1896 (Santa Rosalia, Mexico)
1974 (Cuernavaca, Mexico)
California / Mexico
Self portrait - SELF-PORTRAIT, STUDY FOR THE 1945 MURAL "EL CORONELAZO"
© Artists Rights Society (ARS), New York
Often Known For
social revolutionary muralist
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|Biography from Art Cellar Exchange:|
|Please note: Artists not classified as American in our database may have limited biographical data
compared to the extensive information about American artists.|
David Alfaro Siqueiros was born in 1896 in Chihuahua City, Mexico. He
was to become one of Mexico's most original and distinguished painters.
His art is one of violent social protest expressed in dynamic, swirling
brushstrokes, dramatic contrasts of light and shade, brilliant colors
and heroic themes, all visible in the available work Atrapado.
From an early age he was involved in politics and art -- two forces
that stayed with him throughout his life. By the age of 15 he was
already deeply involved in his artistic studies as well as political
activism. In 1911 at San Carlos Academy, he led a student strike
that was designed by Siqueiros to force changes in the school's
teaching methods. Lasting six months it ended in complete victory
for the students.
Perhaps it was Siqueiros' early victory that inspired him to be
politically active throughout his life. There have been few, if any,
individuals associated with the arts that have been involved in direct
political action more than Siqueiros. Following his first taste of
politics, Siqueiros surrounded himself with constant political upheaval
and revolutionary activity for the rest of his life, all the while
Siqueiros was recognized early on as a talented artist, but his politics and his art shared equal ground
throughout his life. His professional recognition did not prevent the government from taking
action against him, and the Mexican government recognized his as
a dangerous subversive from early in his art career. The high drama that filled his life resulted in a
body of work that is a reflection of his social and political
Siqueiros was frequently imprisoned for his left wing political views.
It was in jail that he created the majority of his easel works.
Siqueiros traveled overseas extensively as a young man. He was
with the Anarchists in Barcelona, spent time in France, and then in
traveled to the young Soviet Union. While in France, Siqueiros
came in contact with all the stimulating contemporary artistic
the early 20th century as well as works by the European Old Masters.
Michelangelo's influence on Siqueiros can be seen in his works that
contain powerful, foreshortened figures and bold perspective. In
as a result of his politics and actions, Siqueiros was confined to
Taxco, Mexico in a status of internal exile. However, his
restricted movement in no way dampened his creative spirit, and while
in Taxco he created over 100 paintings.
In 1932, Siqueiros was expelled
from Mexico for political activity and arrived in the United States
where he painted three murals. Siqueiros returned to Mexico when the
political climate shifted and the left-wing President Lazaro Cardenas
came to power in 1934. In 1936, at the outbreak of the Spanish Civil
War, Siqueiros went to Spain and enlisted in the anti-fascist forces.
He served three years in Spain, rising to the rank of lieutenant
colonel and returned to Mexico following Franco's victory.
Siqueiros is best known for his mural painting. Muralism was embraced
by Mexico's post-revolutionary government as a powerful way of
advancing the social and political ideals of the Mexican revolution.
Siqueiros, along with Diego Rivera and Jose Clemente Orozco were known
as "los tres grandes" (the three great ones) of Mexican mural painting.
Of these artists, Siqueiros may have been the most innovative. He
conceived of his murals as dynamic rather than static images. His style
of experimentation with the integration of traditional Mexican art and
modern art was quite unique. Many of Siqueiros' murals deal with
Mexican and Latin American history - they are reflections of an
opposition to tyranny and his sympathy for workers and victims of
His revolutionary artwork paralleled the radical changes that were
taking place in Mexico at the time. David Alfaro Siqueiros was very
progressive in his use of modern industrial materials, equipment and
techniques, such as the spray gun and synthetic paints. He was the
first artist to use acrylics as a painting medium. He frequently used
piroxiline, a substance related to gun cotton, which dries at amazing
speed. It was through his experimentation that Siqueiros was able to
give his works a three-dimensional quality.
Siqueiros produced masterpieces throughout his life, always pushing the
limits of change and innovation. In 1974, at the age of 78, Siqueiros
died in Cuernavaca, Mexico. Isaac Deutscher, Trotsky's biographer,
poetically describes Siqueiros as a "Latin American buccaneer" - a man
in whom "art, revolution and gangsterism are inseparable."
--Gretchen Van Camp
Latin American Art
Art Cellar Exchange
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