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 Arnold Houbraken  (1660 - 1719)

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Lived/Active: Holland      Known for: painting, sculpture, engraving and illustration
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This biography from the Archives of AskART:
Please note: Artists not classified as American in our database may have limited biographical data compared to the extensive information about American artists.

An art writer, painter, draughtsman, engraver, book illustrator, Arnold Houbraken, at the age of nine, became an assistant in the shop of the Dordrecht merchant in twine, Johannes de Haan.  His patron, being himself trained in painting by Nicolaes Maes (1634-1693), gave the young boy the opportunity to copy drawings and prints.

In 1672, Houbraken began his apprenticeship as a painter, first for a short time as a pupil of the landscape painter Willem van Drielenburch (c. 1625-after 1677).  In 1673-1674, he spent nine months in the studio of the portraitist Jacobus Levecq (1634-1675).  Eventually, between 1674 and 1678, he worked in the studio of his master, Samuel van Hoogstraten (1627-1678), who taught him classicist art theory and who at that time was writing his Inleyding tot de hooge schoole der schilderkonst (Introduction to the Advanced School of Painting, 1678).

In 1678, Houbraken became a member of the Dordrecht Guild of St Luke. As a professional painter, he also had a broad interest in antiquities and in literature related to art, theater, religion, and philosophy.  He regularly worked as book illustrator.

In 1700, he published his first book, with etchings of emblems and descriptions: Tooneel van sinnebeelden (Stage of Emblems).  The prints were meant to serve as models for artists. Houbraken found most of his subject matter in the Iconologia of Cesare Ripa (q.v.), translated into Dutch in 1644.

In 1714, Houbraken completed an emblem book, coauthored with Gezine Brit who wrote the poems accompanying Houbraken’s descriptions of the emblems: Stichtelyke zinnebeelden (Edifying Emblems). Houbraken made the designs for the emblems, which he himself along with others engraved in copper.

Houbraken, who lamented the decline of painting in his days, wrote that it was his intention to keep alive the memory of the artists of the glorious seventeenth century, and to encourage apprentices to imitate their excellence.  His connoisseurship and iconographic knowledge qualify him as an early art historian.

Source:
Trinity House Fine Art Consultants,
http://www.trinityhousepaintings.com/Houbraken-Arnold-DesktopDefault.aspx?tabid=45&tabindex=44&artistid=55726

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