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 Henry Herman Cross  (1837 - 1918)

About: Henry Herman Cross
 

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Lived/Active: Illinois/California      Known for: portrait-Indian, genre, horse-races

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Ad Code: 3
Henry H Cross
from Auction House Records.
Sitting Bull
Artwork images are copyright of the artist or assignee
This biography from the Archives of AskART:
Born in Flemingville, New York, Henry Cross became a reputed painter of Indian portraits and racehorses and was described by Buffalo Bill Cody as the "greatest painter of Indian portraiture of all times." (Samuels 116)  He was a perpetually adventurous person who, as a teen-ager ran away several times to join a circus and then at age sixteen, traveled to Paris where he studied with animal painter Rosa Bonheur between 1853 and 1855.

Returning to the United States, he earned a living painting animals on the sides of wagons and traveled West, again working with a circus.  For the first time, he saw real-life Indians, but they were tame because they were circus spectators.  His experiences during this time stimulated his interest in Western themes.

In 1862, after having had a portrait studio in Chicago for two years, he moved to Minnesota during the Sioux uprising with the intent of painting the Indians President Abraham Lincoln had sentenced to death for the massacre of white settlers.  During this period, he learned to speak the Sioux language, and Buffalo Bill Cody referred to him as "the greatest painter of Indian portraiture of all times" (Harmsen "Western Americana).

Cross, described as a "plump, bespectacled man with a walrus mustache" (Samuels 116)  left a rich legacy of portrayals of Indian genre and their interaction with white military civilization.  Among his subjects were all of the Sioux Indians sentenced to death by President Lincoln because of their violence against white settlers.  This included a portrait of Sioux Chief Red Cloud.

In the late 1880s, he began to paint Indian ceremonies and in the 1890s, visited Hopi pueblos in Arizona and painted the Snake Dance.

The Gilcrease Institute of Tulsa, Oklahoma has one of the most comprehensive collections of his Indian chief portraits, and other collections are in the Chicago Historical Society and the State Historical Society of Wisconsin.

He spent the last few years of his life living and painting in French Lick, Indiana.  He is buried next to his brother, a talented stone sculptor, in the Sulphur Creek Cemetery.  This cemetery is very near to his home and the cave operated by his brother, Ferdinand,  as a tourist destination for the visitors to the renowned French Lick Springs Hotel in the latter part of the 1800s and early 1900s.


Sources include:
Peggy and Harold Samuels, The Illustrated Biographical Encyclopedia of Artists of the American West
Peter Hastings Falk, Who Was Who in American Art
Doris Dawdy, Artists of the American West, Vol. 1
Dorothy Harmsen, Western Americana 

This biography from the Archives of AskART:
Born in Flemingville, NY on Nov. 23, 1837. At age 16 Cross went to France to study with Rosa Bonheur. He then traveled with P. T. Barnum’s circus as a wagon and sign painter during the 1850s. He was in California during 1864-65 to paint the horses of Lucky Baldwin. He later painted portraits of Kit Carson, Wild Bill Hickok, Sitting Bull, and other famous westerners. He later settled in Chicago and died there on April 2, 1918. In: Walker Art Center (Minneapolis); Chicago Historical Society; Gilcrease Inst.
Source:
Edan Hughes, "Artists in California, 1786-1940"
Artists of the American West (Samuels); New York Historical Society's Dictionary of Artists in America (Groce, George C. and David H. Wallace); Artists of the American West (Doris Dawdy); American Art Annual 1918 (obituary).
Nearly 20,000 biographies can be found in Artists in California 1786-1940 by Edan Hughes and is available for sale ($150). For a full book description and order information please click here.

** If you discover credit omissions or have additional information to add, please let us know at registrar@AskART.com.


Henry Cross is also mentioned in these AskART essays:
Paris Pre 1900

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