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Dear Mr. Stella,
I am a Student at Woodbury University in Burbank, California. I was given the assignment to write and present the work of an Artist that I liked, someone that worked with Abstract Expressionism post WWII. I of course choose you because I’ve been a big fan of your work for a long time. I would really appreciate it if you could answer just 1 question for me, it would really help me out for my final paper and presentation. I was just wondering why you decided you change your style, you started off by doing very linier work and would later move on to using arches and curves and even sculptures. It would truly make my day to hear back from you and Thank you so much for your time!
Abstract Expressionists in NYC
Dear Mr. Stella,
I am a student at the Hotchkiss school in Lakeville, CT. If I am correct you live near Millerton, NY. I am an artist and am doing a term paper on Abstract Expressionists in New York City post WWII. I would love to talk to you and maybe interview you. If you are willing. Thank you so much for your time!
Authentication for artwork
Dear Mr. Stella,
I am a great admirer of your work and would like to know how to authenticate a painting that is attributed to you. It does not have documentation. I love the work regardless but would be very interested to know if it was indeed painted by you. I am happy to send a photo to your agent or to yourself as a first step. Best regards, Christopher
Dear Mr. Stella,
I am a student from Madrid. I am studing conservation of cultural heritage, and one of my works is about you and you paintings IRREGULAR POLYGONS, but I can't found a really good information.
for example, I really want to know which color use in "Moultonboro I" (the painting).Or, Is the idea with which they were conceived the works is different from now?.
if I can contact with you, I really appreciate it.
thank you so much for your answer and your time.
unknown artwork of yours
Dear Mr. Stella,
I was a waiter at the Baltimore Museum of Art in 2001. At the end of a busy lunch shift, I happened to notice a crayon drawing on the paper tablecloths, signed "Stella01". I recognised the signature immediately. I am also an artist and the article in "Art in America" which I read while still in high school, in the late eughties, has been a constant inspiration for my work even still.
When I saw the piece you drew on the tablecloth, I had a transcendent moment looking at everyone hurrying to finish their shift work, entirely unaware of the significance of the situation. I asked the floor manager if I could keep a drawing done by one of the customers. I asked him in passing, intentionally downplaying my own excitment, and he said yes, without thinking twice although he looked at me oddly as if wondering why I would ask at all. I quickly rolled up the tablecloth, as the dishes had already been cleared, and framed the piece the next day, leaving a small bit of residual foodstain showing, mostly just to validate my story when I tell my grandchildren someday.
I have since had it hanging quietly in the corner of my living room, out of the sun, and haven't mentioned the event to anyone, choosing to keep it entirely unknown, being entirely unable to afford a safe-deposit box.
I called the Baltimore Museum of Art recently to have it officially authenticated, for posterity, but they instructed me to use an auction house for that. I plan to never sell it, and would rather keep it quietly still, so talking to an auction house about it seems like the wrong thong to do. Do you have any suggestions?
I can be reached at firstname.lastname@example.org
Above all, I would like to thank you. -Eric Carlyn
several early works
PLEASE CONTACT ME! Regarding some of your very early works given to my mother by your father Dr. Stella! Thank you!
Peformance of Merce Cunningham's Scramble with Frank Stella Set
Hello, Repertory Dance Theatre of Salt Lake City will be performing Merce Cunningham's 1968 work, Scramble with set pieces by Frank Stella this October 6-8. We would love to have the artist's feedback about the process of working with Merce Cunningham and their collaboration. We are having the set built for the performance via the Cunningham Foundation's great historical notes. We would appreciate any knowledge you would like to share. Thank you!
Frank stellas email
Hi Frank my name is Shaun Douglas
I use to work for you,building your sculptures to scale out of bulsa wood and magnesium ,with Jim Hickie in Bridgeport CT at one of the Swan buildings in the mid 80s. I always thought your art was very cool. At the time I was 17 years old, I had no idea who I was working for, i was just working to have money for beer and to chase woman, but I thought it was cool working on your art, you asked me if I was a artest, and I said yes but I was afraid of what people would think of my work, you told me not to worry about what people thought,and when I was ready just do it, and if I had any thing that you could see, I said not yet. Years pass and nowi am doing some art. I am now 42 years I think I have my own style, no I don't care what people will think,,but I would like to know if I can email you one of my latest title ,Vagina Dialog painting done on muslin canvas, jesso base, with French oil, it is not done yet but it would mean allot to me for your feed back. Would you be able to send your email to my email so I can send you a picture of my painting.
