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Historians have frequently described Le Sidaner's work in terms of
musicality and silence. Always in a 'minor key,' its subtle
harmonies are seen to evoke a wistful mood that is intensified, as Paul
Signac notes, by the absence of figures: "His oeuvre displays a taste
for tender, soft and silent atmospheres. Gradually, he even went so far
as to eliminate all human presence from his pictures, as if he feared
that the slightest human form might disturb their muffled silence" (Y.
Farin (showing 500 of 4016 characters). |
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