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 George Lilanga  (1934 - 2005)

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Lived/Active: Tanzania, United Republic of/Africa      Known for: naive figure painting, wood carving, batiks, murals

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George Lilanga Di Nyama is primarily known as George Lilanga

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from Auction House Records.
Leo watu wanafuraha kutuona, 2003
Artwork images are copyright of the artist or assignee
Biography from GallArt.com:
Please note: Artists not classified as American in our database may have limited biographical data compared to the extensive information about American artists.

George Lilanga di Nyama, Tanzania (1934 - 2005)

George Lilanga was born in 1934 in Kikwetu Village  in southern Tanzania and passed away in June 2005. Like most Makonde youngsters, he learned to carve on soft cassava root; later he graduated to carving the hard black wood made famous by Makonde artists. He later came to Dar es Salaam where he joined a group of carvers. But his big break came when he was hired as a watchman at Nyumba ya Sanaa now called Nyerere Cultural Centre.

Cleverly, he took the opportunity to show his carvings to Sister Jean, one of the management staff, who recognized his talent and immediately changed his duties. He added drawing to his repertoire, producing work used on batiks, on murals on canvas and as paintings on goatskin. Today Lilanga's creations can still be seen at Nyumba ya Saana on the painted metal entrance gate and on the cement-cast decorations around the patio.

A major step in George Lilanga's career occurred in 1978. A group exhibition organized in Washington D.C. featured 280 pieces of art 100 of which were Lilanga's. From then on George Lilanga enjoyed international renown and a continuous and impressive number of exhibitions in Europe, Japan and the United States. After having won praise from western audiences, the Tanzanian artist has become a representative of the vividness of Swahili paintings.

This exhibition had a big influence on the work of the new pop generation, especially Keith Haring. (from the book, Tribute to George Lilanga). All of this has never taken him from his country but has allowed him to contribute to the maintaining of his tribe and at the same time to bring outside attention to his culture and country.

Lilanga presents the culture and mythology of his people through canvases swarming with figures, vibrant colours and a rhythmic movement representing Mapico dance, typical of his people.

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