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 Beatriz Milhazes  (1960 - )

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Lived/Active: New York / Brazil      Known for: decorative collage, geometric design

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BIOGRAPHY for Beatriz Milhazes
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Birth
1960 (Rio de Janeiro, Brazil)
 
Lived/Active
New York / Brazil

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decorative collage, geometric design

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Biography from RoGallery.com:

Beatriz Milhazes, Brazilian (1960 - )


Born 1960, Rio de Janeiro, Brazil
Lives and works in Rio de Janeiro Education 1980-82 School of Visual Arts, Parque Lage, Brazil 1978-81 Curso de Comunicacao Social - Facha, Brazil

Beatriz Milhazes works in the pure aesthetic style of the Pattern and Decoration movement. Influenced by her native land of Brazil, her vibrant and bold use of color and patterns create work that is as much playful, free and psychedelic, as it is geometric, organized and rhythmic.

The Pattern and Decoration movement was not originally popular in the art world because of the movements lack of political statements and stances, “art for arts sake:” “Though playful and innovative, especially in the use of materials, Pattern and Decoration didn’t make much of an impact in the art world. It was dismissed as frivolous, with the work regarded as purely decorative and thus not warranting serious critical or curatorial attention.” (NYT: Fresh Eyes on a Colorful Movement) What was deemed not worth talking about has now gained global visibility since its beginnings in the 70’s and 80’s.

The Decoration and Pattern movement is not completely detached from society and the world around it. I feel the art, and artists involved, take a very positive stance that speaks not from the created politics and mottos of the mind, but from love and the appreciation for the beauty that surrounds us. And this philosophy of focusing more on the pleasures of life, rather than its hardships, is very evident in the shapes, colors and patterns of each of Milhazes’ piece.

Solo Exhibitions

2008 Retrospective, Pinacoteca do Estado, Sao Paolo
2007 Galerie Fortes Vilaca, Sao Paolo
2006 Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico
Beatriz Milhazes, Galerie Max Hetzler, Berlin-Mitte, Germany
2005 Peace and Love, commissioned by Platform for Art, Gloucester Road Tube
Station (District and Circle line platform) (through May 22, 2006)
Joa, Stephen Friedman Gallery, London, UK (through January 14, 2006)
2004 Summertime, James Cohan Gallery, New York
Meu Prazer, Galeria Fortes Vilaça, São Paulo, Brazil
Venice Biennale, Venice, Italy, Brazilian Pavilion
2003 Galerie Max Hertzler, Berlin, Germany
2002 Stephen Friedman Gallery, London, UK
Centro Cultural Banco do Brasil, Rio de Janeiro and toured Artist’s Book Project,
Museum of Modern Art, New York, USA
2001 Ikon Gallery, Birmingham. Traveled to: Birmingham Museum of Art,
Birmingham, USA; Galeria Elba Benitez, Madrid, Spain; Galeria Pedro Cera, Lisbon, Portugal
2000 Edward Thorp Gallery, New York, USA Galeria Camargo Vilaça, São Paulo, Brazil
1999 Stephen Friedman Gallery, London, UK Screenprints, Durham Press, Durham, Pensylvania, USA
1998 Galerie Natalie Obadia, Paris, France Gravuras, Paço Imperial, Rio de Janeiro, Brazil Pinturas, Galeria Ana Maria Niemeyer, Brazil
1997 Galerie Barbara Farber, Amsterdam, Holland Elba Benitez Galeria, Madrid, Spain Edward Thorp Gallery, New York, USA
1996 Galeria Camargo Vilaça, São Paulo, Brazil Centro de Artes Calouste Gulbenkian, Rio de Janeiro, Brazil Edward Thorp Gallery, New York, USA
1995 Projecto Finep, Paço Imperial, Rio de Janeiro, Brazil Dorothy Goldeen Gallery, Los Angeles, USA
Selected Solo Exhibitions cont.
1994 Galeria Ana Maria Niemeyer, Rio de Janeiro, Brazil Galeria Ramis F. Barquet, Monterrey, Mexico
Paço Imperial, Rio de Janeiro, Brazil
1993 Galeria Camargo Vilaça, São Paulo, Brazil Sala Alternative, Caracas, Venezuela
1991 Subdistrito Comercial de Arte, São Paulo, Brazil
1990 Galeria Saramenha, Rio de Janeiro, Brazil
1989 Pasargada Arte Contemporãnea, Recife, Brazil
1988 Galeria Suzana Sassoum, São Paulo, Brazil
1987 Galeria Cesar Ache, Rio de Janeiro, Brazil
1985 Galeria Cesar Ache, Rio de Janeiro, Brazil


