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 Joseph Lambert Cain  (1904 - 2003)

About: Joseph Lambert Cain
 

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Lived/Active: Rhode Island/Iowa      Known for: abstract landscape painting, muralist, lithographer

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BIOGRAPHY for Joseph Cain
Facts/Data
Birth
1904 (New Orleans, Louisianna)
 
Death
2003 (Fairfield, Iowa)

Lived/Active
Rhode Island/Iowa

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abstract landscape painting, muralist, lithographer

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This biography from the Archives of AskART:
Born in New Orleans, Joseph Cain was a painter, muralist, and lithographer who was a Professor of Art at the University of Rhode Island in Kingston from 1944 and chair of the department from 1944 to 1958.

He studied at the Chicago Academy of Fine Arts, the Art Institute of Chicago and the Art Students League in New York with Kenneth Hayes Miller.  He also took classes with Abstract Expressionist Hans Hofmann.

He exhibited widely including the Pennsylvania Academy of the Fine Arts and the National Academy of Design in New York.

Source:
Peter Hastings Falk, Editor, Who Was Who in American Art,

Biography from Charleston Renaissance Gallery:
JOSEPH LAMBERT CAIN (1904-2003)

Born and raised in New Orleans, Joseph Cain studied at the Chicago Academy of Art and at the Art Students League in New York.  Through the years he painted a variety of subjects, but one of his favorites was the street life of his native city.  Representations of New Orleans provide the subject for many of his earliest paintings, as well as late works like Miss Willie’s Revisited, which shows the “parlor” of one of the city’s more famous bordellos.  Other memories of New Orleans include two views of St. Louis #3, one of its historic cemeteries; House with Cornstalk Fence; Queen of the Mardi Gras; and Peep Show.

In the 1930s, Cain’s work became increasingly abstract. The apparent flatness of his compositions, together with the sense of movement achieved by the manipulation of overlapping color planes and perspective, are characteristics of a style described in 1939 as “decorative expressionism.”

Cain’s paint is usually thickly applied, and while his dancers, harlequins and ladies of the evening owe their inspiration to Matisse and other modernists, as one critic observed, his work “has a fresh vision that cannot be clearly traced either to contemporary American or French schools.  His world is never dirty, mean or gray, but it is always bright and luminous” (Stanley Lothrop, Boyer Galleries, New York, 1939).


Biography from The Johnson Collection:
A painter, muralist, and art educator, Joseph Cain’s work was consistently infused by the color and vibrancy of his native New Orleans, even as he pursued a career that took him far from home. His educational journey led him to Chicago’s Academy of Art and to the Art Students League in New York, where he was instructed by Kenneth Hayes Miller. He also studied under the abstract expressionist Hans Hoffman. In 1944, Cain was made the founding professor of art at the University of Rhode Island and served as the department’s chair until 1958.

Using thickly applied paint, layered color planes and multiple perspectives, Cain created paintings, including streetscapes, marine scenes and landscapes, which were sometimes categorized as “decorative expressionism” beginning in the late 1930s. These works were shown at such prestigious venues as the Museum of Modern Art, Whitney Museum of American Art, Pennsylvania Academy of the Fine Arts, National Academy of Design, and Carnegie Institute. Praised for a "fresh vision that cannot be clearly traced either to contemporary American or French schools,” Cain’s aesthetic was described as “never dirty, mean or gray, but . . . always bright and luminous."

The Johnson Collection, Spartanburg, South Carolina


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