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 John Beerman  (1958 - )

About: John Beerman
 

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Lived/Active: North Carolina      Known for: panoramic landscape, waterscape

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Ad Code: 3
John Beerman
from Auction House Records.
"Seven Lombardi Poplars....and Sandia Mountain"
Artwork images are copyright of the artist or assignee
This biography from the Archives of AskART:
Born in 1958, Greensboro, NC.

EDUCATION
Rhode Island School of Design, BFA, 1982.
Skowhegan School of Painting and Sculpture, 1980.

SOLO EXHIBITIONS
Museum, Wilmington, NC, June 9-September 4; Greenville Museum of Art, Greenville, NC, September 9-October 31, 1994.
"New Prints and Monotypes," Peden Gallery, Raleigh, NC, November/December 1993.
"Finding the Forgotten," North Carolina Museum of Art, Raleigh, NC, March/May, 1991.*
"Hudson River Editions, Etchings and Monotypes by John Beerman,"
Hudson River Museum, Yonkers, NY, December/February 1988.

GROUP EXHIBITIONS
"Divining Nature," Southeastern Center for Contemporary Art, WinstonSalem, NC April 11July 5, 1998.*
"Realism After Seven A.M.," The Hopper House, Nyack, NY, October/December, 1996.
"Changing Horizons: Landscape on the Eve of the Millennium," Katonah Museum of Art, Katonah, NY, July 28-September 29, 1996.
"Today," Rockland Center for the Arts," West Nyack, NY, March 3-24, 1996.
"Rocklandia," Hopper House, Nyack, NY, July 1995.
"Printmaking in America, Collaborative Prints and Presses, 1960/1990," Zimmerli Art Museum, New Brunswick, NJ, AprilMay 1995, traveled to Northwestern University, Evanston, IL; Museum of Fine Art, Houston, TX; National Museum of American Art, Smithsonian Institution, Washington, DC. (book published in conjunction with show).*
"American Academy Invitational Exhibition," American Academy of Arts and Letters, New York, NY, March 6April 2, 1995.
"Paintings from New Jersey Collections," New Jersey Center for Visual Arts, Summit, NJ, November 1994January 1995.*
"Inspired by Nature," Neuberger Museum, Purchase, NY, September 25December 24, 1994.*
"The Nature of Beauty," Green Hill Center for North Carolina Art, Greensboro, NC, September 18November 11, 1994.

Selected Bibliography:
Linda Johnson Dougherty. "Divining Nature," Art Papers, September 23, 1998.
Geoff Edgers. "Landscapes, past and presence," The News and Observer, June 1998.
Vivian Raynor, "Surveying Realism in Celebration of Hopper," The New York Times, November 24, 1996.
"An Artists Studio," Country Living, October 1996, p.127.
Ed Bumgardner. "Landscape Artist tries to Capture the Magic," Winston Salem Journal, March 24, 1996, p. E1.
Frances MacDougall. "Landscapes of the Mind," Southern Accents, March/April 1996, p. 1028.
Dixie Kellar. "John Barmen's Inner World," Rockland Review, October 18, 1995.
Anthony Crisafull. "John Beerman," Cover, May 1995.
Jacqueline Humphrey. "Art on Paper," Greensboro News & Record, November 25, 1994.
Vivien Raynor. "The Sublime, the Modern and the Literal in Views of the Land," The New York Times, November 13, 1994.
Leigh Pressley. "A Living Archive," Greensboro News & Record, November 13, 1994.
"Profile: Hudson River Editions," The Print Collector's Newsletter, Vol. XXV, no. 2, MayJune 1994, p. 6566.
"Technique, aesthetics make duo show worth a look into Somerhill Gallery," The Herald Sun, April 24,1994.
Alexandra zu Knyphausen. "Pferde, Die Hilfe Bringen," Hamburger Abendblatt, January 29, 1994.
Chuck Twardy. "The Hills Are Alive," News and Observor, November 19, 1993.
Linda Johnson. "Inside Viewing Outside," Spectator, November 11, 1993.
Jonathan Goodman. "John Beerman," ArtNews, November 1993.
Vivien Raynor. "On the Sense and Sensibilities Of Rockland County Artists," The New York Times, April 11, 1993.
Vivien Raynor. "A Curator's Eye for Imagery ...," The New York Times, May 31, 1992.
Vivien Raynor. "30 Contemporary Take Over a Rockland Hunting Lodge," The New York Times, September 29, 1991.
Vivien Raynor. "A Show of Works that Define or Simply Allude to Landscape," The New York Times, October 13, 1991.
Max Halperen. "John Beerman's Twilight Mysteries: The New Romantic Landscape at NCMA," Ashville, NC, The Arts Journal, April 1991, p. 79.
"Art Museum Showcase Beerman," Chapel Hill Newspaper, February 28, 1991, p. B7.

PUBLIC COLLECTIONS

Allentown Art Museum, Allentown, PA; Brooklyn Museum, Brooklyn, NY; Center For Contemporary Art, Cleveland, OH; Chase Manhattan Bank, New York, NY; Chemical Bank, New York, NY; Cleveland Museum of Art, Cleveland, OH; Dow Jones and Company Incorporated, New York, NY; Farnsworth Museum, Rockland, Maine, MA; GE Corporation, Fairfield, CT; General Mills, Minneapolis, MN; Governor's Mansion, Raleigh, NC; GreenPoint Bank, Flushing, NY; InterMetro Industries, Wilkes Barre, PA; Henry Kaufman & Co., New York, NY; Johnson & Johnson, NJ; Metropolitan Life Insurance Company, New York, NY; Metropolitan Museum of Art, New York, NY; Museum of Art, Bowdoin College, Brunswick, Maine, MA; Museum of Fine Arts,  Houston, TX; Neuberger Museum, Purchase, NY; Nomura Securities, New York, NY; North Carolina Museum of Art, Raleigh, NC; Portland Museum of Art, Portland, Maine  MA; Progressive Corporation, Cleveland, OH; Queens Museum of Art, Queens, NY; Reader's Digest Association, Pleasantville, NY; Shearson Lehman Hutton, New York, NY; South East Bank of Florida, Miami, FL; St. John's Museum, Wilmington, NC; St. Luke's Hospital, New York, NY; Time Warner, Inc., New York, NY; Walker Art Center, Minneapolis, MN; Weatherspoon Art Gallery, Greensboro, NC

AWARDS AND FELLOWSHIPS
Pollock/Krasner Foundation Award, 1998.
Subscription Prize, Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey, 1986.
Visual Artist Fellowship in Painting, Yaddo, Saratoga Springs, NY, 1984.
Scholarship to Skowhegan School of Painting and Sculpture, Skowhegan, Maine, 1980.


Biography from Askart.com:

The following text was submitted in June of 2006 by Jeanne Chisholm:

John Beerman is a master of painting the American countryside.  As a student of the school of the great Hudson River landscape painters, light is the presiding presence in his work.  Peaceful, almost dreamlike scenes float off the medium surface.  He delivers visual and emotional findings to the viewer, characterized by the full power of nature and devoid of human intervention.



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