1880 (Middleboro, Massachusetts)
Share an Image of the Artist
Often Known For
portrait and landscape painter, illustrator
Would you like to discuss this artist?
AskART Discussion Boards
|This biography from the Archives of AskART:|
|Harold Matthews Brett is known for his illustrations and paintings of
nostalgic New England scenes. He grew up in Brookline,
Massachusetts, and studied at the School of the Museum of Fine Arts in
Boston under Philip Hale and Frank Benson. Later, he moved to New
York to study at the Art Students League with Walter Appleton Clark, H.
Siddons Mowbray, and Kenyon Cox. |
By then a well-trained
artist, Brett went to Wilmington, Delaware, in 1906, to study further
under the famous illustrator Howard Pyle. He was soon able to
make his professional debut in Harpers Weekly, and his work
began to appear in most of the national magazines. Eventually,
Brett moved to Chatham on Cape Cod, and for several years was
associated with the Fenway School of Illustration in Boston. Brett
particularly liked to do New England subjects with an historical
setting; he also did a series of portraits of Cape Cod sea
captains. Eventually, he specialized in portraiture, maintaining
studios in New York City and Chatham.
It might be said that
Harold Brett occupied a similar position in art history as Norman
Rockwell. Brett's paintings, drawings, and illustrations, which can be
seen on exhibit at the Cape Museum of Fine Arts, evoke a similar
nostalgic feeling for a different, simpler time.
A resident of Chatham, Brett was primarily an illustrator, working for magazines such as Colliers, Ladies Home Journal, and Country Gentleman. He also illustrated books: Lucretia Hales The Peterkin Papers and several by the Cape author Joseph C. Lincoln.
also devoted time to portraits, which were simple, straightforward
works. His subjects were undoubtedly painted the way they would
like the world to see them: The men were composed and serious, the
Brett's paintings of local Cape scenes have had
the greatest appeal. Viewers are attracted by the quaintness of
the works. Done in the 1930s and 1940s, they show none of the
influences of modernism. Although Brett studied at the School of
the Museum of Fine Arts in Boston, with Frank Benson, he seemingly was
not influenced by Benson's style of Impressionism.
Wychmere Harbor is a quiet water view, as is Harwichport. Congregational Church, Chatham evokes a Currier and Ives image of a snow-covered scene, complete with horse-drawn sleigh. Chatham Fish Shack,
completed in 1935, has a view through the shadows of a fish shack into
an open door that frames a bright spot, where a man and his boat are
highlighted in the glare of the sun. The painting is well
composed and carefully structured and goes beyond just the nostalgic in
its aesthetic qualities. The Cranberry Pickers, done for Lincoln's Cape Cod Yesterdays, nicely captures the era of bonneted women harvesting the berries. The Graveyard, Truro projects a somber mood with the dark gravestones ominous against a pale sunset. Lady on Skis, was an illustration for Colliers,
and shows Brett's ability to define an attitude and expression.
The woman in the drawing is shown with a startled look as she tries to
maintain her balance during a precarious slide down a hill.
art is seen best in the context of his work as an illustrator. He
depicted a time and place that can be recalled with affection. It is
easy to imagine oneself lingering in front of one of his Cape scenes,
trying to recapture the charm of that era.
The Illustrator In America, 1880-1980, A Century of Illustration, by Walt and Roger Reed
Cape Code Times, "Brett Illustrates Charm of Cape Era Gone By", December 14, 2000)
|** If you discover credit omissions or have additional information to add, please let us know at registrar@AskART.com.|