|Biography from World Art Gallery:|
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Julio Ducuron was born in Rio Cuarto, Cordoba Province, Argentina on
November 24, 1946. He is of French descent, and his parents,
Julio Loreto Ducuron and Elsa Lebrone descended from the French Basques
of Madiran in the High Pyrenees Mountains.
His career as an
artist began at a young age, and his first art teacher was Professor
Angel Vieyra, an artist in his own right was witness to his first art
competition. In 1960 when he was just 13 years old, he won his
first professional art competition garnering first prize in a plein air
competition in Rio Cuarto Art Exhibition. The winning painting
entitled The Hillock, was also seen by Don Libero Pierini, a
well known painter from Italy. Don Pierini was so taken by the
art of the young Julio Ducuron that he interceded and spoke with Don
Marciano Longarini, the principal of the Art School in order that
Julio might attend the school before the required age. His request was
granted, and thus Julio Ducuron became the youngest student at the
Escuela Provincial de Bellas Artes in Rio Cuarto, Argentina.
There he studied under several highly regarded artists including Jorge
Horacio Cordova, Jose Alvarez Soave, and Martin Santiago.
Ducuron studied Economic Science as well as art and obtained his degree
in 1970. That same year he was awarded an art study program at
Grace College in Winona Lake, Indiana.
For over thirty years
Julio Ducuron headed up the Color III program at the Superior Fine Arts
County School, Libero Pierini. With forty-four years of artistic
experience, Julio Ducuron offered great insight to his students
teaching color theory and practice. During those thirty years Julio
Ducuron grew, matured, suffered, and enjoyed the art life. He
continued with his teaching until June of 2003.
1964 Graduated from the Fine Arts State School in Rio Cuarto, Argentina
1964 Degree in Economic Science
1965-66 Specializes in Painting and Color at the Fine Arts Superior School, Cordoba City, Argentina
1966 First solo exhibition, El Circulo Art Gallery, Rio Cuarto, Argentina
1970 Fulbright International Award. Traveled to Winona Lake, Indiana to study.
1972 Founded and directed the Fernando Fader Art Gallery in Rio Cuarto, exhibiting well known Argentine artists until 1991.
Director, Fine Arts County Museum, Rio Cuarto, Argentina: Created new
programs in order that the townspeople become acquainted with the art
collection at the museum. Created and hosted a television program
entitled The Museum Brought to Your Home. Continued with the program
until 1976 when the new military dictatorship requested his resignation.
Director of the Plastic Art Workshop Argentine Artists promoting the
very successful Free Expression Workshops where senior adults were
offered free art classes.
1974 Began sending paintings to Italy for regular exhibitions.
Traveled to Milano, staying three months, during which time he
exhibited at ten solo shows throughout Northern Italy, selling all 62
of his paintings. Cites included in the exhibitions: Milan, Legnano,
Cremona, Bra, Bollate, Casale Monferrato, and Monza.
1976 Especial Prize, Art International Biennial, Monza, Italy
1976 Director of Argentine Artists Gallery
1988 Haggai International Institute Award to travel to Singapore for art study and painting.
1988 Paintings of Singapore landscapes were exhibited in Atlanta and Singapore and remain in permanent collections there.
