|This biography from the Archives of AskART:|
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After originally learning her trade while doing the background dotting on Yala Yala's works, Ningura took up painting in her own right following the 1996 Kintore Women's Painting Project. Her main subjects and themes are travels of her female ancestors, the sites they passed and the bush tucker they collected
She had her first solo exhibition with William Mora Aboriginal Art in 2000 and participated in the Kintore Women's Painting for the Papunya Tula retrospective at the Art Gallery of NSW.
She was chosen as the sole female desert artist to paint the ceiling of the acclaimed Musee du quai Branly in Paris. As well as at the Musee du quai Branly, Ningura is represented in major public galleries both nationally and internationally.
Her work is characterised by a strong dynamism and rich linear design-compositions, created with heavy layers of acrylic paint.
2005 Papunya Tula Artists, Gallery Gabrielle Pizzi, Melbourne
2004 Mythology and Reality - Contemporary Aboriginal Desert Art from the Gabrielle Pizzi Collection, Heidi Museum of Modern Art, Melbourne; Peintres Pintupi, Galerie DAD, Mantes-la-Jolie, France
2003 Glen Eira City; Mason Gallery at Japinka WA; Gabriella Pizzi, Melbourne; Australian Contemporary Aboriginal Art, Toskansky Place, Prague, Czech Republic; Masterpieces from the Western Desert, Gavin
Gallery, London, UK
2002 Araluen Art Centre
2001 Telstra Art Award, Museum and Art Gallery of the Northern Territory; Pintupi, Alice Springs; Aborigena, Palazzo Bricherasio, Turin, Italy
2000 Gabrielle Pizzie Melbourne; Papunya Tula: Genesis and Genius, Art Gallery of NSW
1999 Utopia Art Sydney
1996 Papunya Tula, Alice Springs
Australian Institute for Aboriginal and Torres Strait Islander Studies, Canberra
Museum and Art Gallery of the Northern Territory, Darwin
National Gallery of Australia, Canberra
Art Gallery of New South Wales, Sydney
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