Charles William Bolsius (full birth name: Carolus Godefridus Wihelmus Marianus Bolsius) was born June 26, 1907 in the southern Bois-le-Duc region of the Netherlands. His studies in art culminated at the Royal Academy of Art in the Hague. His early work was characterized by dark somber tones with a focus on austere terrain.
In 1930, Bolsius traveled to Albuquerque, New Mexico via Los Angeles to visit family. Within a year he was living in rural New Mexico, drawing and painting the great American Southwestern landscape. He exhibited in Santa Fe in 1934; later that year, moving to Tucson, Arizona. With his brother and sister-in-law, he purchased the ruins of a Post Traders Store outside the crumbling ruins of Fort Lowell on the outskirts of Tucson. The trio embarked on a major reconstruction project, not only redesigning the building, but transforming it from a Territorial style to modified Pueblo Revival. They hand carved all the doors, beams, and furniture, combining the stylistic motifs of New Mexico and Holland.
Bolsius continued painting throughout this period, his work evolving into a more American Regionalist style while retaining influences of German and Dutch Impressionism. He enlisted in the U.S. Army during WWII. After the war, he returned to Tucson to continue reconstruction of other Fort buildings. Bolsius continued oil painting, producing wood block prints, and began taking commissions for his distinctive massive carved doors and fine furniture. His artistic style remained much as it had before the war and he exhibited throughout the southwestern states. Bolsius lived in Tucson through his retirement, and died there on March 22, 1983.
Exhibitions: 1934 21st Fiesta Show - Santa Fe, New Mexico 1940 Santa Cruz Art League – Santa Cruz California c.1940 Springville High School Art Association – Springville, Utah. 1947 Gump’s – San Francisco, California 1947 Palette and Brush Club – Tucson, Arizona
Memberships: Tucson Fine Arts Association Tucson Palette and Brush Club Southern Arizona Society of Painters and Sculptors
Periodicals: El Palacio, 1934. Exhibitions Page 92-94 The Desert Magazine May 1938 Just an Old Army Canteen, McKenney, J. Wilson Page 23. Seagram Spotlight, January 1944 They Turned a Deserted Ruin into a Beautiful Home. School Arts Magazine March 1944, Stanford University La Saetas: A Home Integrated with Creative Arts and Crafts Wadsworth, Beula M.. Page. 229 The Magazine Tucson October 1950 A Colorful Tucson Desert Home Wadsworth, Beula Page 20
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