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 Richard M. Loving  (1924 - )

About: Richard M. Loving
 

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Lived/Active: Illinois      Known for: non ob, mod cityscape, machines

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Richard M Loving
from Auction House Records.
Stuttering Parabola
Artwork images are copyright of the artist or assignee
This biography from the Archives of AskART:

The following information was submitted in July of 2006 by the artist:

Education:
1945-46 Bard College, N.Y.
1947      The New School for Social Research, New York, N.Y.
 
Grants:
1983  National Endowment Fellowship, Painting
1989  Faculty Enrichment Grant

Faculty 2005  Professor, Emeritus: The School of the Art Institute of Chicago
 
Solo Exibitions:
2003  Printworks Gallery, Chicago,Il  Drawing and Print Installation
2000  Jan Cicero, Chicago, Il.
1998  Printworks Gallery, Chicago, Il. Collage/ Vesalius
1997  Bottler Dane, Santa Fe, New Mexico
1996  “Undercurrents” Roy Boyd Gallery, Chicago, Il.
1993  Roy Boyd Gallery, Chicago, Il.
1991  The Jung Center, Evanston, Il.
1991  “Seed Goddesses and Water Themes” Anderson University, Anderson, IA
1990  “Markings: Paintings, Prints and Constructions” State of Illinois Art Gallery, Chicago
1989  Roy Boyd Gallery, Chicago, Il.
1987  Roy Boyd Gallery, Chicago, Il.
1987  Western Michigan University, Kalamazoo, Mich.
1984  Roy Boyd Gallery, Los Angeles, Ca
1983  Roy Boyd Gallery,  Chicago, Il.
1982  Lerner Heller Gallery, New York, N.Y.
1981  Jan Cicero Gallery, Chicago, Il.
1978  Barat College, Lake Forest, I.
1973  Gallery Bernard, Chicago, Il.
1963  Lawrence College, Appleton, Wi.
1957  Bloomington Art Association, Bloomington Il.
 
Two Person Exhibitions:
1969  Kovler Gallery, Chicago, Il.
1972  Benjamin Gallery, Chicago, Il.
1979  Jan Cicero Gallery, Chicago, Il.
1977  NAME Gallery, Chicago, Il.
 
 
Selected Group Exibitions:
2006  181St. Annual Invitational Exhibition of Contermporary Art, National Academy of Design, New York, N.Y.
2004  That 70’s Show Northern Indiana Arts Association, Munster IA.
2004  Faculty Sabbatical Exhibition, The School of the Art Institute, Chicago, Il.
1998  “Primary Colors” Jean Albano, Chicago, Il.
1998  “Pleasure Beyond Guilt, Artemesia Gallery, Chicago, Il.
1988  “Second Sight”, curated by James Yood, Mary and Leigh Block Museum, Northwestern University, Evanston, Il.
1995  Selections from the “Toni Gutfreund Collection”, Oakton Community College, Chicago, Il.
1991  “Spirited Visions, Portraits of Artists”, State of Illinois Gallery, Chicago, Il.
1986-88  "Contemporary Screens, Function, Decoration, Sculpture, Metaphor” circulated by the Art Museum Association of America.
1988  Drawings, Gallerie Anton Meier, Geneva, Switzerland
1988  “The Grande Example of “La Grande Jatte: Seurat and Chicago Art by Mary Mathews Gedo, Roy Boyd Gallery, Chicago, Il.
1986  “Artists, Alternative Media” NIU Gallery, Chicago, Il.
1986  “Elegant Abstraction”, Paine Art Center, Oskosh, Wis..
1985  “Eighty First Exhibition Artists of Chicago and Vicinity”, Art Institute of Chicago, Chicago, Il; “American Abstraction/Four Currents” Louis K. Meisel Gallery New York, N.Y.
1984  “Abstract Painting in Chicago”, Roy Boyd Gallery, Los Angeles, Ca.; “Abstract, Symbol, Image”, Hyde Park Art Center, Chicago, Il. (Traveling); “Chicago: Some other Traditions”, Madison Art  Center, Madison, Wisconsin, Traveling, curated by Dennis Adrian FORUM” Zurich, Switzerland.
“Chicago Cross Sections”, Trisolini Gallery, University of Chicago; “The Fan Show”, Hyde Park Art Center, Chicago, Il. Curated by painter Ellen Lanyon.
“Chicago Artists: Continuity and Change” Printers Row, Chicago, Il
“Chicago Abstract Painting” Chesney Cowles Memorial Museum, Spokane, Wash.
1982  “Chicago Abstract Painting” Sonoma State University, Rohnert Park, Ca.
1980  “32 Illinois Invitational” Illinois State Museum, Springfield, Il.
1979  “Chicago / /Karlsruhe”, Germany, curated by Franz Schulze
1977  "Two Painters:Two Sculptors”, The School of the Art Institute of Chicago     1976  “Selections from the School’s Painting Department” The Art Institute of Chicago.
1969  Chicago  and Vicinity Art Exhibit, The Art Institute of Chicago.
          “Painting and Sculpture Today”, Indianapolis Museum of Art, Ind.
          “Contemporary Art In the Midwest“, University of Notre Dame, Ind.
1966  “Scripps College Invitational”, Claremont, CA, “Three Person Show” Vitreous Enamels at the Art Institute of Chicago.
1968  “Drawings USA”, St. Paul Art Center, St. Paul, Mi.
1959  “Contemporary Enameling,” Museum of Contemporary Crafts, New York, N.Y.
 
