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Well, I don't read Czech or Slovak, so I've had to piece together most
of what follows. If I make some factual errors, it's not from
lack of effort. Much of the following biographical data is from a
short essay by Camille Cazedessus, Jr. in his long running fanzine, ERBdom, issue #68, March 1973.
Zdenek Burian (Zdenek is pronounced "Zeh-DEN-yeck" because there's a
little "v" over the n. "Burian is "BURR-ee-yahn" - pronounciation
courtesy of the eminent William Stout - thanks, Bill.) was born in 1905
in Moravia, Czech Republic. He was to become one of the most
influential depicters of prehistoric life of the century, rivaled only
by Charles R. Knight.
In 1923 he was enrolled as "a student in the second year" at the
Academy of Graphic Arts in Prague. I assume that to be equivalent
to a Sophomore in college. He was a published illustrator at the
time. Apparently he wasn't making a living at it, though, as he
worked as a construction laborer to pay his tuition. He flunked
out of school and moved outside of Prague. He performed odd jobs for a
living while he painted adventure illustrations, effectively teaching
himself "using different techniques" until developing his own
style. The economy of the time forced him further into the
surrounding countryside where he became a "backwoodsman" for a time,
living off the land. This personal bond with nature would follow
him his entire life and give his paintings a reality that was honest
Zdenek Burian a Paleontologie (Zdenek Burian and Paleontologie),
by Vladimir Prokop, in what I take to be a listing of his published
work, lists illustrations for an edition of Robert Louis Stevenson's David Balfour in
1921. That would make him 16. Other illustration work
followed, and in 1927, he began a long association with the publisher
Vilimek. His work began to appear in their magazines for boys: World of Adventure and Young Readers. The following year he illustrated, among other books, Srdce, by Edmondo de Amicis. The frontispiece to the book is above left and one of the many line drawings is above right.
Throughout the 1930's he primarily illustrated stories by both Czech
and English/American writers. A lot of it was Western fiction by
the likes of James Oliver Curwood, Zane Grey, and a German author named
Karel May. Also receiving the Burian touch were translations of
Kipling, Verne, Dumas, London, etc. A lot of this material was
done for another publisher with whom he had a long-term relationship,
TaM. He would work for both TaM and Vilimek almost into the 1950's.
Also during this time, his fascination with prehistory was first
manifest. a Paleontologie shows two examples from this period.
One is a 1932 scene of Neanderthals fleeing a herd of mastodons and the
second, from 1935, presages the Augusta books that were soon to come.
Burian made a trip to nearby Italy during the late thirties, but was never to leave Czechoslovakia again.
World War II constrained Burian's output considerably. The Prokop
bibliography contains over a dozen entries for almost every year of the
decade through to 1941, with over 20 entries for 1939. There are
only four listings, total, for the years 1943 and 1944, with zero for
1945. After the war he again is working with Augusta in 1947 - drawing
the past. The work they did together, from images like the mastodons*
at right from 1941, to their work up to Augusta's death in 1968, was
magnificent and represented some of the most current views of
prehistoric life at the time.
Their published efforts, eventually translated into English and printed in the early 1960's by Paul Hamlyn in England, include:
47 pages of text, 60 illustrations (half in color). (10.25"x13.75"). The 1955 film, Journey to the Primeval Age, was based on this book and won prizes at the Mannheim and Venice Film Festivals.
45 page introduction by Augusta, 52 plates (25 in color, 17 in limited color or b&w). (10.25"x13.75")
Prehistoric Reptiles and Birds
104 pages, 36 illustrations, including 15 color plates. (9.5"x10.75") Two b&w images from A.C. Doyle's The Lost World.
A Book of Mammoths
19 color plates (five double page), eleven duotone plates (one double
page) and numerous small b&w pencil drawings. (10.25"x13.75")
Prehistoric Sea Monsters
67-page b&w illustrated introductory text by Augusta, 22 plates (18
in color and four of those are double page) (10.25"x13.75")
The Age of Monsters
23 color plates (four double page), 80 pages text by Augusta illustrated with b&w fossil photos. (10.25"x13.75")
Life Before Man
(text Zdenek V. Spinar) 228 pages. 162 color illustrations, many (all?)
taken from the six Augusta books listed above. (8.5"x11")
The Dawn of Man
(text Josef Wolf) 231 pages. 254 illustrations, 190 in color, many (all?) taken from the six Augusta books. (8.5"x11")
His work was much more than just creating illustrations for text.
He created his drawings "under the direction of "Augusta, implying a
close collaboration that resulted in the most accurate (for the time)
recreations of the fauna and flora of the early earth. The images
were very popular and appeared in many books about dinosaurs and
prehistoric man. Burian's attention to detail and his knowledge
of nature helped him create the definitive views of the past for those
of us growing up in that era. That Cro-Magnon hunter at left was
a very familiar image when I "rediscovered" it in my copy of Prehistoric Man in the 1970's.
It's been estimated that Burian illustrated over 500 books, stories and
articles during his career. The pundits put the grand total of his
drawings and paintings in the 15,000 range. When you consider
that less than 500 of these are the paleontological recreations for
which he is so well known, you realize that there is a rich collection
of fantastic illustration sitting on the shelves of many a
Burian died in 1981, actively working up until his death. I don't
know the location of the many thousands of his originals, but I hope
that some enterprising Czech will make the brilliant step of crafting a
collection of his work for international sale. I know I'd buy one (or
Written & © 1998 by Jim Vadeboncoeur, Jr., who has give permission for its use.
To learn more about Zdenek Burian, see:
ERBdom #68, Camille Cazedessus, Jr. 1973
Zdenek Burian - a Paleontologie, Vladimir Prokop, 1990 Vydal Ustredni Ustav Geologicky
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