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 Clare A. Briggs  (1875 - 1930)

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Lived/Active: Illinois/New York      Known for: cartoonist-social genre

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Ad Code: 3
Clare A Briggs
from Auction House Records.
Somebody is always taking the joy out of life....
Artwork images are copyright of the artist or assignee
This biography from the Archives of AskART:
Clare A. Briggs was an early American comic strip artist who rose to fame in 1904 with his strip A. Piker Clerk. Briggs was best known for his later comic strips When a Feller Needs a Friend, Ain't It a Grand and Glorious Feeling? and The Days of Real Sport".

Born in Reedsburg, Wisconsin, Briggs lived there until the age of nine. In 1884, his family moved to Dixon, Illinois, where he started his newspaper career at age ten, delivering the local paper to subscribers for 40 cents a week while wearing a red, white and blue cap with the name of the newspaper.

Briggs had three brothers, who grew up to all have creative careers, one as a musician, one as a writer, and the third in advertising. After five years in Dixon, Briggs was 14 when his family relocated to Lincoln, Nebraska, where he lived until 1896 when he was 21. Life in the Midwest gave Briggs the source material for the small town Americana that he later depicted in his cartoons.

While attending the University of Nebraska for two years, he studied drawing and stenography. Employment as a stenographer brought him six dollars a week when the work was available. One of his art instructors was an editor with Western Penman, where his first published drawings appeared. His mathematics teacher was Lieutenant John J. Pershing. "If ever a fellow needed a friend, I did in mathematics," said Briggs. "It happened that Lieutenant Pershing was my instructor, and I believe he will testify that it was easier to conquer Germany than to teach me math. One day he ordered me to the blackboard to demonstrate a theorem, and while I was giving the problem a hard but losing battle, he remarked: 'Briggs, sit down, you don't know anything.' Right then and there, I decided to become a newspaper man."

On July 18, 1900, he married Ruth Owen of Lincoln. He began his career as a newspaper sketch artist in St. Louis, Missouri with William Randolph Hearst's Globe-Democrat, which sent him off to cover the Spanish American War as an editorial cartoonist. Relocating in New York, his drawings for the New York Journal prompted Hearst to send Briggs to the Chicago Herald and the Chicago's American, where he created A. Piker Clerk, often described as the first daily continuity comic strip. After 17 years in Chicago, Briggs returned to New York to spend the remaining 13 years of his life with the New York Tribune.

Clare and Ruth Owen Briggs were together for 29 years and had three children. They divorced in February 1929. Briggs died ten months later, leaving his estate of $90,067 to Ruth Briggs. However, the will was challenged by his second wife, Marie C. Briggs, aka Maggie Touhey.

Briggs was a popular lecturer, earning $100 for a single speech. He accepted a five-week contract for $500 a week to appear on the vaudeville circuit in 1914. In 1919, he produced four comedy film shorts for Paramount Pictures.

The Mr. and Mrs. radio series, based on Briggs' strip, starred Jack Smart and Jane Houston as Jo and Vi. The series was broadcast on CBS from 1929 to 1931.

National catchphrases caught on from the titles of some of his newspaper cartoon features: Ain't It a Grand and Glorious Feeling?, Danny Dreamer, The Days of Real Sport, Movie of a Man, Mr. and Mrs, Real Folks at Home, Someone's Always Taking the Joy Out of Life, There's at Least One in Every Office and When a Feller Needs a Friend. Mr. and Mrs. ran during the last years of his life and continued in syndication after his death under his name. The names of Arthur Folwell and Ellison Hoover finally appeared on the strip in 1938.

His daughter, Clare Briggs, also was a comic strip artist and had an eponymous strip syndicated from 1939 through 1941. She used the name Miss Clare Briggs to distinguish her work from her father's.

In September 1929, neuritis of the optic nerve led Briggs to Baltimore for treatment at Johns Hopkins Hospital. He died at the Neurological Institute of pneumonia on January 3, 1930. As he had requested, his ashes were scattered over New York Harbor.

Briggs' death in 1930 prompted Franklin P. Adams to write:
I feel acutely the loss of a cartoonist whose work I have enjoyed hugely for 30 years. I enjoyed it so much that I got him to leave Chicago so that his work could appear in the New York Tribune with mine. It helped the paper so much that Clare stayed there for 15 years, seven years longer than I did. To my notion, he drew no dud cartoons. I never knew anyone who so enjoyed working. Often while drawing a cartoon I have seen him laugh uproariously at it. He was a sweet and merry boy, if a rotten poker player, and the public, poorer for his leaving it, is a big winner in having him at all.

Source:
"Clare Briggs", Wikipedia, http://en.wikipedia.org/wiki/Clare_Briggs (Accessed 2/24/ 2013)

This biography from the Archives of AskART:
Clare Briggs was a cartoonist whose abundant body of work provides a social history of his time. He created a memorable panorama of middle-class, middlebrow, and Middle America at the turn of the century.

Born in Reedsburg, Wisconsin, Briggs, lived in a succession of small Midwestern towns before his family settled in Lincoln, Nebraska, where the artist went to college. His first regular job was as a newspaper sketch artist in St. Louis, and during the Spanish American War, he worked for that city's Chronicle as an editorial cartoonist. His efforts to find a job in New York City were unsuccessful until a former professor of his gave him a letter of introduction to an editor of the New York Journal. Briggs work so impressed owner William Randolph Hearst that he sent Briggs to Chicago to work with the Examiner and the American. The artist created one of the first daily continuity comic strips, A. Piker Clerk, in 1904, for the Chicago American.

It was in Chicago, with inspiration and support of noted Chicago Tribune cartoonist John T. McCutcheon, that Briggs developed the particular brand of warm, nostalgic humor for which he became famous. During his 17 years in Chicago, and the remaining 13 years of his short life spent with the New York Tribune, Briggs created several other strips and dozens of single-panel series.

Titles like When a Feller Needs a Friend, The Days of Real Sport, and Ain't It a Grand and Glorious Feelin? began to enter the nation's vocabulary, encapsulating the cartoons they named, elements of universal emotional experience. Briggs simple, seemingly casual graphic style, its sketchy stroke rendering a multitude of telling details, was perfectly suited to the warm, affectionate character of the mini-dramas it presented.

A popular figure, and as personally sympathetic as his perceptive cartoons, Briggs was much in demand as a public speaker and earned $100 an evening delivering chalk talks. In 1914, he accepted a five-week contract for $500 a week to appear on the vaudeville circuit. His cartoons were collected in many volumes, and one of his strips, Mr. And Mrs., was continued in syndication for many years after his death in 1930.

(Information on the biography above is based on writings from the book, The Encyclopedia of American Comics, edited by Ron Goulart.)


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