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 Johannes Larsen  (1867 - 1961)

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Lived/Active: Denmark      Known for: Plein-aire painting-birds, woodcuts

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from Auction House Records.
Brent geese over rainy waters
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This biography from the Archives of AskART:
Please note: Artists not classified as American in our database may have limited biographical data compared to the extensive information about American artists.

Johannes Larsen (1867–1961) was a Danish nature painter.  Born in Kerteminde on Funen, Larsen studied art at the Free School in Copenhagen under Kristian Zahrtmann in the 1880s. There he met other painters from Funen, notably Fritz Syberg and Peter Hansen, both from the southern port of Faaborg, and the Funish Painters' * group was born. They went on to create an art colony that influenced many Danish and Swedish artists and brought them success.

Johannes Larsen's home, Møllebakken in Kerteminde, became the gathering place in summer months for many painters, particularly younger artists from Zahrtmann's school. Their ideal was to paint outdoors, not just sketching but painting in all kinds of weather. Their paintings have a freshness and energy not previously seen, except in sketches. Once they became successful, they were attacked by symbolist* artists for being "farmer painters" in a newspaper debate in 1907. This only brought the Funish group more sympathy, especially from a group of authors working from the provinces in Jutland. Their chief spokesman was Johannes V. Jensen, who won the Nobel Prize for Literature in 1930.

In 1910, a canning manufacturer, Mads Rasmussen, decided to start a museum for Funish Art next to his canning factory in Faaborg. He created the Faaborg Museum, which still exists, and gave the Funish painters a boost, both by making their works available to a broad public and by supporting them financially. Kristian Zahrtmann exhorted all his students to paint in Italy; now some of them could afford to do so, and the Syberg and Hansen families enjoyed extended stays there. Johannes Larsen and his artist wife, Alhed Warberg, built a large studio and travelled mostly in Scandinavia.

Johannes Larsen was mainly heralded as a bird painter, before this was a familiar genre in Scandinavia. He popularized images of birds, particularly through his woodcuts* and smaller paintings. Later he received commissions to illustrate books and paint large paintings for public buildings, such as the Queen's receiving room at Christiansborg Castle (the Danish Parliament) and the City Hall of Odense, capital city of Fyn.

There were several female Funish painters, struggling to be considered along with their male counterparts with greater or lesser success. They were Alhed Warberg Larsen, Anna Hansen Syberg and Christine Larsen Swane, the wives and/or sisters of Johannes Larsen, Fritz Syberg and Peter Hansen. Their paintings are considered worthy of inclusion in many museums and collections today, though at the time they had a hard time exhibiting on an equal footing with their male colleagues.

Christine Swane, who lived the longest, became a member of the artist cooperative called Corner when she was 60 and enjoyed great success in her later years.

The work of all these artists can be seen at the Johannes Larsen Museum in Kerteminde, the Faaborg Museum in Faaborg, the Statens Museum for Kunst (National Art Museum) in Copenhagen, Funen's Art Museum in Odense, as well as in many other museums and collections.

"Johannes Larsen", Wikipedia, (Accessed 4/16/2013)

* For more in-depth information about these terms and others, see Glossary

This biography from the Archives of AskART:
Please note: Artists not classified as American in our database may have limited biographical data compared to the extensive information about American artists.

Johannes Larsen was born the 27 December, 1867 at Kjerteminde, on the Island of Fyn. He did not receive formal instruction from any of the Danish art schools or academies but from 1884 to 1893 pursued his studies in more leisurely and stimulating fashion under Kristian Zahrtmann (see AskART).

In 1891 he made his appearance for the first time at the Charlottenborg exhibition, and since 1893 has been a member of, and regular contributor to, the Frie Udstilling*. Larsen has also studied and painted at different intervals in Paris, in Italy, and even Boston, where he resided for sometime in 1907.

Together with his fellow-pupils under Zahrtmann, Fritz Syberg and Peter Hansen (see both in AskART), Johannes Larsen forms the nucleus of what is known in modem Danish painting as Den fynske Skole, a group of sincere and earnest native worshippers who find their chief inspiration in the Island of Fyn and whose best productions are to be seen in the provincial museum of Faaborg.

Larsen is Denmark's foremost painter of bird life, and invariably lends his work a verity of observation and characteristic truth of setting and coloration, which never fails to attract interest both at home and abroad.

Christian Brinton, the Catalogue for the 1912 -1913 EXHIBITION of CONTEMPORARY SCANDINAVIAN ART at New York, Buffalo, Toledo, Chicago and Boston

Submitted by M.D. Silverbrooke

* For more in-depth information about these terms and others, see Glossary

** If you discover credit omissions or have additional information to add, please let us know at
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