2000-03 Director, Superior Fine Arts County School, Rio Cuarto, Argentina
2001, 2002, 2003 Solo Exhibits Include: Latin American Art Museum, Miami, and the Jadite Art Gallery, NY
2002 Honor Prize by Jury of 200 at the International Contest for Latin American and Spaniard Artists
2003 Director, Superior Fine Arts County School
Legislative Power Palace, Cordoba State, Cordoba, Argentina 2003
Latin American Art Museum, Miami 2001
Rio Cuarto Museum of Fine Arts, Rio Cuarto, Cordoba, Argentina 2000
Rio Cuarto Museum of Fine Arts, Rio Cuarto, Cordoba, Argentina 1981
Monza County Museum of Art, Monza, Italy
Latin American Art Museum, Miami
Haggai Institute, Atlanta
Haggai Institute, Singapore
Ram?n G?mez Cornet State Museum of Art, Santiago del Estero Province, Argentina
Walter de Navazio County Museum of Art, Bell Ville, C?rdoba, Argentina
Lujin State Museum of Art, Lujin, Argentina
Rio Cuarto County Museum of Art, Argentina
Octavio de la Colina County Museum, La Rioja. Argentina
Lucense Art Center of Buenos Aires, Argentina
Collection ?Mujeres Argentinas para el Fondo Patri?tico, Buenos Aires, Argentina
Mariano Moreno Public Library, R?o Cuarto, Argentina
Nacional University of R?o Cuarto, Argentina
Collection of the Faculty of Economic Siencies, University of R?o Cuarto, Argentina
Collection of the State School of Fine Arts, R?o Cuarto, Argentina
Goverment Collection of the C?rdoba State, City of C?rdoba, Argentina
Honors and Awards
Featured in The Grand Book of Argentine Art, published in 2004 by Ediciones Institucionales
Segnalazione Speciale Prize, Bienale Internazionale D?Art, Monza, Italy 1976
First Prize, Internazionale di Pittura Il Protagonist D?Oro, Monza, Italy 1977
Gold Medal, Second Annual Awards of Jockey Club, Argentina 1975
Second Prize, IX National Awards for Landscape Painters, Village of Merlo, San Luis, Argentina 2000
Second Prize, 'To the Painting 2002', Central Businessman, Commercial and Industrial, Argentina 2002
First Prize, Award Artexpresion International 2002, Miami-Buenos Aires
Rio Cuarto Artist Prize, Department of Social Welfare of the State of C?rdoba, IV Annual National Award, Argentina 1971
Second Prize, Annual National Award Cerealista, Buenos Aires, Argentina 1977
First Prize, Annual Provincial Award of Jockey Club, Argentina 1974
Artist Prize, International Exhibition Peace Argentine Counsel, Buenos Aires 1974
Second Prize, First National Award of Autumn, Argentina 1970
The 'Protagonist' Prize of Cordoba Province, City of C?rdoba, Argentina 1979
First Prize, Award Municipalidad of Rio Cuarto, Argentina 1965
Second Prize, Annual National Award Cerealista of Plastic Arts, Buenos Aires 1978
Second Prize, 'Award To the Painting 2001', Central Businessman, Argentina
First Prize, Award Anniversary of Rio Cuarto, Argentina 1968
Professional Art Critic Reviews:
Cesar Magrini, The Grand Book of Argentine Art, Buenos Aires, Argentina, 2004 Edition
Ducuron's extraordinary paintings clearly convey his resolute
commitment to both figurative art and impressionism. Born in Rio
Cuarto, in Cordoba province, he not only is a renowned artist but also
an indefatigable teacher who actively participates in the rich local
His unique works reveal an experienced and
sensible substance, since he skillfully approaches landscapes resorting
to a broad perspective, sound knowledge and love of beauty.
brush stokes that never obscure a flawless design rooted in the best
aesthetic tradition, result in astounding paintings, deservedly admired
and rewarded in this country and abroad.
His amazing works have
been shown and praised in the United States, Italy, and even Singapore,
a far away and friendly place that owns several Ducuron masterpieces.
Amilicare de Gregorio, Artespazio, April 1976, Milan, Italy
exceptional art exhibition has given enthusiasm to the visitor public
at the present show opening. The exhibition has impacted the curiosity
of the art collectors whom has visited the personal exhibition of
Ducuron, a great Argentine painter who has been distinguished by a
strong and vibrant impressionism. Nice, young, and intelligent, he
paints with an envious chromatic freshness. A precise painter of animal
subjects, he puts on his canvas horses, cows, chickens, and other
animals, giving a lot of vitality and movement, situating them in many
ecological and natural environments where the tree's green shadows
emanate freshness and perfume. The decisive magistral brush touch of
the artist, the solid material impasto, the chromatic harmony and the
tune effects create that reality of the Argentine landscape, rejected
by modern men but to which it is necessary to return."
Gudino Kramer, Cordoba Newspaper, Cordoba, Argentina January 3, 1973
is a pleasure to look at Julio Ducuron paintings. We are talking of
figuartive painting, we may call it impressionism, in plein air, of
pure joyfull colors; without any hidden secrets nor enclosing any other
message than the message of nature. Transcending its lively presence on
a conventional landscape, without hesitations of any kind. A constant
luminosity invades these Ducuron's canvases, a luxurious luminosity,
from which, when the bass tunes and the quivering tints hue disappear,
emerges with aggressive strength of the landscape with all its bright
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