Audrey Capel Doray
Audrey Capel Doray is active/lives in Quebec, Ontario / Canada, France. Audrey Doray is known for landscape painting, kinetic sculpture, teaching, printmaking.
Audrey Capel Doray
Biography from the Archives of askART
Audrey Capel Doray (born 1931) is a Canadian artist working in a variety
of mediums—painting, printmaking, electronic art, murals, and films. In
addition to her solo and group exhibitions, her work was exhibited at
the 6th Biennial Exhibition of Canadian Painting at the National Gallery
of Canada in 1965.
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A serigraph Diamond is held in the
Tate Gallery London and the National Gallery of Canada. Her work is
described in North American Women Artists of the Twentieth Century as
combining "robust social criticism with her own interpretation of
humanist theory" and dealing with pop art and the feminist archetype,
themes of "perpetual motion and endless transition", and the interplay
of sound and light.
Born Audrey Capel in Montreal, she studied
art from the age of 15 in classes at the Montreal Museum of Fine Arts
under Arthur Lismer. She then continued in fine arts at McGill
University under Lismer as well as John Lyman and Gordon Webber. After
graduating from McGill in 1952, she taught art in Montreal schools and
completed further work with Jacques de Tonnancour.
In 1956 she spent a
year in Europe, studying etching at Atelier 17 in Paris with Stanley
Hayter. His book New Ways Of Gravure introduced Doray to the art of
printmaking. She also studied lithography at the Central School of Arts
& Crafts in London.
In 1956, she married the artist and
medical illustrator Victor Doray. On their return from Europe they
settled in Vancouver where Audrey taught for two years at the Vancouver
School of Art. She held her first solo show at the Vancouver Art Gallery
in 1961. She also exhibited in 1964 at the New Design Gallery, the
first gallery to show contemporary art in Vancouver, which adjoined an
arts space that presented live theatre, films, concerts, lectures and
The earliest local artist to attempt to make
Mcluanesqhue paintings was Audrey Capel Doray whose last series on
canvas 1965, before she turned to sound, motion and light, was about the
transformation of Typographic Man into Electronic Man. Capel Doray went
on to produce some of the most emblematic work of the period involving
light, sound and motion before returning to painting in the seventies.
and Victor Doray were instrumental in founding the Intermedia Society
in 1967. Inspired in part by the ideas of Marshall McLuhan, it was a
place for artists from multiple disciplines to meet and collaborate and
was financed partly by grants from the Canada Council. Intermedia
remained an influential force in the artistic life of Vancouver for the
next decade. Among the initiatives it spawned were the Video Inn (a
repository and exchange of video art) and the Western Front Society. The
2008 exhibition "Idyll" at the Morris and Helen Belkin Art Gallery,
featured Doray's multimedia works from this period, with the catalog
describing her as "a pioneer of interactive and multimedia art that
Following her solo shows at the
Vancouver Art Gallery at the New Design Gallery, she showed at Simon
Fraser University in 1966, the Bau-Xi Gallery in Vancouver, and at the
Jerrold Morris Gallery in Toronto. Her work was also exhibited in the
6th Biennial Exhibition of Canadian Painting at the National Gallery of
Canada in 1965. By the late 1960s Doray became known for her transparent
plastic kinetic-audio-light sculptures exhibited both in Canada and the
United States.These multi-sensory haptic-like works she related to art
educator Viktor Lowenfield's teaching of perception by touch in his
book, Creative and Mental Growth.
Art in America featured
Audrey's Hexagon. This is a six-panelled polarized light kinetic audio
installation that they considered inherent in the electronic medium. An
interview with her in Vanguard in 1978, set against her solo
exhibition that year at the Bau-Xi Gallery, discussed her work in
murals, animated film, electronic art and the themes of motion and
continual flux in her paintings.
The Doray's established a summer
retreat on Savary Island, and Audrey became increasingly drawn to
landscape painting and environmental issues. By the 1980s she and her
husband were both active in campaigns to save the old growth forests of
Canada's West Coast and participated in art projects for the Stein,
Carmanah and Tsitika valleys.
In 2014, she was one of the artists
shown at the West Vancouver Museum in the exhibition "The And of the
Land: Perspectives on Landscape by Artists from British Columbia."
work is in the permanent collections of the National Gallery of Canada
in Ottawa, the Vancouver Art Gallery and the Morris and Helen Belkin Art
Gallery in Vancouver, and the Confederation Gallery in Prince Edward
Island. Her serigraph Diamond is held in the Tate Gallery London and the
National Gallery of Canada.
Her work is also held in several
private and corporate collections, including an electronic mural
commissioned by Mazda Motors in 1973 and paintings commissioned by the
Waterfront Centre Hotel in Vancouver in 1991.
Continuing her life-long
interest in interactivity and movement her most recent work is a
multi-media installation titled Here and Beyond exhibited at the Macaulay & Co. gallery in 2014 with a score by David Hykes.
"Audrey Capel Doray," Wikipedia, 1/2016
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