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 John Herbert Caddy  (1801 - 1887)

About: John Herbert Caddy
 

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Lived/Active: Quebec/Ontario / Canada/England      Known for: landscape painting, illustration, drawing, teaching, survey artist

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BIOGRAPHY for John Caddy
Facts/Data
Birth
1801 (Quebec City, Quebec, Canada)
 
Death
1887 (Hamilton, Ontario)

Lived/Active
Quebec/Ontario / Canada/England

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landscape painting, illustration, drawing, teaching, survey artist

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This biography from the Archives of AskART:
Captain John Herbert Caddy (1801 – 1887) (1)

A painter, draftsman, illustrator and educator, Captain John Herbert Caddy was also a career soldier, civil engineer and explorer. He exhibited with the Upper Canada Provincial Exhibition* from 1858 to 1868 and his works are in several Canadian museums including the National Gallery of Canada. Attached below are biographies courtesy of The Canadian Encyclopedia and the Dictionary of Canadian Biography: Volume XI 1881-1890. (2)

Biography below courtesy of The Canadian Encyclopedia, Second Edition (1988):
“John Herbert Caddy, painter and teacher (b at Québec C 28 June 1801; d at Hamilton, Ont 19 March 1887). In 1816 he began military training at Royal Military College, Woolwich, England, and was commissioned 2nd lieutenant in the Royal Artillery in 1825. Topographical drawing and painting in watercolour were important and influential aspects of this training. His military career consisted of 2 tours of duty with the RA in the West Indies (1828-38), and in British Honduras (1838-41), where he recorded in drawings and a lively diary an expedition to the Mayan ruins at Palenque.

Promoted to captain in 1840, he was posted to London, Canada West [now Ontario], in 1842 and retired on half pay in 1844. He moved to Hamilton about 1851 and worked first as a land surveyor and engineer but gradually concentrated on his career as artist and teacher. Numerous watercolours of Canadian landscapes give evidence of travel from Fort William [now Thunder Bay, Ontario] to Quebec, with concentration in the Hamilton-Niagara Falls region. His powers of observation, love of nature and a touch of romanticism, disciplined by training as an engineer, combined to imbue his work with both charm and topographical accuracy.”
Author - Francis K. Smith
 
Biography below courtesy of the Dictionary of Canadian Biography: Volume XI 1881 – 1890 (1982):

“CADDY, JOHN HERBERT, soldier, engineer, teacher, and artist; b. 28 June 1801, in Quebec City, Lower Canada, son of Colonel John Thomas Caddy of the Royal Artillery and Hannah Godard (Goddard); d. 19 March 1883 at Hamilton, Ont.

John Herbert Caddy was born into a family of military engineers. His grandfather had been sent to Newfoundland in the 18th century to build a fort. In about 1796 his father left Kent, England, for a posting in Lower Canada [now Quebec] and in 1808 was transferred to the garrison at Fort Malden, Amherstburg, Upper Canada [now Ontario]. John Herbert began his schooling at Amherstburg and in 1815 he was sent to England for military training at the Royal Military Academy, Woolwich (now part of London). In March 1816 he was enlisted at the academy as a gentleman cadet in the Royal Artillery and received training as an engineer and cannoneer. Like George Heriot [see AskART], James Pattison Cockburn [see AskART], Philip John Bainbrigge [see AskART], and other English military artists who painted Canadian scenes, Caddy was trained at Woolwich in topographical sketching and painting. Much of his free time was spent at the home of a family friend, Colonel Richard Hamilton, at Woolwich Common. Caddy was commissioned 2nd lieutenant on 29 July 1825 and promoted 1st lieutenant in 1827. In 1828 he married Colonel Hamilton’s daughter Georgiana, shortly before he left for duty in Tobago.

He returned to England in 1831, but after two years left his family for his second West Indian posting, at St Lucia. In May 1834 he was transferred to St Vincent where he was joined later by his wife and family. Diary fragments describe the social rounds, the hunting, and the sketching which were possible with light military duties. Before he left for St Vincent Caddy had prepared for publication a series of four folios of scenes, largely of the West Indies. The pictures of the first folio were engraved in London and were published in 1837 by Ackermann; the other three folios never appeared.

