Artist Search
   
a b c d e f g h i j k l m n o p q r s t u v w x y z 

 Hedley Williams Waycott  (1865 - 1938)

About: Hedley Williams Waycott
 

Summary

Examples of his work

 
 

Quick facts

Exhibits - current  
 

Biography*

Museums

 
 

Book references

Magazine references pre-2007  
 

Discussion board

Signature Examples*

 
 
Buy and Sell: Hedley Williams Waycott
  For sale ads

Auction results*

 
  Wanted ads Auctions upcoming for him*  
  Dealers

Auction sales graphs*

 
 

What's my art worth?

Magazine ads pre-1998*  
 

Market Alert - Free

 
Lived/Active: Illinois      Known for: impressionist landscape and floral painting

Login for full access
 
View AskART Services









*may require subscription
BIOGRAPHY for Hedley Waycott
Facts/Data
Birth
1865 (Corsham, Wiltshire, England)
 
Death
1938 (Peoria, Illinois)

Lived/Active
Illinois

   Share an Image of the Artist

Often Known For
impressionist landscape and floral painting

Discussion Board
Would you like to discuss this artist?
AskART Discussion Boards
(1 Active)

This biography from the Archives of AskART:
The following biographical information was prepared by Channy Lyons, arts/community and women’s history writer in Peoria, IL.


Biography for Hedley William Waycott (1865-1938)
Submitted 9/9/06

FACTS/DATA
Birth: 1865 (Corsham, England)
Death: 1938 (Peoria, Illinois)
Lived/Active: Illinois

Known for: American Impressionist style landscape oil, watercolor, and pastel paintings
Methods: Plein-Air painter  
Mediums: oil, watercolor, pastel
Subjects: landscapes, florals
Places visited: Indiana, New Mexico, Michigan, Virginia.

Teachers: Frank C. Peyraud; Arthur Loomis

Associations: Society of Independent Artists; All-Illinois Society of Fine Arts; Peoria Society of Fine Arts; Peoria Art Institute; Palette and Chisel Club of Chicago; American Federation of Arts.

Exhibitions:
Society of Independent Artists (1928 & 1931); National Academy of Design (1934); Peoria Society of Allied Arts; Peoria Art Institute; All-Illinois Society of Fine Arts; Chicago No-Jury Society; Retrospective/Lakeview Museum-Peoria, 2006.

Museum Collections:
Illinois State Museum, Springfield, Illinois and Lakeview Museum, Peoria, Illinois.


Biography for Hedley William Waycott
For thirty years in the early 1900s, Hedley William Waycott was Peoria, Illinois’ best-loved painter.  His name symbolized art in the city.  He influenced several generations of Peoria artists and patrons, and his local and regional landscape paintings, primarily prepared in a loose American Impressionist style, were collected eagerly during his lifetime.  Many still hang today in homes and offices in Peoria and around the country – “gifts of lasting beauty that enrich our lives,” as local columnist F R. Oakley wrote.

Waycott was born in 1865 in a small town on the southerly tip of the Cotswolds in southwestern England.  He was apprenticed to a London jeweler in 1879 at the age of 14.  In 1882, he immigrated to America, joining his father and three sisters who were already established in Peoria. Waycott was unable to find work as a jeweler and accepted a job at Newkirk & Pay, a shop that sold mirrors, pictures and frames.  By 1894 the original owners had retired, and Waycott took over the business, renaming it Hedley W. Waycott & Co., “dealer in paintings, engravings and artist’s supplies…china firing a specialty… manufacturer and gilder of picture frames.”

Waycott made his first painting soon after he married Louise McFadden in 1887. She was a china painter and a watercolorist. One Sunday afternoon, she was working on an oil painting of a cluster of yellow roses and asked Hedley to fill in the last rose.  He was pleased with the result and decided to try a painting of his own.  He had no formal training in painting (other than the rudimentary instruction every young child received in school), yet he had learned about composition and design and handling a brush as an apprentice in England, and he applied these principles to his experiments with oil painting.  Some time later, Waycott put a completed painting in the art shop window and it quickly sold.

In the early years, Waycott was more interested in encouraging other artists than making his own pictures.  He advised beginners to buy modest, inexpensive equipment instead of the elaborate outfits he might have sold them.  He told them that a palette of seven (even five or three) colors was enough for all practical purposes.  In later years, he shared the techniques he had learned by trial and error in the classes he taught at the Peoria Art League and the Art Institute of Peoria.

Throughout his life, Waycott was an inspiration to local artists.  His shop was a rendezvous spot for artists.  They stored their easels in the back room, and gathered after work to paint and to look at the artwork and frames at the shop.  On Sundays, they set out from the shop on foot to paint on the hillsides and prairies nearby.  Later they exhibited their work at the store.

