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 James McLauchlan Nairn  (1859 - 1904)

About: James McLauchlan Nairn


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Lived/Active: New Zealand/Scotland      Known for: plein-air landscape painting

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BIOGRAPHY for James Nairn
1859 (Glasgow, Scotland)
1904 (Wellington, New Zealand)

New Zealand/Scotland

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plein-air landscape painting

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This biography from the Archives of AskART:
Please note: Artists not classified as American in our database may have limited biographical data compared to the extensive information about American artists.

James MacLauchlan Nairn was a Glasgow-born painter who (along with G. P. Nerli) strongly influenced New Zealand painting in the late 19th century. He believed in en plein air* or painting outdoors.

Nairn studied at the Glasgow School of Art for four years from 1879 before enrolling as a student at the Académie Julian* in Paris. During the 1880s, Nairn exhibited work at the Glasgow Institute of Fine Arts and the Royal Scottish Academy* and was associated with the Glasgow Boys* - a group of Scottish artist interested in Impressionism*.

Nairn emigrated from Glasgow to Dunedin for his health in 1890. He moved to Wellington in 1891, where he was appointed as an art instructor at the Wellington Technical School. He lectured on art and conducted classes for the study of the nude figure. He introduced Impressionism of the Glasgow school to New Zealand and influenced other New Zealand artists such as Dorothy Kate Richmond, Mabel Hill and Mary Tripe.

Nairn’s Impressionist style is conveyed in his many paintings of Wellington harbour, especially in Wellington Harbour, 1894 where his visible brushstrokes capture the effect of the afternoon sun on the water. He painted this landscape en plein air to more truthfully capture the effect of light on water.

Nairn joined the New Zealand Academy of Fine Arts soon after settling in Wellington and was elected to the Council from 1890 to 1903. He also formed the Wellington Art Club, which met regularly at Nair's Pumpkin Cottage. The cottage became a gathering point for Wellington artists. Nairn's influence was felt throughout New Zealand as he regularly sent works for exhibition in other centres.

He married Ellen Smith on 17 March 1898 and they had two daughters, Mari Bhan and Ellen May Victoria.

He died at age 44 at his home in Wellington on 22 February 1904 of a perforating bowel ulcer.


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