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 Tomas Nakada  (1951 - )

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Lived/Active: California / Japan      Known for: painting

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Ad Code: 4
Tomas Nakada Pink nor Pale
"Pink nor Pale"
2005 Acrylic, oil on birch plywood 30” x 24”

Artwork images are copyright of the artist or assignee
Biography from Gallery Paule Anglim:
Tomas Nakada recent paintings on paper were created while at an artist residency program in New England.  Pigmented oil and acrylic media are combined with rich black asphaltum in fluid painterly compositions.  As the asphaltum does not dilute or combine with the paints, its black markings give the works a graphic strength. Earlier paintings and monotypes by the artist took inspiration and, in some cases, their subject matter from science and nature.  Muted outlines and dark sepia shapes echoed images of body fluids, skin markings and chromosomes.  The artists practice has since brought his work into a refined and purely abstract form; there is no longer a context of representation of known objects.  His confidence and experience seems to have led his images to stand apart from natural references.

TOMAS NAKADA
Born: 1951 Okinawa, Japan
Education:
1987 M.F.A. San Francisco Art Institute, San Francisco, CA
1985 B.F.A. San Francisco Art Institute, San Francisco, CA
1975 AA Art, San Francisco City College, San Francisco, CA

Awards:
1986 First Place for Sculpture, San Francisco Fair and Exposition
1984 Harold E. Weiner Memorial Prize, San Francisco Art Institute, CA
1983 James D. Phelan Scholarship, San Francisco Art Institute, CA
Sobel Memorial Scholarship, San Francisco Art Institute, CA

Museum and Corporate Collections:
CellPro, Incorporated, Bothell, Washington
Crocker Art Museum, Sacramento, CA.
Laguna Art Museum, Laguna Beach, CA.
Newport Harbor Art Museum, Newport Beach, CA.

Selected Bibliography:
Martha Ross, “ Art From Life “, West County Times, January 24, 1995
“Artist Nakada’s Works on Display”, Hokubei Mainichi, January 31, 1995
Mincher, Michele, “New Sculpture: Soft Surfaces”. September 1993.
McCaffery, Elizabeth, “Nakada’s art vision inspires inspection”. The Oregonian, Sept. 25, 1993 p.d10.
Curtis, Cathy, “A Disembodied Look at the Body”, L.A. Times, April 13, 1993, p.F2.
Guenther, Bruce, “Tomas Nakada: Within the Code”, February 1993.
Spalding, David, “Tomas Nakada: At Gallery Paule Anglim”, Artweek, August 6, 1992, p. 25.
Tanner, Marcia, “Portfolio: Scouting Around for Local Talent”, S.F. Chronicle, July 22, 1992, p. Z1-6.
Bonetti, David, “Gallery Watch: ‘Introductions’ Worth Making in Some Cases:, S.F. Examiner,
July 17. 1992, p. D2.
Gluck, Peggy Isaak, “Show uses theatrical technique”, The Northern California Jewish Bulletin,
April, 7, 1989, p. 52.

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