Artist Search
a b c d e f g h i j k l m n o p q r s t u v w x y z 

 L. Bernard Hall  (1859 - 1935)

About: L. Bernard Hall


Examples of his work



Exhibits - current  

Discussion board

Send me updates


Signature Examples*

Buy and Sell: L. Bernard Hall
  For sale ads

Auction results*

  Wanted ads Auctions upcoming for him*  
  Dealers Place a classified ad  
Lived/Active: Australia/United Kingdom      Known for: interior, still life painting, nudes

Login for full access
View AskART Services

*may require subscription
Lindsay Bernard Hall is primarily known as L. Bernard Hall

Available for L. Bernard Hall:

Biographical information (L. Hall)


Auction records - upcoming / past (L. Hall)


Signature Examples* (L. Hall)


Discussion board entries (L. Hall)


Image examples of works (L. Hall)


Please send me Alert Updates for L. Bernard Hall (free)
What is an alert list?

Ad Code: 3
AskART Artist
from Auction House Records.
Sleeping Beauty
Artwork images are copyright of the artist or assignee
This biography from the Archives of AskART:
Please note: Artists not classified as American in our database may have limited biographical data compared to the extensive information about American artists.

Lindsay Bernard Hall (b. December 28, 1859 - d. February 14, 1935)

He was born at Garston, Liverpool, England, the son of a broker of the same family as Captain Basil Hall, writer of books of travel.  Hall was well educated and grew up in an atmosphere of culture.  He studied painting at the South Kensington School of Art, Antwerp and Munich, and worked for several years in London.  He exhibited at the Royal Academy and was one of the original members of the New English Art Club.  On the death of George Frederick Folingsby in 1891 he was appointed director of the National Gallery of Victoria at Melbourne, and began his duties in March 1892.  He held the position for 43 years and many of the well-known painters of Australia were trained by him in the gallery painting school.  Hall also acted as adviser to the trustees for purchases for the gallery and art museum, and when the munificent bequest of Alfred Felton was received his responsibilities were much increased.  In 1905 Hall went to England to make purchases under this bequest, and although the amount then placed in his hands was comparatively small, he made better use of what was available than any subsequent adviser of his time.  After his return he was expected to advise on everything submitted that might find a place in an art museum and, although he never claimed to be an expert in all these things, he supplemented his knowledge with hard reading and made relatively few mistakes.

Hall's own paintings were usually interiors, nudes, or paintings of still life.  He was often represented at the Victorian Artists' and other societies' exhibitions and held several one-man shows, but he was kept so busily employed as director and adviser, that his paintings had to be done at week ends and during vacations.  In February 1934 he again went to London as adviser to the Felton trustees and died there on 14 February 1935.  Hall was married twice: Firstly on 18 December 1894 to Miss Elsinore Mary Shuter (died 1901) and secondly in 1912 to Miss Harriet Grace Thomson, who with one son by the first marriage and two sons and a daughter by the second marriage, survived him.

Hall was a tall, distinguished man; courteous with strong convictions.  He was extremely conservative in almost everything from his art to his politics.  The only exception was his advocacy of the Baconian theory, afterward modified to a firm conviction that whether Bacon had any hand in the plays or not, the author was not the man from Stratford.  In other matters his appeal was to tradition and the expert.  Hall was an honest man, he could see no merit in the so-called modern school of painting and he said so.  Its followers seemed to him to violate the first principles of art.  His own paintings were carefully planned and always well drawn.  His color was not always so good, and this was especially apparent in some of his earlier nudes.  The examples of his work in the Melbourne, Sydney and Adelaide galleries show him to have been a conscientious and excellent artist.  As a teacher his somewhat cold manner, which really came from a kind of shyness, sometimes repelled his pupils in his earlier days, but he mellowed as he grew older.  There has been much difference of opinion as to the value of his methods of teaching, but his long roll of distinguished pupils suggests that his insistence on sincerity, truth and good drawing, must have been of great value to them.  In any case, Hall's personality was a strong influence for the good of art in his time. (

Ann E. Galbally, 'Hall, Lindsay Bernard (1859 - 1935)', Australian Dictionary of Biography, Volume 9, MUP, 1983, pp 164-165.
Serle, Percival (1949). "Hall, Lindsay Bernard". Dictionary of Australian Biography. Sydney: Angus and Robertson.

** If you discover credit omissions or have additional information to add, please let us know at
  go to top home | site map | site terms | AskART services & subscriptions | contact | about us
  copyright © 2000-2015 AskART all rights reserved ® AskART and Artists' Bluebook are registered trademarks

  A |  B |  C |  D-E |  F-G |  H |  I-K |  L |  M |  N-P |  Q-R |  S |  T-V |  W-Z  
  art appraisals, art for sale, auction records