Selected Group Exhibitions

2008 Prospect .1 New Orleans, New Orleans, LA, curated by Dan Cameron
Marty Walker Gallery, Dallas, TX
2006 Shanghai Biennial, Shanghai, China, Shanghai Art Museum
Off the Shelf: New Forms in Contemporary Artist´s Books, Frances Lehman Loeb Art
Center, Poughkeepsie, NY
Los Usos de la Pintura II, curated by Julieta González, Espacio 1414, San Juan,
Puerto Rico
2005 POPulence, curated by David Pagel, Blaffer Gallery, the Art Museum of the
University of Houston, TX; traveling to the Museum of Contemporary Art Cleveland, OH (September 15-December 20, 2005), and the Southeastern Center for Contemporary Art, Winston-Salem, NC (January 21-April 2, 2006) (catalogue)
10 Anniversary Exhibition, Stephen Friedman Gallery, London
Works on Paper, Galerie Max Hetzler, Berlin, Germany (catalogue)
Print Publisher’s Spotlight: Durham Press, Barbara Krakow Gallery, Boston, MA
Flower Myth. Vincent van Gogh to Jeff Koons, Fondation Beyeler, Riehen/Basel,
Switzerland
Bodies of Evidence: Contemporary Perspectives, The Rhode School of Design Museum,
Providence, RI
2004 Polyphony: Emerging Resonances, 21st Century Museum of Contemporary Art,
Kanazawa, Japan (through March 21, 2005)
Território Livre, 26th Sao Paolo Biennial, Ciccillo Matarazzo Pavilion, Fundação
Bienal de São Paulo, Brazil
The Flower as Image, Louisiana Museum of Modern Art, Humlebæk, Denmark
Between The Lines, James Cohan Gallery, New York, NY
MoMA at El Museo: Latin American and Caribbean Art From the Collection of The Museum of Modern Art, New York, NY
2003 Dreams and Conflicts - The Dictatorship of the Viewer, 50th Venice Biennale, Italy
Selected Group Exhibitions cont.
2002 Group show, D’Amelio Terras Gallery, New York, NY Urgent painting, Musee d’Art Moderne de La Ville de Paris, France Metrópolis, Pinacoteca do Estado, Sao Paulo, Brazil
2001 Hybrids, Tate Liverpool, UK
Posters for the Years to come, Portfolio Kunst, Vienna, Austria Viva a Arte Brasileira, Museu de Arte Moderna do Rio de Janeiro, Brazil Operativo, Museo Rufino Tamayo, Mexico City, Mexico
Trajetória de Luz, Itaú Cultural; Sao Paulo, Brasil Espelho ceggo, Museu de Arte Moderna São Paulo, Paço Imperial, Rio de Janeiro Cultura Brasileira 1, casa das rosas, Sao Paulo, Brazil
2000 Universal Abstraction 2000, Jan Weiner Gallery, Kansas City, USA Projects 70, Museum of Modern Art, New York, USA Opulent, Cheim & Read Gallery, New York, USA A imagem do som de Chico Buarque, Paco Imperial, Rio de Janeiro, Brazil XII Mostra de Gravura da Cidade de Curitiba, Curitiba, Brazil
Drawings, Stephen Friedman Gallery, London, UK
OMR, Mexico City, Mexico F®icciones, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
1999 Objetos Anos 90, Instituto Cultural, Sao Paulo, Brazil Painting, Galerie Natalie Obadia, Paris, France Recent Prints, Betsy Senior Gallery, New York, USA Woman Printmakers, Jim Kempner Gallery, New York, USA Impressões Contemporaneas, Mostra Rio Gravura, Paco Imperial, RJ, Brazil Transvanguarda Latino Americana, Culturguest, Lisbon, Portugal
1998 XXIV Bienal Internacional de São Paulo, São Paulo, Brazil Biennale of Sydney, Sydney, Australia Hanging, Galeria Camargo Vilaça, São Paulo, Brazil
1997 Salão Nacional de Artesal/Sala Especial, Museu de Arte Moderna, RJ, Brazil Trio, Sala Alternativa, Caracas, Venezuela Decorative Strategies, Center for Curatorial Studies Bard College, Annandale-on-
Hudson, New York, USA Painting Language, L.A. Louver, Los Angeles, USA Abstract Painting, Once Removed, Contemporary Arts Museum, Houston, USA; travelling
to Kemper Museum of Art, Kansas City, Um Olhar Brasileiro, Gilberto Chateaubriand, Haus Der Kulturen der Welt,
Berlin, Germany Os Anos 80, Maria Potrich Galeria de Arte, Goaiãnia, Brazil Ludwig Forum Für Internationale Kunst, Aachen, Germany Group Show, Kunstmuseum, Heidenheim, Germany
Camargo Vilaca Bis 46, Galeria Camargo Vilaca, Sao Paulo Durham Press; 10 Year Anniversary, Marcel Sitcoske Gallery, San Francisco, USA
Espelho da Bienal, Museu d’ Arte Contemporanea de Niterói. Rio de Janeiro,
Brazil

