|This biography from the Archives of AskART:|
|Combining both modernism and realism, Mabel Alvarez became a well-known
20th century West Coast female artist of portraits, still lifes, and
She was born in Waialua, near the north shore of
Oahu in Hawaii, and moved to California with her family who had made
vast amounts of money from buying and selling land in Honolulu.
She was the youngest of five children of Clementine Setza Alvarez and
Dr. Luis Fernandez Alvarez, a government physician.
father, a native of Spain and son of the business manager to the
Spanish king's son, was providing medical care to Chinese and Japanese
workers imported to Hawaii. He was later the personal physician to
Queen Liluokalani and her husband. Mabel's mother was a great beauty
from a prominent family of musicians in St. Paul, Minnesota, and her
brother, Walter Alvarez, was one of the founders of the Mayo Clinic in
Rochester, Minnesota, a prominent Mayo physician who lectured widely. A
nephew, Dr. Luis Alvarez, was part of the Manhattan Project at Los
Alamos, New Mexico, and won the Nobel Prize for Physics in 1968.
early childhood, she had art talent and her father insured that she had
a lifetime of financial security to pursue her fine art. In 1915,
she enrolled in the leading art school in Los Angeles, directed by
William Cahill. A mural she produced for the Pan-California
Exposition in San Diego earned her a gold medal, and a charcoal
portrait she did of a woman was used for many years on the cover of the
art school's promotional brochure. Her self portrait was used in
1995 on the cover of the popular book, Independent Spirits, about women artists and published by the Autry Museum.
An early promoter of hers was Arthur Millier, powerful art critic of the Los Angeles Times
in the 1920s and 30s. From 1918, she did a number of symbolic or
dream-like paintings influenced by Will Levington Comfort, a Los
Angeles philosopher who espoused meditation experiences. She also
loved to do cheerful paintings that appealed to children, and the
Samuel Goldwyn and Irving Berlin families commissioned her to do
portraits and murals for their children.
In 1931 in Los Angeles,
she met Morgan Russell, co-founder of the Synchromy art movement.
A student of both Matisse and Cezanne, he became Mabel's teacher for
the remaining 20 years of his life, and his joyous sense of color and
rhythmic form and structure fit beautifully with her natural tendencies.
After her father's death in 1937, she returned to Hawaii for a year and painted portraits, figure studies, and still lifes.
trip to the Caribbean islands in the 1950s led to brightening of her
palette and using many oranges, reds, and bright pinks in tropical
genre scenes. Later travels to Mexico reinforced these
tendencies. As she got older, she turned more and more to
religious and symbolic subjects. S he spent the last several years of
her life in a Los Angeles nursing home and died at age 94 on March 13,
She exhibited nationwide including the Art Institute of
Chicago and the Los Angeles County Museum and in 1999 became one of a
group of important American artists showcased in Paris by the U.S.
State Department. In August, 1999, a special exhibition of her
work, titled "A Radiant Thread," was held at the Adamson-Duvannes
Galleries in Los Angeles.
"American Art Review"
David Forbes, Encounters With Paradise
|Biography from The Redfern Gallery:|
|Painter, lithographer. Born in Oahu, HI on Nov. 28, 1891, Mabel Alvarez moved with her family to California in 1906. Settling in Los Angeles, she studied with James E. McBurney, William Cahill, Stanton MacDonald-Wright, and Morgan Russell. |
An advocate of modern art, she did work tha includes figures, still lifes and portraits.
Member: Group of Eight; Los Angeles Art Association; California Art Club; San Diego Fine Arts Society; American Federation of the Arts; Los Angeles Museum Association
Exhibited: San Francisco Art Association, 1918; Art Institute of Chicago, 1923; Museum of Modern Art, 1933; California State Fair, 1950; San Joaquin Pioneer Museum, 1950; Crocker Art Gallery, Sacramento, 1951; Los Angeles County Museum of Art, 1929 (solo), 1941 (solo), 1954, 1955, 1980 (solo)Awards: silver medal, Panama California Expo, San Diego, 1916; California Art Club, 1918, 1919, 1933; Federal Women's Club, 1923; Laguna Beach Art Association, 1928; Ebell Club of Los Angeles, 1933-35; Oakland Art Gallery, 1938; Honolulu Printmakers, 1939; Madonna Festival, Los Angeles, 1954; Laguna Beach Museum, 1984
Works Held: Haggin Museum, Stockton; Law Building, USC
Edan Hughes, "Artists in California, 1786-1940"
|Biography from William A. Karges Fine Art - Beverly Hills:|
|Born on the Hawaiian island of Oahu in 1891, Mabel Alvarez was the youngest of 5 children. Her father, Dr. Luis Fernandez Alvarez was a Spanish born physician to Hawaiian royalty, and a business advisor to the Spanish King’s son. With a large fortune made from buying and selling land in Hawaii, Dr. Alvarez moved his family to California, where his children were afforded excellent education. |
Mabel Alvarez, who had always shown artistic talent, attended William Cahill’s prestigious art academy in Los Angeles. Alvarez enjoyed many immediate successes, including a Gold Medal for a Mural she produced for the Pan-California Exhibition in San Diego.
In the 20’s and 30’s her works were heavily influenced by the Synchromy Movement’s Stanton MacDonald-Wright and Morgan Russell, who would be her teacher for over 20 years. Alvarez’s work was a constant evolution. Her late works are introspective, focusing on religious and symbolic themes. She spent the last several years of her life in a nursing home in Los Angeles, where she died in March, 1985.
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Mabel Alvarez is also mentioned in these AskART essays:
The California Art Club
Impressionists Pre 1940
Artists who painted Hawaii