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 Hendrik (Henry) J Glintenkamp  (1887 - 1946)
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Lived/Active: New York      Known for: landscape, portrait, social-realist painting, block printing
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Ad Code: 3
Hendrik (Henry) J Glintenkamp
from Auction House Records.
The Black Barn
Artwork images are copyright of the artist or assignee
Biography from The Columbus Museum-Georgia:
Hendrik Glintenkamp, a painter, printmaker and editor, was part of an artistic milieu that included such influential figures as Robert Henri, John Sloan and Stuart Davis. Like many American artists of the early twentieth century, his personal aesthetic underwent a major transformation after his participation in the Armory Show of 1913. (1)

Glintenkamp attended classes at the National Academy of Design in New York from 1903 until 1906.  The next two years were spent at the New York School of Art, where his teachers included Robert Henri and John Sloan.  In 1908, Glintenkamp began sharing studio space with his friends and colleagues, Stuart Davis and Glenn O. Coleman, the trio sharing a commitment to Henri's artistic philosophy. 

In 1910, Glintenkamp's work was included in the Exhibition of Independent Artists, organized by Henri, Sloan, Arthur B. Davies and several others.  Glintenkamp was also among the American contingent exhibiting at the 1913 Armory Show.  Like many artists of his generation, Henry Glintenkamp was deeply inspired by the painting he saw at this major exhibition, a landmark event, which introduced the art of the European vanguard to American audiences.  He soon abandoned his former style of the Ashcan School, and went on to evolve his own distinctive approach, conjoining the vibrant colors and bold brushwork of Fauvism and Expressionism with his own highly intuitive response to the world around him.

His paintings from the 1920s and 1930s--ranging from views of New York, Mexico, England and Scandinavia to landscapes and the occasional portrait--comprise his finest work and attest to the impact of European modernism on his artistic development. Glintenkamp died in New York in March of 1946.

Ten years later, Raphael Soyer, Philip Evergood and several other artists arranged a memorial exhibition of Glintenkamp's work, held at the Art of Today Gallery in Manhattan.

His paintings can be found in the Museum of Modern Art and the Metropolitan Museum of Art, among others.


Source
1) I am indebted to Lisa Peters, Carol Lowrey and the Spanierman Gallery for sharing valuable information on Glintenkamp. Charles T. Butler, Columbus Museum

Biography from AskART:
Henry J. (Hendrik) Glitemkamp, born in 1887, exhibited in the famous 1913 Armory Show in New York City.  A painter, printmaker, illustrator and sculptor, he studied at the Art Students League in New York City with Robert Henri.  Glintenkamp, from 1913-1917, created illustrations for The Masses, the leftist magazine, working with editor-artist John Sloan, and painters George Bellows and Stuart Davis, and sharing a studio for a time with the latter artist.

Glintenkamp's oil painting, Excavation Scene, c. 1910, 18 x 24, depicts in monochromatic, warm colors, a gaping foreground hole and remnants of walls flanked back and side by buildings and a construction crane.  His Urban Rivals, 1911, 20 x 26, uses Ash-Can School realism to show a white dog and black cat in front of walls covered with tattered posters.  Hoboken Rooftops is a moody, romantic, close-up of rooftops and misty distant harbor; darkly leaden, as if before a coming storm.

Henry Glintenkamp's woodcuts, like his paintings often depicting urban life in New York City, Mexico and Spain, were boldly simplified to intense areas of black and white.  His wood engravings and drawings explored similar subjects.

Glintencamp lived in Mexico for extended periods during the first decades of the 20th century.  He was friends with writer John Dos Passos and painter Diego Rivera. After life there and travels in England, he worked for the WPA (Federal Art Project) in New York City.

Glintenkamp's book, A Wanderer in Woodcuts, was published in 1932 by Farrar & Rinehart in New York City.  It describes the artist's European experience, with a woodcut on every right-hand page, and a modest amount of text on the left.

His woodcut, Construction, is in the collection of Georgetown University, in Washington, D.C.

Henry Glintenkamp died in 1946.

Sources include:
http://www.artregister.com/ZimmermannCatalogue/American/glintenkamp.html
http://www.annexgalleries.com/cgi-bin/gallery.cgi?Hendrik-Glintenkamp++14807
http://www.artnet.com/Auction/AuctionsOnLineDetail_Preview.asp?LotID=2846380&Page=3&T=44&AUID=26354
http://www.modotti.net/PrjTeam.htm
http://www.library.georgetown.edu/dept/speccoll/pl%7D55.htm#Glintenkamp,%20Hendrik%20%20(1887%20-%201946)
http://fanac.org/fanzines/IGOTS/igots15.htm


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Hendrik Glintenkamp is also mentioned in these AskART essays:
New York Armory Show of 1913
San Francisco Panama-Pacific Exhibition 1915

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