Selected Group Exhibitions cont.

Desde el Cuerpo: Alegorias de lo Feminino, Museo de Bellas Artes, Caracas,
Venezuela New Editions and Works on Paper, Betsy Senior Gallery, New York, USA
1996 Ouro de Artista, Galeria Casa Triãngulo, São Paulo, Brazil Impressões Itinerantes, Palácio das Artes, Belo Horizonte, Brazil Excesso, Paço das Artes, São Paulo, Brazil
Theories of the Decorative, Baumgarther Galleries Inc., Washington DC, USA; travelling to
Inverleith House, Edinburgh, Scotland Yole, Milhazes, Duarte, Museo Alejandro Otero, Caracas, Venezuela
Brasil Contemporãneo, Casa da America Latina, Madrid, Spain Pequenas Mãos, Paco Imperial, Rio de Janeiro, Brazil Coleção Joao Sattamini, Museu de Arte Contemporãnea de Niterói, Niterói, Brazil
1995 Regards d’Amerique Latine, Galerie Regard, Geneva, Switzerland Carnegie International, The Carnegie Museum of Art, Pittsburgh, USA Anos 80: O Palco da Diversidade, Museu d’ Arte Moderna, Rio de Janeiro, Brazil Transatlãntica – The America-Europa Non Representative, Museu Alejandro
Otero, Caracas, Venuzuela Galeria Carmago Vilaça, São Paulo, Brazil Panorama da Atual Arte Brasileira, Museu de Arte Moderna, Rio de Janeiro,
Brazil
1994 Pequeño Formatos Latinamericanos, Luigi Marrozzini Gallery, San Juan, Puerto
Rico The Exchange Show: 12 Painters from San Francisco and Rio de Janeiro, Museu
de Arte Moderna, Rio de Janeiro, Brazil; and Yerba Buena Gardens Center
for the Artes, San Francisco, USA Slant of Light, International Art Expositions, Art New York International, New
York, USA Encuentro Interamericano de Artes Plasticas –Diagolo Sobre Siete Puntos,
Museo de Guadalajara, Guadalajara, Mexico
1993 A Escolha do Artista, Paço Imperial, Rio de Janeiro, Brazil Gravuras, Espaço Namour, São Paulo, Brazil Brasil Contemporãneo, Casa de Imagem, Curitiba, Brazil
1993 Colecão Gilberto Chateaubriand, Museo d’arte Moderna, Rio de Janeiro, Brazil A Caminho do Museu, Centro Cultural São Paulo, Brazil Encontros e Tendencias, Museu de Arte Contemporãnea da Universidade de São
Paulo, Brazil
1992 A Caminho do Museu – Coleçao João Sataminni, Paço Imperial, Rio de Janeiro, Brazil Subdistrito, Casa das Rosas, São Paulo, Brazil América, Sala Alternativa, Caracas, Venezuela Eco Arte, Museu de Arte Moderna, Rio de Janeiro, Brazil
1991 Brasil La Nueva Generacion, Fundación Museo de Bellas Artes, Caracas,
Venezuela

Selected Group Exhibitions cont.

