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 Mervin M. Jules  (1912 - 1994)

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Lived/Active: Massachusetts/New York/Maryland      Known for: social-realist genre-satire and figure painting, printmaking

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Ad Code: 3
Mervin M Jules
from Auction House Records.
Sewing Factory
Artwork images are copyright of the artist or assignee
This biography from the Archives of AskART:
A painter, illustrator, print maker, and educator, Mervin Jules is known for painting and illustration that focuses on social commentary and that often employs satire.  He "typically uses dramatic and evocative lighting where sinewy figures emerge from darkened backgrounds, much like the paintings of Honore Daumier." (ArtSource)

He was very active as a print maker, having been a designer of silk prints and china painter as a young man growing up in Baltimore.  During the Depression of the 1930s, he was a member of the Silk Screen Unit of the Fine Arts Project of the WPA.

Jules studied art at Baltimore City College, and on scholarship at the Maryland Institute of Fine and Applied Arts where he graduated in 1934.  In 1937, he enrolled at the Art Students League with Thomas Hart Benton.  He had his first one-man exhibition in November, 1937 in New York City, and in this show had small tempera panels, and a series of Pennsylvania coal-country theme gouache paintings.

Teaching included Fieldston School, and the Museum of Modern Art in New York City from 1943 to 1946; the Baltimore Educatonal Alliance; and Smith College in Northampton, Massachusetts from 1946 to 1969.  Upon leaving Smith, he became Chair of the Art Department of the City College of New York, and also maintained a studio in Provincetown, Massachusetts.

He illustrated American Screenprints by Reba and Dave Williams, 1987. 

Memberships included the Provincetown Art Association, Audubon Artists, American Art Congress, and United American Artists.

Exhibition Venues:
"Baltimore Museum of Art, 1936-46; Whitney Museum of American Art, 1938, 1940-49; Art Institute of Chicago, 1938-41; Pennsylvania Academy of the Fine Arts annual, 1939, 1943, 1948-50; Museum of Modern Art, 1941 (prize); "World's Fair, New York", 1939; Golden Gate Exposition, 1939; Carnegie Institute, 1941, 1944-45; Virginia Museum of Fine Arts, 1946; Library of Congress, 1940, 1945-46; Library of Congress, 1945; Brooklyn Museum; Corcoran Gallery of Art biennial, 1945; ACA Gallery, New York City, 1940s; San Francisco World's Fair; American American Artists for Victory (sent to England); Boston Printmakers, 1967 (19th annual Exhibition, honorable mention ).  Awards: Asian-African Study Program grant to Japan, 1967; Alfred Vance Churchill Foundation grant, 1967.


Maryland Art Source:

Peter Hastings Falk, Editor, Who Was Who in American Art

Biography from Apple Ridge Fine Arts:
The following biography has been provided by Apple Ridge Fine Arts:

The son of a men's haberdasher, Mervin Jules was encouraged by his parents to pursue a musical career.  By the time he graduated from Baltimore City College in 1930, he was determined to paint and teach art.  After completing a four-year course at the Maryland Institute of Fine and Applied Arts, he enrolled at the Art Students League in New York City where he studied under Thomas Hart Benton.

He received his first one-man exhibition in New York City at the age of twenty-five. His career as painter, print maker, illustrator and art teacher spanned more than five decades.

Works by the artist are included in the permanent collections of numerous major museums, including the Museum of Modern Art and the Metropolitan Museum in New York.

Biography from Adam Cave Fine Art:
Social realist artist Mervin Jules was a painter and print maker born in Baltimore, MD.  He received artistic training at Baltimore City College, the Maryland Institute College of Art and later at the Art Students League in New York where he studied with Thomas Hart Benton.

He began exhibiting his paintings in 1935 at The Baltimore Museum of Art in the All-Maryland show.

In 1939, Jules' satirical painting To-Morrow Will be Beautiful was exhibited at the Carnegie International and the San Francisco World Fair. 

Jules' work is in the permanent collections of the Art Institute of Chicago, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Philadelphia Museum of Art and many others including the collection of the University of North Carolina.

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