Waycott was a member of the Men’s Sketch Club, which started about 1888.  He helped form the Peoria Art League in 1894, when the Sketch Club decided to invite women artists to join them and changed the organization’s name.  He was president of the Art League from 1914 to 1923.  He was active in the Peoria Society of Allied Arts, an umbrella organization uniting the Art League, the Peoria Women’s Club art and literature department, Bradley University’s manual arts department, and the city’s association of commerce.  It was formed in 1913 to unite the art interests of the city and to lobby for a city museum.  Waycott exhibited in most of the League and Society shows for 40 years.  By 1915 when a Men’s Saturday Afternoon Sketch Club was started under the auspices of the Society, Waycott was looked upon as the dean of the group.  In 1923 the Society and Peoria Art League joined together to form the Art Institute of Peoria and Waycott was elected a director of the new organization.

In 1904, he closed his art shop, committing himself to painting.  He would supplement his earnings for the next 34 years by making the distinguished frames his patrons had grown to admire.  His frames were masterfully carved, decorative constructions, designed and finished to enhance a particular work of art.

In 1910, he sent a painting of a wheat field in full top to the Palette and Chisel Club of Chicago and won entrance into the club. Later he became a member of the American Federation of Arts and the National Academy of Design.

By the 1920s Waycott had developed a loyal following for his local scene paintings. He received carte blanche orders from customers.  They would tell him to “make up a painting that costs so much…you choose the subject. Make what you like to fill such and such a place. Include my card, and ship it to such and such an address.”

His one-man show in Peoria in 1927 brought him further acclaim and record sales.  When he announced that he would travel in the Midwest the following year to sketch and paint, his Peoria patrons commissioned him to sketch specific places along the route.

In 1928 and 1931, he showed paintings in the Independent Artists’ Society exhibitions in New York City.  His oil painting The Snow Storm hung in the 109th National Academy of Design exhibition in New York in 1932.  Later, his work appeared in exhibits in Chicago and in New Mexico.

Waycott’s works were shown almost every year in the late 1920s and 1930s.  The exhibit of his oils and pastels in Peoria in 1932 was the most popular art show held in the city in over 30 years.  His paintings hung in private collections throughout Central Illinois and in California, even India, as well as the Midwest and the East Coast.  Today his works are prized today for their beauty and representation of the bluffs and streams characteristic of the Illinois River valley.  In addition, they act as historical documents for their time.

He made a living with his paintings – and frame making.  Waycott learned early on what Peorians liked, and he gave it to them.  “They prefer landscapes,” he once said. “That’s why I paint landscapes.  I would prefer to make marines.  But inland people don’t want marines. They want subjects with which they have intimate contact.  That’s why I paint Peoria for them.”

The Peoria arts community was very active in the first 40 years of the 20th century, and Waycott played a central role in making it so. “Probably no other individual has contributed more to the rise and growth of art in our city,” a reviewer wrote some years after Waycott’s death in 1938.

He created over 800 paintings, and his work has been handed on from one generation to the next, given as gifts, and sought-after at auctions.  A Waycott collector said recently that the artist’s paintings make him feel as though he could step right into the scene.  Another added that they appeal to the sense of beauty he finds in nature.

A retrospective of Waycott’s work will be held at Lakeview Museum in Peoria from October 28, 2006 through January 13, 2007.  A book with more than 220 of his paintings will accompany the exhibition.



Sources:  Please note that I have 4 pages of sources used for all of the writings (the Waycott book, additional essays, and this biography) about Hedley Waycott. Most of the listings are local newspaper articles and organization documents, which are grouped Subject File headings below.  Local history books as well as city directories and census, immigration records, and correspondence with sources in Great Britain were also use.

A selected list follows:

Cooley, Adelaide N. A Biographical Dictionary of Peoria Artists, 1830-1982, with reference guide. Peoria: 1982.

Falk, Peter Hastings. National Academy Exhibitions Record, 1901-1950. CT: Sound View Press, 1990.

Falk, Peter H. ed. Who Was Who in American Art, 1564-1975. Vol 3. CT: Sound View Press, 1999.

Gerdts, William H. The South and the Midwest, Art Across America, Two Centuries of Regional Painting 1710-1920. Vol 2. NewYork: Abbeville Press, 1990

Marlor, Charles S. The Society of Independent Artists. Park Ridge NJ: Noyes Press, 1984.

Sparks, Esther. A Biographical Dictionary of Painters and Sculptors of Illinois 1808-1945. 2 vols. Ph.D. diss. Northwestern University, 1971.
   
Subject files. Bradley University Special Collections Library.
Subject files. Peoria Historical Society Collection, Bradley University Library.
Subject files. Peoria Public Library.







** If you discover credit omissions or have additional information to add, please let us know at registrar@AskART.com.

  go to top home | site map | site terms | AskART services & subscriptions | contact | about us
  copyright © 2000-2014 AskART all rights reserved ® AskART and Artists' Bluebook are registered trademarks

  A |  B |  C |  D-E |  F-G |  H |  I-K |  L |  M |  N-P |  Q-R |  S |  T-V |  W-Z  
  frequently searched artists 1, 2, more...  
  art appraisals, art for sale, auction records, misc artists