Ad Code: 3
from Auction House Records.
"Eloise in Paris," unused cover design for Kay Thompson's Eloise in Paris (New York: Simon & Schuster, 1957)
Artwork images are copyright of the artist or assignee
|This biography from the Archives of AskART:|
|Hilary Knight (born November 1, 1926) is an American writer-artist who
is the illustrator of more than 50 books and the author of nine
books. He is best known as the illustrator of Kay Thompson's Eloise (1955) and others in the Eloise series.|
Knight has illustrated for a wide variety of clients, creating artwork
for magazines, children's fashion advertisements, greeting cards,
record albums and posters for Broadway musicals, including Gypsy, Irene, Half A Sixpence, Hallelujah Baby! and No, No Nanette.
The son of artist-writers Clayton Knight and Katharine Sturges, Hilary
Knight was born on Long Island in Hempstead. His father
illustrated aviation books, and his mother was a fashion and book
illustrator. Living in Roslyn, New York as a child, Hilary was
age six when he moved to Manhattan with his family. Knight
recalled: "As a child, I loved to look at a set of books which
belonged to my mother. They were illustrated by Edmund Dulac in a
romantic, wonderful, detailed manner. I know he has influenced my
After study with George Grosz and Reginald Marsh at the Art Students
League, Knight labored as a ship painter while serving in the Navy from
1944 to 1946. Returning to New York, he studied architectural
drafting (at Delahanty Institute), interior design and theatre design,
working for one summer as an assistant designer at an Ogunquit, Maine
theater. He painted murals in private homes and entered the field of
magazine illustration, starting with Mademoiselle in 1952, followed by House & Garden, Gourmet, McCalls and Woman's Home Companion. His work as a humorous illustrator was strongly influenced by the British cartoonist Ronald Searle.
In 1955, he collaborated with Kay Thompson to create the whimsical
black/white/pink look of Eloise. The live CBS television adaptation on
Playhouse 90 (1956) with Evelyn Rudie as Eloise received such negative
reviews that Kay Thompson vowed never to allow another film or TV
Three book sequels followed: Eloise in Paris (1957), Eloise at Christmastime (1958) and Eloise in Moscow (1959). Thompson and Knight teamed to create another sequel, Eloise Takes a Bawth,
working with children's book editor Ursula Nordstrom. That title
was announced in the Harper Books for Boys and Girls fall 1964 catalog,
but in the mid-1960s, Thompson removed the three Eloise sequels from
print and did not allow [[Eloise Takes a Bawth]] to be published.
It was an action that deprived her collaborator of income for decades
(a situation that changed with Thompson's death in 1998). In Salon, Amy Benfer speculated on Thompson's motives in "Will the real Eloise please stand up?" (June 1, 1999):
"Kay Thompson got sick of us. Our initial admiration—a mass consumption
of all things Eloise—was viewed as imitation and she did not consider
it a form of flattery. Adults and children flooded the Plaza, all
insisting that they were Eloise... I think she became jealous. So does
Hilary Knight, Thompson's illustrator and collaborator. His
pink-splashed black and white drawings of the child Maurice Sendak
called, "that brazen loose-limbed delicious little girl monster"
provide the punch line to Thompson's allusive, scatting prose. Knight's
contribution to a 1996 profile of Thompson in Vanity Fair is an
illustration that shows Thompson kicking the chair out from under
Eloise to scrawl "I am Eloise" in lipstick on the vanity mirror in the
Plaza's powder room. Knight's illustration may seem a little tawdry.
But then again, Knight himself got into something of a tangle with Ms.
Thompson over the ownership of Eloise. Their professional relationship
effectively ended when Thompson pulled from publication a nearly
completed manuscript of yet another sequel; this one was entitled
Eloise Takes a Bawth. In later years, Thompson refused to return
Knight's phone calls. Kay Thompson's sense of possession was so strong
that she became unwilling to share Eloise, even with the person who
literally animated the child in her head.""
Eloise Takes a Bawth was finally published in 2002. Knight recalled:
"Kay and I were like parents to Eloise. We decided that we'd never make
her older than six, and that we'd always keep the parents in the
background. When you really study the book, you see that Eloise is
somewhat wistful. And I guess my job now is to continue what Kay might
have thought she was doing when she pulled the books in the first
place—to protect Eloise."
Other publications with Knight illustrations include Good Housekeeping and the children's magazine, Cricket. In addition to creating children's picture books—among them, in collaboration with poet Margaret Fishback, A Child's Book of Natural History (USA: Platt & Monk, 1969), a revision and extension of A Child's Primer of Natural History by Oliver Herford—Knight has illustrated for other genres, such as Peg Bracken's The I Hate to Cook Book.
The roll call of artists Knight admires includes Ludwig Bemelmans,
Joseph Hirsch, Leo Lionni, Robert Vickrey and Garth Williams.
Over decades, Knight maintained an apartment in midtown Manhattan which
also serves as his studio and library, where he adds to his collection
of books, sheet music, programs and soundtrack and cast
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