BR/80 – A Pintura Dos Anos 80, Casa França-Brasil, Rio de Janeiro, Brazil
1990 Premio Brasília de Artes Plásticas, Museu de Arte de Brasília, Brasília, Brazil O Rosto E A Obra, Galeria do Ibeu, Rio de Janeiro, Brazil Projeto Arqueos, Fundiçao Progresso, Rio de Janeiro, Brazil
1989 Rio Hoje, Muse de Arte Moderna, Rio de Janeiro, Brazil
Canale, Fonseca, Milhazes, Pizarro, Zerbini, Museu de Arte Contemorãnea, São
Paulo, Brazil O Mestre e a Mostra, Parque Lage, Rio de Janeiro, Brazil Bienal International de Cuencas, Cuencas, Equador
1988 Subindo a Serra, Palácio das Artes, Belo Horizonte, Brazil Dois a Dois, Galeria do Consuldado General da Argentina, Rio de Janeiro, Brazil Salão Nacional de Artes Plasticas, Funarte, Rio de Janeiro, Brasil
1987 Salão Paulista de Arte Contemporãnea, Pavilhao da Bienal, São Paulo, Brazil
Bienal Latino Americana de Arte Sobre Papel, Buenos Aires, Argentina El Escrete Voador, Guadalajara, Mexico Território Ocupado, Parque Lage, Rio de Janeiro, Brazil Novas Impressões, GB Arte, Rio de Janeiro, Brazil 4 Pintores, Galeria de Arte UFF, Niterói, Brazil
1985 Salão Nacional de Artes Plásticas, Museu de Arte Moderna, Rio de Janeiro,
Brazil Arte Construção, Galeria do Cenro Empresarial, Rio de Janeiro, Brazil
Pintura, Pintura, Fundação Casa Rui Barbosa, Rio de Janeiro, Brazil

Exhibition Catalogues

2005 POPulence, exhibition catalogue, Blaffer Gallery, the Art Museum of the
University of Houston, TX, 2005. Texts by David Pagel and Terrie Sultan.
Works on Paper, exhibition catalogue, Galerie Max Hetzler, Berlin, Germany, 2005. Text by Kristy Bell.
Flower Myth. Vincent van Gogh to Jeff Koons, Fondation Beyeler, Riehen/Basel, 2005. Texts by Ernst Beyeler Christoph Vitali, Robert Kopp, Philippe Büttner and Ulf Küster.
2004 Bencard, Ernst Jonas and Poul Erik Tøjner, The Flower as Image, exhibition
catalogue, Louisiana Museum of Modern Art, Humlebæk, Denmark, 2004.
2002 Garimorth, Julia, Images peintes/Images mécaniques Falguières, Patricia, Vues du monde in ‘Urgent Painting’, Musée D’Art De La
Ville de Paris, Paris Farias, Aguinaldo, 50 Anos da Bienal de São Paulo, São Paulo
2001 Pedrosa, Adriano e Mesquita, Ivo “Plática”; Fricciones – Versiones del Sur,
Museo Nacional Centro de Arte Reina Sofia Moos, David, ‘La Lecon de peintre’, in Beatriz Milhazes, Ikon Gallery,

Exhibition Catalogues cont.

