| Facts/Data
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Birth
1971 (Leonberg, Germany)
Death
Lived/Active
Germany
Self portrait
Often Known For
large-scale, surreal, figure painting
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This biography from the Archives of AskART:
| Please note: Artists not classified as American in our database may have limited biographical data
compared to the extensive information about American artists.
 1971 born in Leonberg
1993 - 1994 Roman studies, German studies und philosophy at the
University of Stuttgart, Germany
1994 - 1996 fine arts at the Burg Giebichtenstein, Halle, Germany
1997 - 2001 painting at the Hochschule für Grafik und Buchkunst
in Leipzig, Germany
2001 - 2003 Meisterschüler (master student) in the class of Prof. Arno Rink
2005 Residence Los Angeles
2006 Residence New York
lives and works in Berlin and New York
scholarships/awards
2003 Marion Ermer-Preis
2002 International studio programme Künstlerhaus Bethanien, Berlin
2002 Landesgraduiertenstipendium of the free-state Saxonia, Germany
Sources:
http://www.eigen-art.com/Kuenstlerseiten/Tim_Eitel/Tim_Eitel_ENBiographie.html
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Biography from Pace Wildenstein:
| Please note: Artists not classified as American in our database may have limited biographical data
compared to the extensive information about American artists.
Tim Eitel, along with several fellow graduates of the Leipzig Academy of Visual Arts, first gained recognition after creating the collective art gallery, Liga, in Berlin in 2001. In 2002, he joined Galerie EIGEN ART in Berlin. Since that time Eitel’s work has become increasingly well known throughout the international art world.
The work in the exhibition, "Center of Gravity", reflects a continuation of the artist’s inquiry into the interaction of images. In his paintings, Eitel isolates pictorial elements, which he encounters (and photographs) in the outside world, and combines them into semi-fictitious compositions. These elements, such as a glance, a posture or a position, confer meaning without necessarily generating a narrative. In the end, Eitel extracts, rather than freezes, a moment from time by distilling out all reference to motion and change. The resulting quiet, which can at first appear as isolation or melancholy, transforms into a stillness that allows the viewer complete access into the nuances and resonances of each scene.
In 2004, Eitel began to investigate increasingly ambiguous settings for his paintings. Walls, floors and surfaces were more precisely rendered, yet, through a simplification of the composition, they grew more difficult to decipher. A progressively darkening palette brings into sharp focus the edge between the abstract and the pictorial. Grey planes of the subtlest distinction, reminiscent of Rothko or Newman, readily slew into walls and floors in the presence of Eitel’s disinterested subjects (whether a group of school children or a lone shopping cart). This exhibition continues and extends this investigation with five large-scale and ten small-scale paintings, many of which depict homeless subjects as well as their jerry-rigged carts, packed with belongings.
Tim Eitel (b. 1971, Leonberg, Germany) studied philosophy at the University of Stuttgart from 1993-94; Fine Arts at the Burg Giebichtenstein in Halle from 1994-96; and painting at the Hochschule für Grafik und Buchkunst in Leipzig from 1997-2001. For the next two years, Eitel pursued his master’s studies under the teachings of Professor Arno Rink.
Eitel began showing his work in 2000. Most recently, he has had solo exhibitions at the Saint Louis Art Museum, Missouri (2005-6); Museum zu Allerheiligen-Schaffhausen, Switzerland (2004); and Künstlerhaus Bethanien, Berlin (2002). An upcoming exhibition at the Kunsthalle Tübingen, curated by Martin Hellmold, is scheduled for November 17, 2007 through January 20, 2008.
His work has been included in a traveling exhibition organized by MASS MoCA (2005-6), and in group shows at the Cleveland Museum of Art (2005); Rubell Family Collection, Miami (2005, 2004); Museum der Bildenden Künste, Leipzig (2003); and Frankfurter Kunstverein (2003). |
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