Benjamin Abramowitz is known for his diverse aesthetic styles by art critics, curators, and collectors. A "senior artist" at age 19 in the New York City WPA* program, he is one of the small number of surviving artists of the WPA era. Named Benjamin Abramowitz, he also created work under the name Benjamin Hoffman. He was born in Brooklyn, New York in 1917 to Russian immigrants. He became fascinated by different art forms as a young child, although his family did not approve of his interest in art. From an interview with collector and Amity Art Foundation head John Stewart at Juniata College Museum of Art, Abramowitz said: “I’ve been an artist all my life. When I was about four or five years old, I saw a little crayon drawing of my father’s; it was a love letter he sent to my mother. It just grabbed me. I just went bananas. From then on, I was in love with everything in art: it could be handwriting, it could be printing, it could be illustration, it could be landscape, it could be portraits, it could be still life, it could be anything." During his career, he lived in New York, Washington, DC, Greenbelt and Rockville, MD when he worked in Baltimore. Working in pencil, watercolor, acrylics, oil, plaster, and wood, he does artwork that includes paintings, sculpture, and works on paper in drawing and watercolor. He was inspired by the avant-garde* artistic style common in Europe. His desire for visual statement drew him at a young age to the social and political chaos of the Depression era, the tragedies of the poor and legends from the Old Testament. Also common in his work are portraits of his family in a variety of media, and sketches from family trips to Europe. His education and art training included the Brooklyn Museum School, New York, 1933; and the National Academy of Design*, New York, 1936. His subject matter is social and political statements, The Great Depression, Old Testament, family portraits, landscapes and jazz. His styles were realism*, abstract expressionism*, post-painterly abstraction, and hard – edged minimalism* GROUP EXHIBITIONS: "Wilson Building Art Collection," Washington, D.C., 2007 Washington D.C.,1982 “International Sculpture Conference,” District Building Mayor Barry’s Office, Washington, D.C., June 1980 Washington Project for the Arts Benefit Gala and Auction, Washington, D.C. , 1980 “Eminent Washington Artists: 3rd Annual Invitational Exhibit,” The Art Barn, Washington, D.C., 1980 World Bank, Washington, D.C., 1971 “Washington: Twenty Years,” The Baltimore Museum of Art, 1970 The Corcoran Gallery of Art, Washington, D.C., 1970 Southampton College, Long Island University, New York, 1967 “The Drawing Society Eastern Central Regional Drawing Exhibition,” The Philadelphia Museum of Art, Philadelphia, PA, 1965 “Benjamin Abramowitz,” The Brownsville Art League, 1965 “Washington Artists Exhibition No. 20: Benjamin Abramowitz,” The Corcoran Gallery of Art, 1963 Solo exhibition, Baltimore Museum of Art, Baltimore, MD, 1959 “3 Maryland Artists: Benjamin Abramowitz, Jane Frank & Lowell Nesbitt,” The Baltimore Museum of Art, Baltimore, MD, 1958
SOLO EXHIBITION Washington Hebrew Congregation, Washington, D.C., 1955 “Abramowitz: Paintings and Drawings,” 1955 “Paintings by Benjamin Abramowitz,” Dupont Theatre Gallery of Art, Washington, D.C., 1954 “Regional Artist Exhibit,” The Baltimore Museum of Art, 1953 “Eighteen Washington Artists: 10th Anniversary, “The Eighth Annual Area Exhibition,” The Corcoran Gallery of Art, Washington, D.C.,1953 “Trio: One-man shows by prominent Washington artists,” Watkins Gallery, American University, Washington, D.C., 1953 “Trends in American Drawing,” Howard University”, Washington, D.C., 1952 “The Seventh Annual Area Exhibition,” The Corcoran Gallery of Art, Washington, D.C., 1952 “Maryland Artists 20th Annual Exhibition,” The Baltimore Museum of Art, 1952 One-man Show, The Whyte Gallery, Washington, D.C., April 1952 “Painters of Expressionistic Abstraction,” The Phillips Gallery, Washington, D.C., March 1952
AWARDS “V.I.P. In the Jewish World, ”1982-1983 “Who’s Who in the America, Eastern Region,” 1978 Judge, Rockville Art Show, Rockville, MD, April 1967 Ford Foundation Grant Artist in Residence, Brownsville, Texas, March 1965 The 19th Annual Maryland Artist’s Exhibition Award for “Good Sound Work in a Modern Direction,” The Baltimore Museum of Art, February 1951 Southern States Finalist - “Competitive Nationwide Exhibit,” The Metropolitan Museum of Art, New York, NY, 1950 ?Muth Drawing Prize, Tenth Annual Times-Herald Outdoor Art Fair, Washington, D.C., 1947. Honorable Mention, American Artists’ Congress Fifth Annual Competitive Exhibition,” ACA Gallery, New York, NY, June 1940 Collections: Amity Art Foundation Brownsville Art League Howard University Collection of Graphic Art?,Metropolitan Museum of Art Newark Art Museum The Phillips Collection Phoenix Security Smithsonian Institution St. Louis Art Museum District of Columbia Government, Wilson Building Art Collection Whyte Gallery
Submitted June, 2010 by Susan Rosenbaum and Brooke Miller
* For
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