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  Jess  (1923 - 2004)

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Lived/Active: California      Known for: mod-real fantasy pastiche, serial
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Ad Code: 3
Burgess Collins Jess
from Auction House Records.
Ex 7 Zodiacal Light
Artwork images are copyright of the artist or assignee
This biography from the Archives of AskART:
The artist Jess was born Burgess Collins in 1923 in Long Beach California.  Jess initially was educated as a chemist and in his career worked on the production of plutonium for the Manhattan Project.  In 1949 he abandoned his scientific career and moved to San Francisco where he enrolled in the California School of Fine Arts.  Burgess Collins then changed his name to "Jess."  n 1951 Jess met poet, Robert Duncan, and began a relationship that lasted until Duncan's death in 1988.

Duncan and Jess worked together to expand and refine a study of world literature and art focused in myths, symbols and archetypes.  The couple was active in the Bay Area poetry and art scene.  They were good friends with Jay Spicer, Helen Adam, Wallace Berman, Patricia Jordan, Jay DeFeo and Michael McClure.  With painter Harry Jacobus the pair ran the King Ubu Gallery in 1952-1953.

Jess created collages to make political and social commentary as well as narrative landscapes.  His strongest group of work was Translations (1959-1976) which consisted of 32 paintings of odd images schematically outlined and rendered in a paint by number style canvas.  Jess's final work was a six by five foot drawing titled, Narkissos a tableau of symbolic imagery from Greek myths.

Jess died January 2, 2004 from natural causes.

Source:
Michael Duncan, Art in America, March 2004

This biography from the Archives of AskART:

The following was written and submitted by Jean Ershler Schatz, artist and researcher of Laguna Woods, California:

Jess was born on August 6, 1923 in Long Beach, California.  He studied painting at the California School of Fine Arts with abstract painters like Clyfford Still, Edward Corbett and Hassel Smith.  In 1959 he began a series of pictures called translations,  copies of children's book illustrations, or old snapshots.  They looked straightforward in reproduction, but they were built up out of many layers of pigment until they resembled a bas-relief.  He painted "paste-ups". enormous collages that were bewilderingly complex.  There were also the salvages, early paintings of his own, or others he found, transformed with strange new encrustations.   

Looking at Jess’ art is like watching a theatrical performance.  After taking in its major outlines, you get lost in a maze of detail and then emerge to find yourself looking at a different work.   

When Jess was in his twenties, he dropped his last name, California style.   

Sources include:   
John Ashbery in Newsweek, April 26, 1982   
Who's Who in American Art, R.R. Bowker, 1993-4.


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