Birmingham and Birmingham Museum of Art, Birmingham Paulo Herkenhoff, ‘Beatriz Milhazes, The Brazilian Trove’, in Beatriz Milhazes,
Ikon Gallery, Birmingham and Birmingham Museum of Art, Birmingham
Ryam, David, Hydrids, in Hydrids, Tate Liverpool Fortes, Márcia, O Espelho Cego
Cameron, Dan, Vislumbres de Encantamiento Espelho Cego, Paço Imperial, Rio de Janeiro and Museu de Arte Moderna, Sao Paulo
Ostrander, Tobias, Operativo, Museo Rufino Tamayo, Mexico
2000 Daftar, Feri. Project 70, Museum of Modern Art, New York
Pedrosa, Adriano e Cordeiro, Veronica, ‘Constelacao Gráfica’, in Marcas do
Corpo, dobras da alma, Sao Paulo Edição Especial Trans, Arts. Cultures. Media, August 2000
1998 Fortes, Márcia. Hanging. Galeria Camargo Vilaça, São Paulo, Brazil.
Farias, Agnaldo. Vista assim do alto, mais parece um CÈu no Chão. Lobacheff, Georgia. Decorative Strategies. New York: 1998 Friis-Hansen, Dana, Where do you come from? Where are you going?, Abstract
Painting, Once Removed, Contemporary Museum of Art, Houston; Kemper
Museum of Art, Kansas City XXIV Bienal de Sao Paulo, Arte Contemporanea Brasileira: Um e/entre outro(s) XI Biennale of Sydney
1997 Moos, David. Theories of the Decorative.
1996 Pedrosa, Adriano. Beatriz Milhazes.
1995 Galerie Regard. Regards díAmerique Latine. Geneve, Switzerland. Mesquita, Ivo. Panorama da Arte Brasileira. Carnegie International, 1995. Carnegie Museum of Art, Pittsburgh, USA.
Introduction by Richard Armstrong and essay by Stella Teixeira de Barros, pp. 126-129
1994 Herkenhoff, Paulo. Beatriz Milhazes. Galeria Ramis Barquet: Monterrey, Mexico
1993 Teixeira de Barros, Stella. Beatriz Milhazes, Sala Alternativa: Caracas,
Venezuela, and Galeria Camargo VilaÁa, São Paulo, Brasil National Museum of Women in the Arts. Washington, D.C.
Ultramodern: The Art of Contemporary Brazil, Introduction by Susan Fischer
Sterling, and essays by Aracy Amaral and Paulo Herkenhoff.
1992 Museu de Arte Moderna de Rio de Janeiro. Eco Arte. Essay by Charles Merewether
1990 Ernesto, Luiz. Subdistrito Comercial de Arte, São Paulo, Brasil Casa FranÁa-Brasil, Rio de Janeiro. BR 80: Pintura Brasil DÈcada de 80.
Exhibition catalogue with essays by Aracy Amaral and Frederico Morais.
1990 Museo de Bellas Bellas Artes, Caracas, Venezuela. Brasil: La Nueva GeneraciÛn.
Essay by Aracy Amaral
1989 II Bienal Internacional de Cuenca. Cuenca, Ecuador.
1985 mo Cai Voce Geracão 80?, Parque Lage, Rio de Janeiro, Brazil Arte Na Rua, Museu de Arte Contemporãnea, São Paulo, Brazil
Exhibition Catalogues cont.
1984 Salão Nacional de Artes Plásticas, Museu de Arte Moderna, Rio de Janeiro,
Brazil Museo de Arte Contemporãnea da Universidade de São Paulo. Canale, Fonseca,
Milhazes, Pizarro, Zerbibi. Essay by Fernando Cochiaralle.
Museu de Arte Moderna de Rio de Janeiro. Salão Nacional de Artes Plasticas
Articles and Reviews
2008 Phillips, Ian, “Ahead of the Curve,” Elle Décor, March 2008
2007 Sholis, Brian, “Beatriz Milhazes,” ArtForum, September 2007
Genocchio, Benjamin, “Fresh Eyes on a Colorful Movement,” The New York Times, December 9, 2007
2006 “Pump up the Volume: Inside Taschen’s New SoHo Store,” GQ, December 13, 2006
ArtDaily.com, September 22, 2006
2005 Laudanno, Claudia, “São Paulo – The Lateral Diversity of Contemporary Brazilian Art,” ArtNexus, No. 56, Vol. 3 (p. 168) (mention)
Barral, Alberto, “Latin American Auctions,” ArtNexus, No. 56, Vol. 3
Nichols, Matthew Guy, “Beatriz Milhazes at James Cohan,” Art in America, March 2005
Sheets, Hilarie M., “Beatriz Milhazes: James Cohan,” ARTNews, February 2005
