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 George Gardner (Simon) Symons  (1863 - 1930)

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Lived/Active: New York/California/Massachusetts/Illinois/New Jer      Known for: landscape-water and snow, marine

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BIOGRAPHY for George Gardner (Simon) Symons
Facts/Data
Birth
1863 (Chicago, Illinois)
 
Death
1930 (Hillside, New Jersey)

Lived/Active
New York/California/Massachusetts/Illinois/New Jer

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landscape-water and snow, marine

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Categories of Interest

The California Art Club
Painters of Grand Canyon
Impressionists Pre 1940
California Painters
This biography from the Archives of AskART:
A landscape and marine artist, George Symons was one of America's more noted plein-air painters who combined styles of impressionism and realism. His works are cited for their energy and simplicity, and he often did panoramic views.

He was born in Chicago, Illinois in 1861, with the name of George Gardner Simon, but he changed his last name to Symons when he returned from study in England because of concern about anti-semitism. Not much is known about his early life. He first studied at the Chicago Art Institute where he became a close, life-long friend of William Wendt. They painted together in California and then in Cornwall, England in 1898. He also studied in Paris, and Munich and London, and joining a colony of artists at St. Ives, adopted the plein-air techniques of Julius Olsson, Adrian Stokes, and Rudolph Hellwag.

He worked in Chicago as a commercial artist, and about 1903 returned to California with Wendt and built a studio in Laguna Beach and became active in western art societies including the California Art Club. He returned often, but maintained his primary studio in Brooklyn, New York, and also did a lot of painting in Colerain, Massachusetts.

Among the collections where his work can be found is the Brooklyn Institute of Arts and Sciences; the Art Institute of Chicago, and the Fleischer Museum in Scottsdale, Arizona. Associations he was a member of include the National Academy of Design, the National Arts Club, the Institute of Arts and Letters, the Lotos, Century, and Salmagundi Clubs.  He was also a member of the Royal Society of British Artists and the Union Internationale des Beaux Arts et des Lettres.

He painted entirely out-of-doors, frequently working in Arizona, doing desert landscape and the Grand Canyon views, which "were well received", (Dawdy 424), but he is best known for his New England snow scenes, especially of the Berkshire Mountains.  He died in Hillside, New Jersey in 1930.

Source:
Edan Hughes, Artists in California, 1786-1940
Peter Falk, Who Was Who in American Art
Doris Dawdy, Artists of the American West, Vol. III
Anonymous Author, "The Outlook for Etching", The American Magazine of Art, March 1930


Biography from South Coast Fine Art:
George Gardener Symons was born in Chicago in 1861.  His birth name was Simon, but he changed it because he was worried about anti-Semitism.  He traveled through Paris, Munich and London before settling in Brooklyn.

A plein-air painter, Symons combined elements of Realism with Impressionism.  He had studios in New England and Laguna Beach, California and divided his time between the two.  He is remembered for his winter landscapes of the Berkshire Hills and Gloucester, Massachusetts as well as his work in the California plein-air school. Symons also painted annually in Cornwall, England.  He was good friends with William Wendt, who he knew from his schooling at the Chicago Art Institute, and the two explored the California coast and Europe together.

Symons believed in drawing from inspiration.  His large canvases were of sweeping panoramic views with large areas of bright color.  Symons exhibited widely throughout NYC, California and London.

Biography from William A. Karges Fine Art - Beverly Hills:
George Gardner Symons was born in Chicago, Illinois, where he studied at the Art Institute and met his lifelong friend, William Wendt.  Further study followed in London, Paris, and Munich.  Upon his return to the states, Symons moved west to California, and along with Wendt, built a studio in Laguna Beach where he was able paint en plein air year-round.

He remained involved in southern California art, but maintained a primary studio in New York.  He is best remembered for his snowy winter landscapes of New England.

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