There has been considerable confusion in the trade concerning a group
of about ten trompe l’oeil still life subjects that date from the late
nineteenth to early twentieth centuries that showed the strong
influence of Harnett.
The fragmentary signatures (usually E. N. Griffith) led people to
believe that they were by a woman named Ella N. Griffith or a man named
Edward N. Griffith. Recently such a work surfaced in a prominent
New York City that bore the full signature Edwa (showing 500 of 736 characters). |
|
|
|
|
|
|
Subscriber Members, please Log On for artist biographies and for all services.
|
If you are not currently a member, please See Details about membership, which includes biography access, auction records, and many other features available to our day, month, or yearly Subscriber Members! | | This artist's biography is accessible freely to anyone every Friday. |
|
|