(1815 - 1891)
Jean-Louis-Ernest Meissonier was active/lived in Italy, France. JeanLouisErnest Meissonier is known for academic painting-aristocratic figure and war genre.
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Biography from the Archives of askART
"The most famous and successful painter of the nineteenth century" (3),
Jean Meissonier, born in Lyon, represented the conservatism of the
French Academy, the force defied by Impressionists who led the new
modernism. At that time, which was the mid to late 19th Century,
his paintings brought very high prices, and he spent lavishly on
personal possessions including his home, furnishings and horses in the
stables. Three times, he was awarded the Grand Medal of Honor,
which was unprecendented, and in 1889, he received the Grand Cross,
which was the highest honor of the Legion Honor and which in
recognizing him, was the first time this award was given to an artist.
Biography from Sotheby's London, New Bond Street
His favorite painting subject was Emperor Napoleon, especially in
victorious mode, which reinforced the popularity of that leader and the
many romantic notions about his personae. For Napoleon's image in
the conquering scene, The Campaign of France, painted by
Meissonier, the artist posed for Napoleon "because his own short,
powerful physique perfectly matched the Emperor's." (5) The
artist did extensive research so that his paintings were accurate with
details of battle, uniforms, geography, and lighting and shadows
reflecting the actual time of day or night. Often viewers of his
work brought magnifying glasses to see more clearly the details he
William Vanderbilt of New York purchased Meissonier's Friedland,
showing Napoleon's victory in 1807 over the Russian army, and placed it
in his townhouse on Fifth Avenue in New York City. Meissonier
also served as juror for the annual French Salon, and was supportive of
other artists, even the ones whose work defied his own.
He died in 1891 at age 76, never learning the fate of near oblivion of
his reputation into the next decades when Modernism took over European
and American art.
James F. Cooper, "The Judgment of Paris", American Arts Quarterly, Winter 2007, pp. 2-4
Jean-Louis-Ernest Meissonier achieved exceptional fame and distinction
for his meticulously detailed military and genre paintings; regarded
particularly highly among these is his series of works depicting the
It is not known when Meissonier first turned his attentions to
sculpture, but it seems that
he used sculpting as a means of preparing for his paintings. Direct
links between his canvases and sculptures attest to the significance he
placed on the interplay between the two.
Biography from Schiller & Bodo European Paintings
The success of an exhibition of
some of his waxes and a limited number of bronze casts persuaded
his family to agree to the distinguished foundry Siot-Deceauville,
reproducing further casts of his models and helping to establish
Meissonier’s reputation as a talented sculptor as well as painter.
An artist who became one of the bright stars of the Parisian art world in the 1850s, Ernest Meissonier initially made his reputation with works of moderate size and intricate detail depicting elegant scenes of 17th and 18th century life. Salon goers crowded around his small canvases each year to marvel at the minute detail, excellent execution and accuracy of his work.
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By the 1860s, despite his established fame, Meissonier, a perfectionist par excellence who believed in the nobilizing role of fine art, decided to move away from genre subjects and to adopt "higher," more significant subject matter. To this end, he began to focus his compositions on scenes of Napoleonic glory. Executed with the same fine brushwork and acute attention to detail as his earlier subjects, these scenes from the great days of the French Empire eventually made Meissonier's works the highest-grossing, most sought-after paintings of any living artist.
The largest and most-ambitious of these works, 1807, Friedland, now in the Metropolitan Museum of Art, sold for 380,000 francs, more than triple the highest price ever paid for a painting by a living artist. While Friedland was a large-scale composition which took that artist fourteen years to complete, the majority of Meissonier's grand battle scenes were painted on a relatively small scale and are remarkable for their minute finish and historically accurate depictions.
Baltimore, Walters Art Museum; Bordeaux, Musée des Beaux-Arts; Boston, Museum of Fine Arts; Chantilly, Musée Condé; Chicago, Art Institute; Cleveland, Museum of Art; Compiègne, Musée national du château; Dallas, Museum of Art; Dijon, Musée Magnin; Grenoble, Musée de Grenoble; Lille, Musée des Beaux-Arts; London, National Gallery, Wallace Collection; Los Angeles County Museum of Art; Lyon, Musée des Beaux-Arts; Manchester, NH, Currier Museum of Art; Manchester, UK, City Art Gallery; New York, Metropolitan Museum; Omaha, NE, Joslyn Art Museum; Oxford, Ashmolean Museum; Paris, Musée du Louvre, Musée d'Orsay; Philadelphia Museum of Art; Rouen, Musée des Beaux-Arts; Saint Petersburg, Hermitage Museum; San Francisco, Fine Arts Museums; Versailles, Musée national du château; Washington DC, National Gallery of Art;
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