I am at email@example.com
I have been a Stella (fan?)
inspired(?) artist since I started working and showing my work in 1979-80...Although I could blame limited exposure,(success) on being geographically challenged (NC) or becomming disabled with an inflammatory genetic disease (which complications from the same genetic 'screw-up' took my older brother a couple of years ago...my business partner & talented ASMP photographer)...I did have a show at SECCA several years ago, after which I had the realization that I'd either have to knock on ad agency doors and market myself as an aillustrator or move to NY (even in the late 80's NY seemed to have more than enuf artists)...So, without selling out completeley, I adapted - 'chameleonized' & raised the family and (somehow) survived - (so far) in the gray area (illustrator, commercial artist, art director, designer, etc, even detouring into the use of live coral w/ custom life support & cabinetry for display).
Regardless, my condition is degenerative & noticing I'm not (getting) any younger. I'd like to know if anyone can assist in contacting Stella (via email, snail-mail???)...
I've met/spoken to numerous successful artist, but have been unsuccessful in contacting Stella...
Soo...any sincere assistance in getting an email to him would be appreciated.
PS: One 'HiLite' was meeting 'Stanley Boxer' several years ago, which turned out - only a few years prior to 'his' passing...but still today, a source of 'often' insiration...Thanks, Kindest regards, etc...
Any help would be appreciated, sincerely...
Lac Laronge IV
I have enjoyed seeing Stella's artwork at the Toledo Museum of Art. It's Lac Laronge IV. I have a question about it--I wonder if anyone can help me. It's from the protractor series and every color area is separated from aech other by white lines, EXCEPT one. Does anyone know why that is? Thanks.
Frank Stella Sr.
Hi- I'm looking to contact Frank Stella the artist. I've been going through an archive of old sports photos from Tufts University in the late 1920s, early 1930s which belonged to my grandfather, and I have some of a Frank Stella on the Tufts wrestling team I believe. If Frank could contact me, I would love the opportunity to pass these along to him. I believe the Frank Stella in my images is his father. Thank you! -Jon Colcord (grandson of Raymond G. Ockert M.D.)
Frank's Father delivered me
My name is Frank too. I was also born in Malden Massachusetts and I was delivered by Frank's father Frank Stella Sr. who was an OB/GYN. I think I was Dr. Stella's last delivery! I would love to meet Frank someday.
Frank, my name is mary lyons. I have met your mom. my mom, Sandy Lyons, has taken care of her in her house. when I went for a visit,she was doing well. I am sorry she has passed away. It was nice talking to you.
about frank stella
method used to make their artwork. subject matter, time it was created.
frank stella's ethnic background
what ethnic/religious background was stella born into?
Prinz Friedrich von Homburg Unveiled
ArtDaily.com reported today that the National Gallery of Art unveiled the commissioned sculpture "Prinz Friedrich von Homburg, Ein Schauspiel, 3X" by Frank Stella. The work weighs ten tons and measures 40 feet. It is made of aluminum, fiberglass and carbon-fiber swirls. Stella is credited with being an influential force behind the founding of the Minimalist School in the 1960's, and is considered one of the most important artists of the second half of the twentieth century. He was born in Massachusetts, where he studied painting at Phillips Academy and became a close friend of the future Minimalist sculptor Care Andre. While studying at Princeton during the mid-1950's, Stella explored the art of Abstract Expressionism but rejected this movement. In 1959, soon after graduating from Princeton, he created a pin-striped black painting on bare canvas that caused a sensation in the New York art world, and helped steer the course of the Minimalists. Stella has exhibited his work, including drawings, prints, sculptures, and installation art, on twelve occasions in Japan, the first show premiering in 1966. In "Violet to Red Violet," there is a gradation of colors from light to dark, each color clearly demarcated and separated by crisp, white borders. This segmentation and precision is one of Stella's representative techniques.
A new 20,000-pound Frank Stella sculpture: "Prince of Homburg" is to stand at a location outside the southeast corner of the East Building of the National Gallery of Art. It will be unveiled sometime this summer. Made from aluminum, stainless steel, fiberglass and carbon fiber it measures 31 by 39 by 34 feet.