The following article is from The New Yorker magazine, 03/13/2006, by Calvin Tomkins
THE CREATIVE LIFE
THE POUR
At five o’clock on a recent Monday afternoon, the artist Barnaby
Furnas was in his Brooklyn studio, getting ready to start what
he called “the pour” on a very large painting. Twenty-seven
feet long by eleven and a half feet wide, propped horizontally on
a sawhorse of graduated height so that one end was abo (showing 500 of 6688 characters). |
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