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 James Hayward  (1943 - )

About: James Hayward
 

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Lived/Active: California      Known for: non objective repetitive design

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Ad Code: 3
James Hayward
from Auction House Records.
Abstract #42, 2003
Artwork images are copyright of the artist or assignee
Biography from Peter Blake Gallery:
EDUCATION

1966 B.A., San Diego State University
1969 Graduate School, University of California, Los Angeles
1972 M.F.A., University of Washington, Seattle, Washington

TEACHING

1997 University of Texas at San Antonio - Guest Artist/Fall Semester
1994 Art Center, Pasadena, California- Intermittent graduate critiques/to present
1992 University of California at Los Angeles - Intermittent quarters/through 1995
1987 University of Southern California, Los Angeles, California - Guest Artist/Spring Semester
1985 College of Creative Studies, University of California at Santa Barbara - Spring Quarter
1984 College of Creative Studies, University of California at Santa Barbara - Winter Quarter
1983 University of California at Berkeley - Winter Quarter
1980-81 Minneapolis College of Art and Design - Visiting Artist

EXHIBITIONS

2005 James Hayward, Cue Art Foundation, curated by Mike Kelley
“Step Into Liquid” OTIS Ben Maltz gallery group show with Jane Callister,
Pia Fries, James Hayward, Michael Reafsnyder, David Reed curated by Dave Hickey
“Monster of Monochrome” Mandarin, Los Angeles, solo exhibition
Peter Blake Gallery, Laguna Beach, California "NEW WORK" -solo
Modernism, San Francisco, California "MONOCHROME PAINTINGS" -solo
TRIPLE PLAY: RICHARD ALLEN MORRIS, JAMES HAYWARD, ED MOSES", R.B.

"100 ARTISTS SEE GOD", Institute for Contemporary Art, London, England
"100 ARTISTS SEE GOD", Laguna Beach Museum of Art, Laguna Beach, California
"100 ARTISTS SEE GOD", Contemporary Jewish Museum, San Francisco, California
"CAHIERS DART", 25th Anniversary Exhibition, Modernism, San Francisco, California
"GREY/NEUTRAL/SMOKE" -solo
"ARTIST'S GIFTS", Museum of Contemporary Art, Los Angeles, California

PUBLIC COLLECTIONS

Museum of Contemporary Art, Los Angeles, California
San Francisco Museum of Modern Art, San Francisco, California
Los Angeles County Museum of Art, Los Angeles, California
Cleveland Museum of Fine Art, Cleveland, Ohio
Albright-Knox Gallery, Buffalo, New York
San Jose Museum of Art, San Jose, California
Minneapolis Institute of the Arts, Minneapolis, Minnesota
Pasadena Museum of California Art, Pasadena, California
Orange County Museum of Art, Newport Beach, California
Laguna Beach Museum of Art, Laguna Beach, California
University Art Museum, University of California, Santa Barbara, California
Museum of Contemporary Art, Miami Beach, Florida
Anderson School of Business, University of California, Los Angeles, California

HONORS

1996 Pollock-Krasner Foundation Grant
1993 National Endowment for the Arts Fellowship
1991 Awards in the Visual Arts 10
1983 John Simon Guggenheim Memorial Fellowship
1981 Japan-United States Creative Arts Fellowship (fellowship year spent in Kyoto, Japan, studying the Tea Ceremony and Japanese Gardens)
1977 Young Talent Award, Los Angeles County Museum of Art

BIBLIOGRAPHY

Baker, Kenneth, "Indifferent Strokes", San Francisco Chronicle, November 14, 1998 E8 (photo)
Pagel, David, "Art Reviews", Los Angeles Times, May 22, 1998, F28
Pagel, David, "Art Reviews", Los Angeles Times, April 24, 1998, F29
Gilbert-Rolfe, Jeremy, "James Hayward: Non-representation Which Doesn't Represent", Beyond Piety: Critical Essays on the Visual Arts 1986-1993, Cambridge University Press, 1995, pp. 95-114 (photos)
Wood, Carol, "Free-for-all Formalism", New Art Examiner, November 1994, pp. 26-30
Schipper, Merle, "Distilled Spirituality: Mediating Between East and West in Los Angeles Painting", Visions, Fall 1994, pp. 24-26
Wilson, William, "Plane/Structures at Otis; Enriching Work", Los Angeles Times, September 19, 1994, F2
Pagel, David, "Art Reviews", Los Angeles Times, July 22, 1993, F10
Peterson, William, "Physical Abstraction: On to Abstract Painting in Los Angeles", Artspace, December 1992, pp. 53-60 (photo)
Gardner, Colin, "Non-representation in Los Angeles", Tema Celest, April-May 1992, pp. 64-69 (photo)
Colpitt, Frances, "James Hayward at Ace", Art in America, June 1001, pp. 156-157 (photo)
McKenna, Kristine, "Transcendental Squares", Los Angeles Times, January 1, 1991 F11
Wilson, William, "Abstractions: Contrasting Temperaments", Los Angeles Times, March 16, 1990, F24-25
White, Garrett, "L.A. Art 1990", L.A. Style, June 1990, pp. 162-163 (photo) Calendar p. 80

PUBLICATIONS

Pagel, David & Hickey, Dave, & Scanlon, Joe, "Plane/Structures", catalogue funded by the Fellows of Contemporary Art, 1994
Colpitt, Frances, "Mapping", catalogue funded by the University of Texas at San Antonio, 1994
Colpitt, Frances, "In Plain Sight: Abstract Painting in Los Angeles", catalogue funded by Blue Star Art Space, San Antonio TX, 1994
Hixson, Kathryn, "Awards in the Visual Arts 10", catalogue funded by the National Endowment for the Arts, 1991


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