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 Austin Osman Spare  (1886 - 1956)

About: Austin Osman Spare
 

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Lived/Active: England      Known for: Painting, drawing

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BIOGRAPHY for Austin Spare
Facts/Data
Birth
1886
 
Death
1956

Lived/Active
England


Self portrait - Self-portrait


Often Known For
Painting, drawing

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This biography from the Archives of AskART:
Please note: Artists not classified as American in our database may have limited biographical data compared to the extensive information about American artists.

Austin Osman Spare (30 December 1886 – 15 May 1956) was an English artist and occultist who worked as both a draughtsman and a painter.  Influenced by symbolism and the artistic decadence of art nouveau, his art was known for its clear use of line, and its depiction of monstrous and sexual imagery.  In an occult capacity, he developed idiosyncratic magical techniques including automatic writing, automatic drawing and sigilization based on his theories of the relationship between the conscious and unconscious self.

Born into a working-class family in Snow Hill in London, Spare grew up in Smithfield and then Kennington, taking an early interest in art.  Gaining a scholarship to study at the Royal College of Art in South Kensington, he trained as a draughtsman, while also taking a personal interest in Theosophy and the wider Western Esoteric Tradition.  Developing his own personal occult philosophy, he authored a series of occult grimoires, namely Earth Inferno (1905), The Book of Pleasure (1913) and The Focus of Life (1921). Alongside a string of personal exhibitions, he also achieved much press attention for being the youngest entrant at the 1904 Royal Academy summer exhibition.

After publishing two short-lived art magazines, Form and The Golden Hind, during the First World War he was conscripted into the armed forces and worked as an official war artist.  Moving to various working class areas of South London over the following decades, Spare lived in poverty, but continued exhibiting his work to varying success.  With the arrival of surrealism onto the London art scene during the 1930s, critics and the press once more took an interest in his work, seeing it as an early precursor to surrealist imagery.  Losing his home during the Blitz, he fell into relative obscurity following the Second World War, although continued exhibiting till his death in 1956.

Source:
wikipedia.org

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