Irirarte, María Elvira, “26th São Paulo Biennial”, ArtNexus, January-March 2005 (p. 83) (mention)
Sredni de Birbragher, Celia, “Frieze, Scope and more”, ArtNexus, January-March 2005 (p. 130) (mention)
2004 Villasmil, Alejandra, “Beatriz Milhazes: James Cohan Gallery, New York”, review, Arte al día International, December 04 – January 05
Merino, José Luis, “Natural High”, review, The New Yorker, October 25, 2004
Rosenberg, Karen, “Talent Hanging Fire”, review, New York, October 25, 2004
Ribas, João, “Flower Power”, Art Review, October 2004
Ribeiro, José Augusto, “In the Sway of the Bossas: “Waves””, ArtNexus, No. 54, Vol. 3, 2004
Butt, Riazat, “A Fine Body of Work”, Manchester Online, Wednesday,
May 12th, 2004.
Willis, Simon. “Beatriz Milhazes”, Contemporary Magazine, 2003 Issue 58
Winship, Frederick M. “Latin American-Caribbean art unveiled”, United Press
International, March 21, 2004
2003 Wallis, Simon. “Beatriz Milhazes,” Contemporary, 2003 Issue 58
2002 Nuridsany, Michel. “Une Autre Allure”, Le Figaro, February 2002
Pedrosa, Adriano. “Beatriz Milhazes”, BOMB, Winter 2001/2002, pp. 002-0
Sirlin, Deanna. “Birmingham”, Art Papers Magazine, January/February 2002,
pp. 38-39 Cena, Olivier. “Croutes au gout du jour”, Telerama, no. 2716, January 30, 2002
Articles and Reviews cont.
2001 Searle, Adrian. “Excess all areas”, The Guardian, April 10, 2001, pp. 12-13 Martins, Celso. “Interessa-me o conflito”, Cartaz, October 2001, pp. 30-31 Littie, Carl. “Beatriz Milhazes at Edward Thorp”, Art in America, May 2001,
p. 171 Auslander, Philip. “Beatriz Milhazes”, Artforum, November 2001, pp. 149-150 Gelan, Fernando Martin. “Iconografia Universal – Beatriz Milhazes”, ABC
Cultural, December 8, 2001, p. 30 Hontoria, J. “Beatriz Milhazes”, El Cultural, December 5, 2001, p. 34 Clark, Robert. “Hybrids, Tate Liverpool”, The Guardian, April 18, 2001
Godfrey, Tony. “Liverpool, Birmingham, London, Hybrids, Milhazes,
Heilmann”, Burlington Magazine, June 2001
Peden, Paul. “Hybrids, International Contemporary Painting”, A-N Magazine,
2001 June 2001 Spriggs, Lucy. “State of Art”, Art Review, June 2001, p. 59
Williams, Anthony. “Beatriz’z beat”, The Birmingham News, 2001, Arts Books,
p. 8f Pedrosa, Adriano. “A Pintora Carioca”, Casa Vogue Colecionadores Edicao,
2001, no. 192
2000 Godfrey, Mark. “Beatriz Milhazes”, Contemporary Visual Arts, no.27,
February 2000 Johonson, Ken. “Opulent”, The New York Times, July 21, 2000
“Beatriz Milhazes”, The New Yorker, November 27, 2000 Jay, Hilary. “Purely Creative”, Art y Antiques, December 2000 Cordeiro, Veronica. “Beatriz Milhazes, Galeria Camargo Vilaça,” Art Nexus, no.
38 (November 2000-January 2001).
”Beatriz Milhazes”, Art on Paper, November 2000 Naves, Mano. “Press-On Painting in need of a dimmer switch”, The New York
Observer, November 20, 2000 Name, Daniela. “A cor da maturidade”, O Globo, February 18, 2000 Abreu, Gilberto. “Exagero ou lucidez”, Jornal do Brasil, January 23, 2000
1999 Coomer, Martin. “Beatriz Milhazes”, Time Out London, November 1999
“Abstract views, Painting Language”, Los Angeles Times, 1999 Moos, David. “Painting at the end of the century”, Art Paper, May/June 1999
Canton, Katia. “Beatriz Milhazes”, Artforum, Summer Issue 1999 Osorio, Luiz Camilo. “Arte com qualidade for a do construtivismo”, O Globo, January 4, 1999 Israel, Nico. “XXIV Bienal de Sao Paulo”, Artforum, February 1999 Piccoli, Valeria. “Inside the XXIV Bienal’s body”, Parkett, no 54, 1999,
pp. 177-180
