him to sculpture, an
interest he had expressed earlier.
The 1920s are regarded as one of the most productive periods of
Picasso's career. He did paintings with vivid coloration
expressing his ". . .total experience of curvilinear cubism and
classical idealism." (Arnason, 393) In 1927, he began a
relationship with seventeen-year-old Marie Therese Walther, and in 1936
with Dora Maar, a photographer. In 1937, inspired by the Spanish
Civil War, he painted Guernica, which is regarded as one of his
landmark paintings and certainly one that carried a strong message of
human suffering during wartime.
During the World War II years, Picasso did a lot of modeling in clay
and creating of assemblages with found objects, and many of the pieces,
especially after the War, expressed his sense of humor. Also
after the War, he began creating with ceramics, and he was very
productive with printmaking. His female companion, beginning
1943, was Francoise Gilot, a painter, with whom he had two children,
Claude and Paloma. His last female relationship was with
Jacqueline Roque, whom he met in 1953 and married in 1961.
Pablo Picasso died on April 8, 1973 at the age of 91. The last
eight years of his life had been difficult because of prostate
problems, but he continued to be productive. Of him, it was
written in Time magazine, May 26, 1980: "To the end . . .
Picasso remained Picasso; an indefatigable worker, a lover of mischief
and pranks, quirky, increasingly aloof, mercurial, yet often remarkably
generous and warm."
Sources:
H.H. Arnason, History of Modern Art, p. 125
Ingo F. Walther, Picasso, 1999, Cologne, Germany
Time magazine, May 26, 1980
Alfred Barr, Picasso: Fifty Years of His Art
http://www.artelino.com/articles/picasso.asp
Archives of Phoenix Art Museum Docent Files: "Picasso"
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