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 John Walter (J.W.) Scott  (1907 - 1987)

About: John Walter (J.W.) Scott
 

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Lived/Active: Connecticut/New York/New Jersey      Known for: illustration, hunting, fishing, western

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This biography from the Archives of AskART:
J. W. SCOTT (1907-1987)

John Walter Scott, Jr. was born on December 1, 1907 in Camden, New Jersey. His father of the same name was a second generation immigrant from Scotland, and was a draftsman at the Camden Shipyard. His mother was Helen L. Scott, who was of Irish ancestry. They lived at 7 Wood Street, which was one block from the busy riverfront piers. he and his father were avid fishermen. During the Great War his father rejoined the U.S.Army and attained the rank of Captain before dying in 1919. His mother took a job at the La France Tapestry Mill in Philadelphia, and in 1923 at age fifteen, he left school and began to work at the same mill. The mill operator offered free night school classes in various facets of mill work to his child laborers, including design at the La France Art Institute.

In 1930 he finished his art training and began to pursue a career in freelance illustration. He worked under the name "J.W. Scott" out of emulation for the well-known pulp artist "H.W. Scott" as well as to capitalize on any resultant confusion over his professional status. In 1932 and age twenty-five, he moved to 390 First Avenue in New York City. His first published pulp cover appeared on the July 9, 1932 issue of Street & Smith's Wild West Weekly. He sold freelance pulp covers to All Star Fiction, Best Western, Complete Western Book, Detective Short Stories, Future Fiction, Ka-Zar, Lone Eagle, Marvel Science Stories, Mystery Tales, Quick-Trigger Western, Real Sports, Star Detective, Star Sports, Top-Notch Western, Two-Gun Western, Western Fiction, Uncanny Tales, and Western Novel and Short Stories.

By 1938 he joined an advertising agency and began to find work in slick magazines. He became friends with R.G. Harris and other New Rochelle illustrators. In the Fall he married Eleanor Snyder, a banker's daughter and socialite, but the marriage only lasted one year and there were no children. During WWII he served in U.S. Army Corps of Combat Engineers. His detailed field drawings were sent by his Lieutenant to the editors of YANK Magazine, and he was soon invited to work on their art staff. He eventually wrote several articles and was promoted to the editorial staff.

After the war Scott found slick magazine assignments with Coronet, Elks, This Week, and Woman's Day. In 1952 he married Flavia B. Scott, a watercolorist, and they moved to Ridgefield, Connecticut, where he raised two daughters. In the 1950s he worked for men's adventure magazines, such as True, Sports Afield, and Argosy. In the 1960s he was commissioned to paint several impressive murals for The Church of Latter Day Saints and The Petroleum Museum of Midland Texas. In his final years Scott worked on easel paintings of the Old West. According to the artist, "I paint the pictures I am interested in painting. Much of contemporary art is about people who think they are IN. The quickest way to lose yourself is to lose your individuality. The important thing is to be yourself and forget about being IN."

John Scott died in the Danbury Hospital at the age of seventy-nine on October 20, 1987..

Source: PulpArtists.com


This biography from the Archives of AskART:
A well-known New York illustrator, John Scott was born in Camden, New Jersey and became an illustrator whose specialty was men's sport genre including hunting and fishing. These subjects were especially enjoyable to him because of the field trips into the wilderness to do his research.  Two of his clients were Winchester Arms Company and Garcia Corporation.

He began studying illustration when he was 16 and first worked for pulp western magazines published by Dell and Street and Smith. Then during World War II, he worked for Yank magazine, an armed forces publication.

After the war, the magazines for which he illustrated were "slick" ones such as This Week and Woman's Day in the United States and Chatelaine and Toronto Star in Canada.  By the 1960s, he was focused on wildlife subjects, working for True, Argosy, The Elks, and Sports Afield.  During the 1970s, he turned exclusively to western art and was a founding member of the Northwest Rendezvous Group.

He has completed 12 X 32 foot murals for Mormon churches including the Temples in Washington DC, Salt Lake City, and Independence, Missouri, and did a series of large paintings depicting the story of Texas oil.

Sources:
Peggy and Harold Samuels, The Illustrated Biographical Encyclopedia of Artists of the American West
Walt Reed, The Illustrator in America, 1860-2000

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