1998 Cotter, Holland. “Beatriz Milhazes”, The New York Times, Friday, January 9,
1998 Pedrosa, Adriano. “Beatriz Milhazes”, Frieze Magazine, May 1998, p. 93 Canton, Katia. “Os Bordados da pintura”, Bravo Ano XIV, 1998, pp. 136-7
Articles and Reviews cont.
A.P “Tramas inusitadas”, Revista Epoca, November 23, 1998
Dewan, Shaka. “What’ s so great about painting”, Houston Press, October 29,
1998
1997 Beatriz Milhazes”, New Yorker, December 22-29, 1997 Cotter, Holland. “Beatriz Milhazes”, The New York Times, Friday, December 5,
1997 B. Alma, Santiago. “Beatriz Milhazes”, Art Nexus, November 1997, pp.143-144 Saltz, Jerry. “Beatriz Milhazes”, Time Out, December 18-15, 1997 De Vries, Marina de Vries. “Een Schilderij dat wit isals een bruid”, Het Parool,
April 23, 1997 Simies, Yolanda. “O Universo de Beatriz Milhazes”, A Tarde, February 20, 1997,
1997 Section 2 Searle, Adrian. “Emperors New Clothes”, The Guardian Weekly, August 24, 1997
Rhonda, Holman. “Ornament Reborn”, The Whichita Eagle, Sunday, October 29,
1997
Alice Thorson. “New Realities of Abstraction”, The Kansas City Star, Sunday,
November 30, 1997 Sutherland, Gilles. “Pick of the Day”, The Scotsman, August 22, 1997
1996 Adams, Brooks. “Domestic Globalism at the Carnegie”, Art in America, February
1996, p. 35 Schabsky, Barry. “Opening, Beatriz Milhazes” Artforum, May 1996, pp. 96-97 Ebony, David. “Beatriz Milhazes at Edward Thorp”, Art in America, November
1996 Smith, Roberta. “Layers of References, Forms and Colors”, The New York
Times, Friday, March 22, 1996, p.27
1995 de Moraes, AngÈlica. “Washington Expie Arte de Brasileiras”, O Estado de S.
Paulo, March 30, 1995, Section 2, p. 1 Pagel, David. “Beatriz Milhazes”, Art Issues, no. 39, 1995, p. 42
1994 Schwabsky, Barry. “Slant of Light”, New York Art International, 1994, pp. 16-19 Sada, Paola. “Beatriz Milhazes ñ Galeria Ramis Barquet”, Art Nexus 14, October
1994, p. 121 Reis, Paulo. “A Sofisticacao do Popular”, Jornal do Brasil, April 5 1994, Section
B, p. 6 Canton, Katia. “Beatriz Milhazes ñ Galeria Camargo VilaÁa”, Revista Isto …
1259, 1994, p. 105
1993 Caula, Sandra. “Superficies Profundas de Beatriz Milhazes” Arte Internacional,
October 17, 1993, p. 35 Lobacheff, Georgia. “Resgates do Caos”, Jornal da Tarde, November 10, 1993,
Section SP, p. 5A Davila, Sergio. “Essa MoÁa È do Babado”, Revista da Folha, November 1993: 14 Comodoro, Roberto. “Explosão de Cores e Arabescos”, Jornal do Brasil,
November 10, 1993, Section B, p. 4
Articles and Reviews cont.
1992 Andrade, Geraldo Edson. “Eco Art”, Revista Galeria 27, September 1992, p. 83 Andrade, Geraldo Edson. “Eco Art” Revista Ventura 21, 1992, pp. 48-61
Mesquita, Ivo. “Arte e Ecologia”, Art Nexus 6, October 1992, pp. 156-157
1991 Basbaum, Ricardo. “Pintura dos Anos 80”, Revista G•vea 6, 1991, pp. 39-57 Morais, Frederico. “Beatriz Milhazes: Decor não È Crime”, Revista Galeria 25, 1991, pp. 56-59
1990 Basbaum, Ricardo. “Planos M?ltiplos”, Guia das Artes 20, September 1990,
pp. 96-98
Collections
Solomon R. Guggenheim Museum, New York, NY
The Museum of Modern Art, New York, NY
Banco Itaú, S.A., São Paulo, Brazil
Museo Nacional Centro de Arte Reina Sophia, Madrid, Spain
21st Century Museum of Contemporary Art, Kanazawa, Japan
Carnegie Museum of Art, Pittsburgh, PA; Alexander C. and Tillie S. Speyer, Fund for
Contemporary Art in honor of Madeleine Grynsztejn, USA
Metropolitan Museum of Art, New York , NY La Sacen Neuilly-Sur Seibe, France Worcester Art Museum, Worcester, MA
Source:
rogallery.com

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