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 Randall Deihl  (1946 - )

About: Randall Deihl
 

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Lived/Active: Massachusetts/California/Michigan      Known for: landscape and still life painting

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Randall Diehl is primarily known as Randall Deihl

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Mass Pike Landscape
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Biography from Cavalier Galleries Inc.:
Randall Deihl is known for unusual landscapes and intricate still life paintings of unexpected objects.  Intense light and heightened color are qualities of each painting.

A member of the group of western Massachusetts painters known as “Pioneer Valley Realists”, he does paintings that are introspective and bring forth humor and emotion routed in the American landscape.

Deihl earned his BFA at California College of Arts and Crafts.

His work has been featured in group shows at Danforth Museum, DeCordova Museum, Metropolitan Museum of Art, New York, and can be found in the collections of Danforth Museum of Art, Metropolitan Museum of Art, Museum of Fine Arts, Boston, National Academy of Design, New York, and Albrecht Durer Museum, Germany.

Born: May 8, 1946, Saginaw, Michigan

Education:

BFA California College of Arts and Crafts, Oakland, CA

Awards:

1998 Danforth Museum of Art Purchase Prize

1990 National Academy of Design, Henry Ward Ranger Fund

1979 American Academy of Arts and Letters, Achievement in Fine Arts

1976 American Academy of Arts and Letters, Childe Hassam Purchase Prize

Public Collections:

Metropolitan Museum of Art, New York, NY

Museum of Fine Arts, Boston, MA

Art Institute of Chicago, Chicago, IL

Danforth Museum of Art, Framingham, MA

The National Academy of Design, New York, NY

Albrecht Durer Museum, Nuremburg, Germany

Springfield, Museum of Fine Arts, Springfield, MA

Hunter Museum, Chattanooga, TN

Delaware Museum of Fine Art, Wilmington, DE

Exhibitions:

2004 Self Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA

2002 Contemporary Realism, R. Michelson Galleries, Northampton, MA

1999 The Northampton Realists, R. Michelson Galleries, Northampton, MA

1998 Still Life: The Object in American Art 1915-1995, New York State Museum, Albany, NY

1997-8 Still Life: The Object in American Art 1915-1995, Metropolitan Museum of Art, (Traveling sho)

1994 Randall Deihl and Nancy Hill, R. Michelson Galleries, Northampton, MA

1994 Randall Deihl, R. Michelson Galleries, Northampton, MA

1993 Self Amused, The Contemporary Artist as Observer and Observed, The Fitchburg Art Museum, Fitchburg, MA

1993 Daylight, The Night’s Darkside, Riverside Art Museum, CA

1992 Peace Development Fund Show, (chaired by Yoko Ono), Forum Gallery, New York, NY

1990 Chicago International Art Exposition, Chicago, IL (1990)

1988 A New Generation, The 1980’s: American Painters and Sculptors, The Metropolitan Museum of Art

1988-1989 Here’s Looking at You: Contemporary New England Portraits, The Maris Gallery, Westfield State College

1988-1989 Here’s Looking at You: Contemporary New England Portraits, The Art Gallery, Monserrat College of Art

1988-1989 Here’s Looking at You: Contemporary New England Portraits, The Dodge Gallery

1988-1989 Here’s Looking at You: Contemporary New England Portraits, The Richards Gallery, Northeastern University

1985 Northampton Realists, Wistariahurst Museum, Holyoke, MA

1980 Art Scene, Springfield Museum of Arts

Publications:

May, 2000 The Boston Globe

Sept, 2000 ArtForum, New York

June-July, 1997Art New England

1997 Still-Life: The Object in American Art 1915-1995; Rizzoli NY

1997 The Massachusetts Review

May, 1993 The Boston Globe

April, 1992 Reader, Chicago, IL

Spring, 1992 The Gettysburg Review

May, 1985 Yankee Magazine

Oct, 1985 New England Monthly

1988 Dialogue, Washington D.C.

1978 Arts Magazine, New York

Artist Statement:

“A sense of place and time has contributed to my particular artistic outlook. I’m from a small town in the Midwest and grew up in post World War II culture. At the time of my youth, road trips were very popular for American families. Highways were new and gasoline was cheap. My siblings and I loved road trips. Nestled within the ever-changing landscape were the roadside attractions and eateries which were most often unique mom-and-pop-type establishments. Things hadn’t become paved over and replaced by franchises and mega-corporations. The character of the country store was more interesting – more charming and frankly, sometimes weird. My imagination was captivated along with my sense of irony, and the impression stayed with me as I began to develop as a painter and as a young man.

To this day, I can spot unusual or out-of-the-way places where other people never notice them. My eye seeks them out and they become artistic opportunities for me. I travel with a camera, but when it comes to making my paintings, I will often change colors, skies, lay-outs and people. My philosophy is that I’m making a work of art, not a duplicate of a photograph. To some degree, I am consciously preserving places which history will no doubt forget, and I am doing my artistic part to resist corporate take-over. But I also have artistic motives which supercede my archival interests. The sites I use are “vehicles” for something I always try to express: a sense of surrealism and that suspended moment of tranquility or of anxiety, depending on the content of the artwork and the choices I’ve made, but I use place and time artistically as a crossroad to those feelings that transcend specifics.”



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