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 Cyndra Lisa Bradford  (1952 - )

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Lived/Active: California      Known for: painter-impressionist landscape and equine

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Ad Code: 4
Cyndra Lisa Bradford
An example of work by Cyndra Lisa Bradford
Artwork images are copyright of the artist or assignee
This biography from the Archives of AskART:
The following text, submitted January 2006, is from the artist:

With a palette knife, oils and an uninhibited approach to painting, Cyndra Bradford creates plein air paintings of the Monterey Peninsula.  She is also known for her large impressionistic paintings of horses.

Cyndra grew up on Partington Ridge, Big Sur, California.  In her artwork, she was influenced by her abstract expressionist father, Howard Bradford, and mother, Dorothy Bowman, both noted artists.  Howard Bradford taught Cyndra the process of Serigraphy, and introduced her to art dealers.

She became a member of the Carmel Art Association at the age of twenty four.  She is a member of a group of plein-air painters called the Informalists, formed in 1996. She is a strong promoter of plein-air painting and is President of the Monterey Bay Plein Air Painters Association.

American Artist ,“Workshop for Oil and Acrylic Painting, summer 2005 pg. 73

Best of Show Western State Horse Expo Equine Art Show 2004

Carmel Art Association
Informalist (Plein air group)
Monterey Bay Plein Air Painters Association MBPAPA

Biography from Galerie Plein Aire:
Artist Statement:

I grew up in Big Sur, on Partington Ridge. Both of my parents are noted artists. Growing up under the easel, my five siblings and I had as much paper and art materials as we could use.  In Big Sur we had no TV reception and spent our time creating and reading.  My father Howard Bradford, taught me the craft of serigraphs and at eighteen I had dealers throughout the USA and by the age of twenty four, I became a member of the Carmel Art Association. 

Horses were always a passion for me, I drew them on everything as a child but when I became a professional artist I only painted landscapes.  I opened Galerie Plein Aire in 1999 to promote a group of plein-air artists known as the Informalists.  As I worked in the gallery full time I was not able to get outdoors to paint plein air so I began to paint oils of horses using what I learned painting landscapes, capturing the grace and power of the horse using bright colors and loose brush work.  When I’m not painting or working I’m out riding my Morgan gelding Harley with my dog Jake in the sand dunes of Fort Ord. 

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