(1874 - 1946)
Pierre Eugene Montezin was active/lived in France. Pierre Montezin is known for landscape, seascape, marine, figure, still life painting.
Biography from Anderson Galleries, Inc.
A highly acclaimed artist of the French school, Pierre Montezin painted
landscapes, figures, and still lifes. He worked with oils,
pastels, and gouache, all of which are well suited to his rather
impressionistic style with his extremely painterly brushwork.
Biography from MODERN ART DEALERS
His father, a lace draftsman, first sparked his son's interest in the
arts by entering him in a decorative atelier where he was intended to
quickly learn the art of executing decorative murals. Then,
eventually influenced by the theories and techniques of the first
Impressionists, he decided to make his debut as a true picture painter
Around the year 1903, Montezin befriended Ernest Quost, who made him
focus seriously on his drawing skills and at the same time bestowed him
with a real taste for the fine art of painting. It was in this
same year as well that he was finally allowed to exhibit his work at
the Salon des Artistes Francais after a ten-year pursuit. Seeking
a greater audience for his canvases, he took part in an exhibition at
the Walker Art Gallery in Liverpool in 1906.
In the year 1914,
Montezin enlisted in the war, and served for its duration. Upon
his release, he had the uncontrollable urge to take up painting again,
and resumed exhibiting his pieces at the Salon des Artistes
Francais. He lived for a year in Dreux and in Moret, where he
would end up passing the majority of his future vacations. These
landscapes inspired his oeuvre and provided him with fresh ideas of
what to depict in his pieces. After the war, he found his true
style comprised of a skillful pastiche of Impressionism, and found much
During the course of his lifetime, Montezin received
almost constant recognition for his work as a painter. He was
awarded with the third place medal in 1907, the second place medal in
1910, and the Rosa Bonheur Prize in 1920. In 1923, he was made a
Knight in the Legion of Honor. In 1940, he was elected a member
of the Beaux Arts Academy, taking the seat of the famed Vuillard.
In addition, he was made a member of the jury of the Salon des Artistes
Francais after having received the Medal of Honor from that revered
institution. Montezin's paintings continue to be highly regarded to
this day, finding their way into both public and private collections
around the globe.
Museum Collections Include: Kunsthalle Museum, Germany; Musee d'Art Moderne de la Ville, Paris; Musee du Petit Palais, Paris
Pierre Montezin was a member of a second wave of Impressionists that painted during the early twentieth century. Largely self-taught, Montezin had a father who motivated him to become an artist, and he joined a workshop where he learned to paint decorative murals.
Biography from Odon Wagner Gallery
After ten years of being rejected, in 1903 Montezin was finally accepted into Salon des Artistes Francais, and in 1906 exhibited at the Walker Art Gallery in Liverpool, England. In 1914 he enlisted to fight in World War I, and it was only after the war was over that he took up painting and exhibiting his work again. Montezin was known for his vivid and luminous color and vigorous brushwork that is reminiscent of Claude Monet's work.
In 1932, he had a one man show at the Galerie Charpentier. Instead of following the current art movements, he continued to paint in the Impressionist style throughout his career.
Montezin as a young man entered the studio of decorative arts and there he learnt quickly to draw decorative murals. His teacher however encouraged the young Montezin to study the theories of Impressionism and he was later to abandon his work as a collage artist and concentrate on painting landscapes applying the ideals of the plein air artists.
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The strongest influence on Montezin was Claude Monet, and after the First World War he spent a year in the countryside around Dreux and Moret following in the footsteps of Alfred Sisley. He remained loyal to the impressionist principles throughout his career, never following the emerging movements of Cubism, Surrealism or Abstract Art. Like Cézanne, he also died while painting in the open air.
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