Public  Collections:
Art Institute of Chicago, Chicago, Il.; Museum of Contemporary Art, Chicago, Il; Illinois State Museum, Springfield, Il.; Jocelyn Art Museum, Omaha, Neb.; Block Gallery, Northwestern University, Evanston, Il.; Elmhurst College, Elmhurst, Il.; State of Illinois Collection, Chicago, Il. ; Smart Museum, University of Chicago, Chicago, Il.; Moraine Community  College, Palo's Hills, Il.; Sangamon State University, Sangamon Il.

Collections:
AT&T Corporate Headquarters, N.J.; Moraine Valley Community College, Palo Hills. Il.; First National Bank of Chicago, Chicago, Il.; Kemper Group. Long Grove, Il.; Moraine Community College College, Palo's Hills, Il; Prudential Insurance Company, N.J.; Gardner, Carton and Douglas Inc. Chicago, Il.; Needham, Harper and Steers, Chicago, Il.; Catherine T. MacArthur Foundation, Chicago, Il.; Industrial Trust and Savings Muncie, Ind.; Katten, Muchin, Pearl and Galler Ltd, Chicago, Il.; Baker Furniture Company,Chicago, Il.; Ruth Horwich Collection, Chicago, Il.; Larry and Evelyn Aronson Collection, Chicago, Il.; Toni Gutfreund Collection, Chicago, Il.; Herbert and Virginia Lust Collection, Greenwich Conn.
 
Selected Bibliography:
Artner, Alan Chicago Tribune, “Enamored of Breathing”, February 2003
Taylor, Sue, Gallery Brochure, Printworks Gallery Chicago, Il., February 2003       Pascale, Mark, Galley Brochure, “Dissections” Printworks Gallery March 1998
Wiens, Ann, New Art Examiner, “On View”. May 1993, pp 36-37
Artner, Alan Chicago Tribune, August 10, 1990
Artner, Alan Chicago Tribune, October 27, 198
Artner, Alan Chicago Tribune, March 12, 1987
Artner, Alan Chicago, Tribune, October 14, 1983
Taylor, Sue Gallery Brochure, “Two Kinds of Order” Roy Boyd Gallery, 1993       Camper, Fred, New Art Examiner February, 2001
Holg, Garret, Art News, December 2000
Loving, Richard, Speakeasy New Art Examiner, February 1993
Loving, Richard, “Paint Stuff” & Material Evidence” School of the Art Institute         WEB SITE 1988
Gedo, Mary Matthews, Chicago Artists Celebrate “ La Grande Jatte", New Art  Examiner, March 1986, pp.26-28
Argyropoulos, Andy, New Art Examiner January 1986
Lucie-Smith, Edward, ”American Art Now”, Morrow and Co. 1985, pp 128-129
Pincus, Robert L., Los Angeles Times, July 1984.
Gedo, Mar Matthews, “Interconnections: A Study of Chicago Relationships in painting", Arts Magazine, October  1982, pp.112-117                       
Schulze, Franz, “Cool Fantasy with Mystery”, May 1981                                        Schulze, Franz, “Artists the Critics are Watching”, Art News, May 1991
Schulze, Franz, “Richard Loving’s Abstract Imagism”, New Art Examiner, April 1981
Schulze, Franz,  “False Starts? Whatever, Richard Loving finally got it Right”.  Chicago Sun Times, November 29, 1981
Eliot, David, Chicago Sun Times, December 2, 197
Lust Herbert, “Richard Loving; Image Destroyer” Gallery Bernard Essay 1973
Schulze, Franz, “Some Good Bullfights, A Blob of Pig’s Hair and...” Chicago Daily News April 29-30, 1972.
Haydon, Harold, Chicago Sun Times April 14 1972
Schulze, Franz  “Surreal Drawing and Cool Sculpture, Chicago Daily News, March 8, 1969.
Anderson, Don J., “Work in Enamels”, Kovler Gallery, Chicago American June 26, 1966.
“The Chicago Tribune”, “Work In Enamels”, The Chicago Tribune July 3, 1966.
Buchwald, Wesley R., Mulder, John W, Craftsmen in Illinois 1965, page 6-7 catalog  essay, Illinois Art Education Association. “Art in Chicago” Museum of Contemporary Art  1945-1995. Various entries.                      
 
OTHER  ACTIVITIES
 “Interconnections in Chicago Art” A Video Data Bank Interview and Discussion with Mary Mathews Gedo, William Conger, Frank Piatek Richard Loving: Taped February 1985.
Panel:, “Commonalities in Chicago Abstract and Imagist Painting” November 8, 1985, Roy Boyd Gallery: Dennis Adrian, Rodney Carswell, Richard Loving, and Frank Piatek.
Panelist: National Endowment for the Arts, Painting, May 1985
Moderator: Aspen Institute in Chicago” May 1985.  Discussion Topic: How Art Affects the Culture? How Culture affects Art?
Moderator: Panel subject: “The Roy Boyd Gallery;The Influence of  Seurat’s “Sunday Afternoon on the Island  of La Grande Jatte”, May 1986                               Panelist: Overview Panel. National Endowment for the Arts, October 1985
Founder of Chicago/ Art/ Write in 1985 with painters Frank Piatek and William Conger.                                                      

 
 
                                                                          
                                                                              

 
 

 
              
                                     


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