| Blandon Reed Campbell, born in 1872, produced a body of work as divergent as a colorful oil on canvas of dancing nymphs to work as dark in color and mood as his Depression-era "Derelict, N.Y.," 1933. A line of darkly-dressed, Depression-caused derelicts sit amidst garbage along a wooden fence diagonally retreating into the painting, with buildings and newly-washed clothes drying beyond. Posters on the fence advertise fun at "Coney Island" and an automobile offering "speed" and "comfort" for $450 (showing 500 of 2310 characters). |
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