This biography from the Archives of AskART:
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 Francesco Casanova
was born in London, where his parents were touring, and spent his youth
in Venice. The influence of Venetian art was an important feature of
his work. In the Mémoires of his brother Giovanni Giacomo
Casanova, it is said that in Venice he studied drawing with Giovanni
Antonio Guardi during a 10-year period ending around 1749. The Fortune-teller
(c. 1749; Rome, private collection) may be among Francesco’s earliest
surviving works. In Venice he made copies after the work of the history
and battle painter Francesco Simonini who probably taught him in
Florence from around 1749. Two years later he moved to Paris but in 1752
left for Dresden, where he came into contact with the work of Charles
Parrocel and Philips Wouwerman.
In 1757 Casanova returned to Paris where, according to the Mémoires,
he exhibited a picture at the Louvre, and rapidly became a much
sought-after court painter of battle, hunting and equestrian scenes.
Around 1760 he executed Surprise Attack on a Wagon (Moscow, Pushkin Museum of Fine Art) and the Camp
(Schleissheim, Neues Schloss). Between 1761 and 1771 he exhibited at
the Salon to much critical acclaim. On his marriage certificate of 1762
he was designated ‘Peintre du Roi’, a position he retained until 1783.
He became a member of the Académie Royale de Peinture et de Sculpture in
1763, and paintings from this period include Landscape with Shepherds
(c. 1770; Musée des Beaux-Arts, Béziers) and two pictures executed for
Louis-Joseph, Prince de Condé (1736–1818), shown at the Salon of 1771— Battle of Lens and Battle of Fribourg
(both c. 1771; Paris, Louvre). By about 1772 he had begun designing
tapestry cartoons for the royal factories in Beauvais and Aubusson,
including the fragment representing a Kneeling Man (c. 1772; Paris, Louvre) and the study of a Fishing Scene
(early 1770s; St. Petersburg, Hermitage). Between 1779 and 1783 he
continued to exhibit at the Salon and executed, for example, Landscape with Rider (1780; Moscow, Pushkin Museum of Fine Art).
In 1783 Casanova settled in Vienna. His paintings from this period include the Equestrian Portrait (c. 1783; Museum of Chorherrenstiftes, Klosterneuburg) and Cavalry Battle
(1792; Kunsthistorische Museum, Vienna). During the early 1790s he was
probably commissioned by Catherine II of Russia to paint a cycle of
pictures representing the Russian Victory over the Turks, with
which some preparatory studies (Vienna, Albertina) may be associated. In
1795 he travelled with Prince Nicolas Esterházy to Hungary, where he is
said to have executed numerous equestrian sketches, and in 1797 he
completed paintings for Ferdinand IV, the Bourbon King of Naples
(1759–1825), including Fox Hunting (Naples, Capodimonte). His most
significant pupil was Philippe Jacques de Loutherbourg, who studied with
him in Paris.
Collections
Casanova’s work is represented in the following collections: Louvre,
Paris; Hermitage, St. Petersburg; Kunsthistorische Museum, Vienna;
Musée des Beaux-Arts, Béziers; Pushkin Museum of Fine Art, Moscow;
Albertina, Vienna; Neues Schloss, Schleissheim; Capodimonte, Naples;
amongst others.
Source:
Sphinx Fine Art
http://www.sphinxfineart.com/Casanova-Francesco-Giuseppe-DesktopDefault.aspx?tabid=45&tabindex=44&artistid=38769
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