Caddy returned with his family to Woolwich in July 1837. After a year of relaxation he was posted to British Honduras (Belize) in December 1838 where he served as harbour-master at the town of Belize, the capital. In November 1839 he and Patrick Walker, secretary to the settlement’s superintendent, led a hastily organized official expedition to the ruins of the Mayan city of Palenque, not far inland from Belize. On his return Caddy prepared from his diary and sketches a text and illustrations for their official report to Westminster which he intended to publish as a book, but John Lloyd Stephens and Frederick Catherwood, leaders of a rival American expedition to Palenque, managed to get out a popular account first. Caddy’s Palenque diary, text, and illustrations, along with fragments of earlier diaries, were finally collected and published in 1967 by David Michael Pendergast.

Caddy returned to Woolwich in 1841 as a captain. He was appointed to Malta the next year, but exchanged that posting for one to London, Canada West [now Ontario]. Two years later he was assigned another West Indian tour of duty, but, deciding to remain in London, he retired on half pay. His family of eight children was to include three born in Canada. As civil engineer for London, Caddy laid out plans for the growing community, and he acquired considerable land in the centre of the town. He also began to paint Canadian landscapes.

In 1851 Captain Caddy disposed of his land in London and moved to Hamilton where he lived for the next 32 years until his death. After a brief employment as a civil engineer on the Great Western Rail Road, he had turned to painting as his profession. He opened a studio, gave private lessons, and served as art instructor at Wesleyan Female College (later renamed Hamilton Ladies’ College).

Caddy was a painstaking artist who worked slowly and carefully from pencil sketches made on the scene, through sepia drafts, to the finished picture. Apparently he sometimes completed several versions of the finished landscape but rarely, if ever, signed his work. He exhibited water-colours and oils in the annual provincial exhibitions from 1858 to 1868, winning awards for his meticulous landscapes, marines, and animal and flower studies. In London he had painted a portrait of Colonel Thomas Talbot, but his strength was not in portraiture or in the figure. While in Canada he copied some scenes of Great Britain, Ireland, and the West Indies he had painted earlier. He did landscapes of scenes in and around Hamilton, Toronto, Brantford, Queenston, Niagara, and London, as well as farther afield, in the regions of Lake Huron, Georgian Bay, Muskoka, Lake Superior, the St Lawrence River, and New Brunswick. He also painted scenes of the Kawartha Lakes; his father and two younger brothers had taken up land in Douro Township in 1834 and were neighbours of the Stricklands, Traills, and Moodies. Caddy visited his family in Douro in 1841 where he likely met Samuel Strickland but by that time the Traills and Moodies had moved. Other members of Caddy’s family, including his brothers Edward C. and Douglas T. as well as one of his own sons, were also amateur or professional artists.”
Author - Gordon Roper
 
Footnotes:
(1) Among published sources (see AskART book references), there are at least two different death dates for Captain Caddy. Even the official Canadian sources don’t agree on his death date; the Canadian Heritage Information Network* has life dates of 1801 – 1883, however the National Gallery of Canada and Archives Canada has life dates of 1801 – 1887. MDS

(2) ‘The Upper Canada Provincial Exhibition [at Hamilton], the precursor to the Canadian National Exhibition (CNE) [at Toronto], was founded in 1846 [existed to 1868] and was mainly an agricultural gathering. Soon after its inception, artists began displaying their work at the fair, first under the "craft" category and then as art. It was the only venue for quite some time that provided artists in Ontario, particularly those who were born and trained in England, with a sense of an artistic community.’ Source: Trent University Art Collection, Peterborough, Ontario.
 
Sources:
The Canadian Encyclopedia Second Edition (1988), edited by James H. Marsh (see AskART book references)

Dictionary of Canadian Biography: Volume XI 1881-1890 (1982), edited by Francess G. Halpenny (see AskART book references)

Canadian Heritage Information Network*

National Gallery of Canada

Archives Canada

* For more in-depth information about these terms and others, see AskART.com. Glossary http://www.askart.com/AskART/lists/Art_Definition.aspx.

Submitted by M.D. Silverbrooke.
 
 
 
 
 
 
 
 
 
 

** If you discover credit omissions or have additional information to add, please let us know at registrar@AskART.com.

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