1823 (New Bedford, Massachusetts)
1892 (New York City)
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marine-ship, Arctic sea-landscape painting
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|This biography from the Archives of AskART:|
|A 19th-century marine painter, William Bradford is famous for his seascapes that reflect his background of being raised in an area known for whaling and other marine activities. During much of his career, his work focused on the Arctic region, which he depicted with strong color and spectacular lighting.|
Bradford was born and raised in New Bedford, Massachusetts to Quaker parents who disapproved of his desire for a painting career. He became a clerk in his father's dry goods shop in New Bedford but devoted his spare time to sketching, a diversion that caused him and his wife to lose a farm that had been given to them by his father-in- law.
In the early 1850s, living in Fairhaven, he launched his professional career by selling portraits of ships for twenty-five dollars a piece. In 1854, he opened a studio and about this same time attracted the interest of Albert Van Beest, a Dutch painter who had come to America in 1845. He became Bradford's teacher and collaborator, and until his death in 1860, they painted together local scenes including seascapes and whaling pictures.
In 1861, Bradford began a series of trips to Nova Scotia, Labrador, and Greenland, and painting and photographing the Arctic region became a consuming interest. He also published a book in London titled The Arctic Region, which he vividly illustrated with photographs pasted onto the page and he gave lectures accompanied by lantern slides of his paintings. In the early 1880s, he lectured on the Arctic in England and received a commission for painting Queen Victoria.
In the 1870s, he established a studio in San Francisco, and traveled extensively in the western United States where he painted Yosemite, Mariposa Valley, and the mountains of the Sierra Nevada. He often traveled and painted with Albert Bierstadt, his fellow New Bedford artist.
Bradford developed a technique of painting from his many photographs, but he only used them as tools and not as something to copy. He felt strongly that an artist should never copy nature exactly but should rework the subject matter through one's mind and creative hand.
He highlighted his marine vessels with atmospheric tones, expressive cloud formations, and gradations of light including ripples on the water. He delineated the details of the ships and by showing distant views of shorelines, suggested panoramic perspective. His style was more realistic than impressionistic and his composition was strong and clear.
Matthew Baigell, Dictionary of American Art
Edan Hughes, Artists in California, 1786-1940
|Biography from VALLEJO GALLERY, LLC, Marine Art Specialists:|
|Born in Fairhaven, Massachusetts to a Quaker father who was a
ship-fitter, William Bradford was formally trained in marine art, first
sharing a studio with Albert van Beest. In the 1860s, he opened a
studio in New York and began photographing his subjects as a reference
to use in finishing paintings in his studio. This technique aided
in capturing exact tones and detail prominent in his completed works.|
1872, he traveled to England where he was well received by the British
art community. Returning to America in 1874, he was elected to
the National Academy of Design. In the 1880s he moved west to San
Francisco where he lectured and opened another successful studio.
He later returned to New York City where he died in 1892.
with both Salmon and Lane, Bradford's work incorporates exact
topographical detail. His detailed draftsmanship creates a very
accurate view recognizable to anyone familiar with the region. It
was not uncommon for him to spend days painting a group of rocks to get
color and light faithfully rendered.
|Biography from William A. Karges Fine Art - Carmel:|
|William Bradford was born to strict Quaker parents, who disapproved of his interest in art. Self-taught early in life, Bradford began his career by selling portraits of ships in the Fairhaven harbor near his home. He eventually opened a studio which caught the attention of the Dutch painter, Albert Van Beest. Van Beest was Bradford’s teacher and collaborator on marine and whaling theme paintings until his untimely death in 1860. |
Bradford continued on in his chosen genre, earning high praise for the heroic drama he portrayed on the sea. Travelling extensively, Bradford would paint his scenes with the help of photographs, and this is reflected in the realist style his works possess.
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