Artist Search
   
a b c d e f g h i j k l m n o p q r s t u v w x y z 

 Jacob Willemsz, The First (I) De Wet  (1610 - 1675)

Research
 

Summary

Examples of his work

 
 

Biography*

Exhibits - current  
 

Discussion board

Send me updates

 
     
     
 
Marketplace
  For sale ads

Auction results*

 
  Wanted ads Auctions upcoming for him*  
  Dealers  
  Auction records for non-American artists have been actively entered since at least 12/31/2006.  
Lived/Active: Netherlands/Holland      Known for: religion, mythology and allegorical paintings, drawing
Back to Previous Page

Login for full access
 
View AskART Services










*may require subscription

Available for Jacob Willemsz, The First (I) De Wet:

Biographical information (Jacob De Wet)

yes

Auction records - upcoming / past (Jacob De Wet)

40
new entry!

Discussion board entries (Jacob De Wet)

0

Image examples of works (Jacob De Wet)

39

Please send me Alert Updates for Jacob Willemsz, The First (I) De Wet (free)
What is an alert list?

Ad Code: 3
AskART Artist
from Auction House Records.
The Remorse of Judas (Matt. 27: 3-5)
Artwork images are copyright of the artist or assignee
This biography from the Archives of AskART:
Please note: Artists not classified as American in our database may have limited biographical data compared to the extensive information about American artists.

Jacob Willemsz de Wet I was a Dutch painter and draughtsman. It seems unlikely that he is the same as the Jacobus de Wit who was a member of the Alkmaar Guild of St Luke in 1637 or as the Jan de Wet (b Hamburg, c. 1617) who was a pupil of Rembrandt. Sumowski has disentangled his work from that of Gerrit de Wet (d 1674), Daniel Thievaert (1613–57) and of his own son, Jacob de Wet the younger (b Haarlem, c. 1640; d Amsterdam, 11 Nov 1697).

De Wet’s works are predominantly of biblical and mythological subjects, and his early painting, the Raising of Lazarus (1633; Darmstadt, Hessisches Landesmuseum), is close to the work of Jan Pynas and Pieter Lastman. Another painting of the same subject, executed in 1634, is much closer to Rembrandt’s work of the early 1630s, and the pronounced emotional content and strong chiaroscuro in much of his work may indicate that he was a pupil of Rembrandt.

His later work places a greater emphasis on the landscape backgrounds, often relegating the figures to an almost incidental role, with a use of colour closer to Cuyp’s idyllic scenes (e.g. Landscape with a Ferry, London, National Gallery). A number of drawings by de Wet exist, including his sketchbook (c. 1636; Haarlem, Gemeentarchf, MS. Hs 230), which is predominantly pre-Rembrandtesque in style. The sketchbook also notes his pupils, who included Paulus Potter (1642) and his own son. Jacob de Wet the younger worked in Edinburgh and copied a series of paintings depicting the Kings of Scotland (Edinburgh, Holyroodhouse, Royal Collection), as well as executing some of the decorative work in Holyroodhouse.

Collections
De Wet is represented in the following collections: National Gallery, London; Ashmolean Museum at the University of Oxford; Rijksmuseum Research Database, Amsterdam; Musée des Beaux-Arts de Rennes, France; Musées de Lorraine, France; Harvard University Art Museums, Massachusetts; Indiana University Art Museum, Bloomington; Museo Nacional de Bellas Artes, Buenos Aires, amongst others.

Source:
Sphinx Fine Art
http://www.sphinxfineart.com/Wet-Jacob-Willemsz-DesktopDefault.aspx?tabid=45&tabindex=44&artistid=38164

** If you discover credit omissions or have additional information to add, please let us know at registrar@AskART.com.
  go to top home | site map | site terms | AskART services & subscriptions | contact | about us
  copyright © 2000-2012 AskART all rights reserved ® AskART and Artists' Bluebook are registered trademarks

  A |  B |  C |  D-E |  F-G |  H |  I-K |  L |  M |  N-P |  Q-R |  S |  T-V |  W-Z  
  frequently searched artists 1, 2, more...  
  art appraisals, art for sale, auction records, misc artists